What Stan Lee has basically done here is create his very own Spider-Man. With the Condor, we have a basically privileged young man whose life is really in need of a boost. When his parents die, he is rendered basically crippled after being attacked, and becomes a superhero. One that talks the villains to death to piss them off. The Condor is basically the equivalent of the Spider-Man rogue Rocket Racer with a mixture of that lame superhero from the nineties: MANTIS.
Tag Archives: Science Fiction
Stan Lee Presents Mosaic (2006)
“Mosaic” lured me because, well, anything these days that doesn’t look like quasi-anime made just gets a pass with me, and “Mosaic” gets a pass for looking like honest to goodness animation. “Mosaic” is made up to look like a moving comic book. Wherein the recent Marvel cheap-o cash-ins, “Mosaic,” from Stan Lee’s Company “Pow” entertainment, seeks to be unique, while also possessing the same novelty of a comic, fonts and all. But don’t let the animation fool you, it’s not something I’d suggest for anyone under fifteen, basically because watching the villain break a guard’s neck, was something that drew a furrow of the brow. But hey, the writing by Scott Lobdell paired with Anna Paquin’s name really drew me to this fantasy actioner, I must say.
The Invincible Iron Man (2007)
You have to give it to Marvel Comics. While DC refuses to allow certain freedoms to separate properties of their characters for fear of “confusing fans” and undermining our intelligence, Marvel Comics openly allows their characters to be portrayed in different mediums. Even with a big budget film adaptation in the works, with Robert Downey Jr. starring, and John Favreau directing, they still allow this animated adaptation to be released to fans. Because, we can tell the difference. We just can. We’re not as dumb as WB and DC perceives us to be. One of the better improvements upon the Iron man animated film is that it bears no real connection to the previous “Ultimate Avengers” series of films. Meanwhile, the story of Tony Stark and Rhodey is played with a level of espionage and suspense of your typical spy film, shying away from any sort of camp. Here Stark is hardly ever referred to as Iron Man, and the character is more of a presence, and less a superhero.
Sidekick (2005)
I’ve been a comic book fan since I was a very small kid. Before I could read they were great to look at, and I’d have someone tell me their names, when I learned to read they were fun to dive into, even if I didn’t always understand the stories. When I became older, they were fun to read because the stories were so damn good depending on what comic you read, and when I became a man, I learned subtext, commentary, and undertones for the better, and I sought out deeper material. Either way, comic book fandom is a hobby that evolves over time, and de Graaf has the right idea of the love for comic books. There have been many an homage to the Superhero genre, but “Sidekick” is a completely different one altogether.
Primer (2004)
When you can create a film under $7,000 dollars and end up with a pretty esoteric and elaborate science fiction film, that’s quite an achievement. “Primer” was a very low budget film that managed to achieve considerable critical acclaim, as well as respectable grosses, and it’s a film many have deemed difficult to watch. Which is a complaint that’s with merit. “Primer” is an often confusing film about a group of men attempting to build a machine. But what makes it such an entertaining and rather engrossing bit of independent cinema, is the dialogue. And Shane Carruth’s dialogue will suck you in because the characters are so natural.
Children of Men (2006)
Forget cannibalistic freaks on a hill, forget a stranger calling, forget a torture house in Eastern Europe, forget a chainsaw bearing monster, two of the scariest movies of 2006 were, without a doubt “When the Levees Broke,” and “Children of Men.” Why? Because both films present the utterly realistic and utterly possible events that will occur, should a natural catastrophe ever shake up the world. What makes “Children of Men” both a masterpiece and probably one of the most horrifying movies of the year is the fact that mass infertility, with the change of climates, evolution, and rising population, is possible, and likely to happen.
Night Skies (2007)
“Night Skies” is almost ninety minutes long. It falls short of that number by six minutes. Forty-seven minutes is the time it takes for our mysterious aliens to finally drop down on our hapless travelers and launch their attack. That’s almost eighty percent of the film we’re told is a horror/sci-fi movie. Supposedly based on the accounts of the original victims of this alien abduction, apparently, the writers felt that since the accounts of the supposed remaining victim of these alien abductions were possibly vague and unusable, filling the film up with over an hour of soap opera melodrama would have made for more quality entertainment. Fact is, Knyrim sets forth many plot devices and potential story elements and never pays off for the audience.