Sadly, I think director Alex Pucci’s grindhouse slasher film entitled “Frat House Massacre” will just be mistaken for other shelf fillers out on the market, and that’s a damn shame. A few years ago when we finally had the chance to pop in Alex Pucci’s throwback to seventies revenge thrillers, we were floored. Finally after a few years of touting the film to websites, Mr. Pucci’s slasher revenge thriller gets the treatment it deserves by Synapse Films. They pull out all of the stops for this re-release of “Frat House Massacre” enlisting 5.1 Surround Sound, and a bevy of extras including two new commentary tracks and a Making Of featurette.
Tag Archives: Slasher
Chromeskull: Laid to Rest 2 (2011)
I didn’t enjoy “Laid to Rest” as much as other people did, for the simple fact that as a slasher it featured some of the most annoying and difficult to root for characters ever created, with a character named Chrome skull who had potential but was sorely wasted. “Laid to Rest” was a missed opportunity to conceive something of a unique slasher franchise and it failed big time. “Chromeskull” however is an even bigger waste of time, as it never knows what to do with the premise, nor can it completely connect the first film to the second film without it feeling like cheap fan service.
Tucker & Dale vs Evil (2011)
Not much has made me laugh this year. There’s been an onslaught of R rated comedies and nothing has hit the spot quite like “Tucker and Dale vs. Evil.” Eli Craig’s horror comedy is a film that works more so as a comedy film and it had me laughing non-stop for ninety minutes with a premise so clever it’s shocking that this is the first time we’ve seen it accomplished before. The premise is tricky, but Craig handles the material with enough finesse and creativity to where nothing feels forced or drawn out to fill time. The film is a merciful ninety minutes and that’s all it needs to tell its story. You’d think with a movie featuring such morbid dark humor that Craig’s creative work would be mean spirited, but surprisingly, he opts for unbelievable dark humor that works in ways that will leave audiences slapping their knees with laughter.
Scream 3 (2000)
Bereft of the typical doldrums of the previous films, “Scream 3” at least tries for something new and unique in the end. And while that doesn’t result in a watchable movie it’s at least admirable for its attempts to do something interesting. While “Scream” examined the crime, “Scream 2” examined the fall out from the crime where the idea became the institution, all while “Scream 3” explores the institution becoming so steeped in sensationalism that the crime has all but been snuffed out as a memory and urban myth. This sets the stages for Sydney’s return in the final installment of the first trilogy of “Scream” where she’s not a recluse living among her own devices avoiding the outside world. But fate comes knocking at her door when Ghostface returns anxiously looking for Sydney who has gone in to hiding and has taken on a new moniker and profession.
Teddy (2011)
The funny thing about “Teddy” is that there is no reason for it to go beyond an eleven minute run time. This film’s premise is so hackneyed and predictable, it’d barely make a decent feature length film. Which is not by any means a criticism, just an honest observation. You have to respect Slasher Studios for comprising an entire narrative and condensing it in to only eleven minutes.
Scream 4 (2011)
What with so many horror movies offering up a surprise ending we will not see coming for the last ten years, it’s a given that the lure for “Scream 4” is not so much the surprise ending and the revelation, but the nostalgia. Hallelujah Wes Craven on the way to career hell is finally taking “Scream” seriously again in what promises to be a reboot to please the fans and no one else. The problem with “Scream 4” or “Scre4m” is the inability to be about as entertaining as it possibly can. The only thing worse than a bad horror movie is a boring one and “Scream 4” manages to be boring in about as many wave lengths as possible, delving in to the same old tropes we saw in the original series, and lacking the balls to even off core characters to keep us grinding our teeth and our guards low.
Scream 2 (1997)
With “Scream 2” you can pretty much sense Craven and writer Williamson struggling to create a sense of atmosphere that they did with the original. And the movie series that claims to dodge the slasher clichés while also mocking them, eventually became so clustered with attempts to bring audiences a new experience they pretty much relied on clichés and a formula they streamlined in the original. We have someone offed in the beginning, we introduce the old cast, we get to meet a new cast of characters, someone is killing the cast members, Sydney has to find out who or whom is doing the killings, a load of red herrings are thrown at the audience, there’s the obligatory thought that perhaps one of the original three cast members are behind it, and then there is the grand stand off in the climax where we’re given a bunch of “gotchas!” Officers and all authorities are also immensely useless.