Matt Cordell is back and it was only a matter of time before he continued to seek pure vengeance on those who wronged him in his past life. Going back to the events of the first film, “Maniac Cop 2” traces its steps from the original film to continue off where Cordell started his journey for revenge against the people who framed and jailed him, leaving him to die at the hands of inmates he’d busted years before. “Maniac Cop 2” is a film intent on not only continuing the narrative but finishing off the loose ends of the original film.
Tag Archives: Slasher
Maniac Cop (1988) [Blu-Ray]
William Lustig is no stranger to films that dabble in the anarchic and try to play with our conceptions of paranoia and fear. The director is responsible for one of the most infamous slashers to ever come out in theaters “Maniac,” so delving in to the opposite spectrum of the premise is not surprising. “Maniac Cop” is almost an unofficial spin off of “Maniac” in where the former title was about a maniacal psycho on the loose in the city, the latter is about a maniacal authority figure on the loose in the city. Lustig doesn’t detract from the same tone and atmosphere that “Maniac” succeeded in and injects much of the same chaos and paranoia in this slasher film.
The Gingerdead Man (2005)
The best thing to do with “The Gingerdead Man” is not take it seriously. At all. It’s a dumb, goofy, and cheesy horror comedy that invokes the likes of “Jack Frost” and “Child’s Play” to tell a story that’s giddy with cheesiness from the get go. One of the fun aspects of the movie that I intend to follow is the location of the ingredients that spawn the Gingerdead Man. Once bakery owner Sarah receives a mysterious box of gingerbread ingredients, the mysterious mix spawns the evil gingerdead man from the dough. Where did it come from? Who sent it? Who has it out for Sarah? I want to know and I hope the sequels tackle this mystery in the next two films of the apparent trilogy.
Scream 4 (DVD) (2011)
It’s funny. Even with all of the technological improvements and modern facets that Wes Craven implements with “Scream 4” for his new Ghost Face Killer, this 2011 output of the “Scream” franchise still feels painfully dated and utterly irrelevant. At a time where slasher films were once old news and horror was a dead genre, “Scream” came on to the scene and revived both the slasher sub-genre and the horror genre once more. But during a time where horror has become choked with new directors, original visionaries, foreign artists, and remakes galore, “Scream 4” feels much too little and much too late. “Scream” maintained a firm relevance through the years for quite sometime because it was a welcomed revival that brought to mind why we liked the genre in the first place. But with the film industry becoming more and more a bastion for the new filmmaker with at home technology that allows him to cut a film in under a year so easily, “Scream 4” doesn’t really do much for the genre. Had this entry arrived five years ago I can safely say that Craven would have surely been welcomed in to theaters by yours truly, but there simply is nothing left to do with the “Scream” premise.
A Nightmare on Elm Street 5 – The Dream Child (1989)
“Dream Child” is admittedly one of my favorite of the Nightmare sequels. While it doesn’t do much to further the lore like “Dream Master,” either, it does strike me as something of an entertaining installment in the series. Even years after watching it on network television time and time again, it still holds up very well to scrutiny. The premise is actually very creative this time around. Though it’s still a cheap excuse to keep the series moving, it’s quite innovative. Freddy has been revived once again and this is through the dreams of Alice. He revives his mother who gives birth to Freddy yet again, and Freddy is able to take on his true form as an adult. He knows something Alice doesn’t.
A Nightmare on Elm Street 4 – The Dream Master (1988)
With “Dream Warriors” there was a purpose for its premise. It was the last of the Elm Street children and they had a score to settle with Freddy. With this Renny Harlin installment there isn’t much that can be done beyond the visual and Harlin brings it to the forefront with all sorts of surrealism that audiences will appreciate. Sadly, the cause for Freddy’s revival isn’t too creative, nor is the reason for the continuation of this narrative. There could have been a lot more to do with the concept of the dream warriors, and “Dream Master” is sadly just a vague reflection of the creativity brought to the aforementioned.
Chainsaw Sally (2004)
Chainsaw Sally is one vengeful woman. As a resident of Porterville, she’s the quiet librarian who takes her work much too seriously, and loves to strike down anyone who makes her work more difficult than it has to be. By day she’s an authoritarian bookkeeper who takes pride in her work, but by night she’s a wicked avenger for women wreaking havoc around her town and mutilating anyone that crosses her path. Be they folks who have forgotten to return their books, or womanizers at bars, she is never afraid to wreak unholy vengeance upon her victims and she does so with glee and a giddy laugh to boot.