Maybe it’s because Pixar seems to be attempting to appeal to the NASCAR crowd, maybe it’s because Pixar seems to be glorifying a “sport” that’s really just cars driving around in circles, or maybe it’s because Pixar has created a movie that is preaching about the good days of society when it was more innocent, from a company like Disney that’s basically sterilized and dominated the world with its utterly sickening spree of overpriced merchandise. Turn any corner in Times Square in New York and you’re guaranteed to see something from Disney. And that’s not a coincidence. Disney is the cause of many problems in America, one of which is their sheer monopoly on companies and media, and the contribution to the overall vast consumption that’s ruined how Americans think.
Tag Archives: sports
Rocky Balboa (2006)
“Rocky Balboa” would work better if seen after “Rocky.” This man at the top of his game earns the love of his life, to which we turn to “Rocky Balboa” where this man is now a wash out, with no family, and the love of his life dead. It would make much more of an impact. What occurs is Rocky not trying to reclaim his fame, but prove he can have one last go around before he properly fades away into the darkness to live out the rest of his life and die. What Stallone also tackles is the rampant ageism in America. Can a man in his late fifties still do what he did in his early thirties? Can a man be robbed of what he wants because of his age?
The Ringer (2005)
I liked “The Ringer.” I liked it a lot. Because, in spite of the jack ass from “Jackass” starring, and the potential for a complete cheapening of the Special Olympics, every opportunity this film had to spit in our faces, it didn’t. The controversy behind this was pointless. Because, in spite of the previews, “The Ringer” really isn’t a cheap comedy. The mentally disabled pictured here are not comedy props for fart jokes, and they’re not caricatures, or objects to laugh at. I just didn’t understand the controversy behind “The Ringer.” Maybe it was bad press for the sake of hype, or perhaps just more morons making a fuss over a film they haven’t seen just yet, but when I was finished, I didn’t see the big deal. It’s not just some shitty comedy from Tom Green, and it didn’t warrant any sort of hype in the end.
Hot Wheels Acceleracers, Vol. 4 – The Ultimate Race (DVD)
If you’re a fan of “Oban Star Racers,” or “Speed Racer,” movie 4 of the “Acceleracers” series will please tween boys with bright animation, epic car races, and stories simplistic enough to keep their attention. This final installment involves the Acceleracers devising a plan to save one of their kidnapped team mates Wylde brother of the hero Kurt. To do this they have to open the Cosmic Realm, a dimension of twists and turns and infiltrate Racing Drones Headquarters, and the action beefs up for this last go around. Are you excited?! I sure am! Even though I have no idea what I just wrote! Can you get your son to explain to me?
An Underdog Story

Art by Trevor Gentry Birnbaum
Talladega Nights: The Ballad of Ricky Bobby (2006)
Bobby is a boy who dreams of becoming a racer, and when he finally gets the chance, he becomes one of the most popular racers in the industry. That is until he has a break down after a crash and now must rebuild what was taken away from him. Ferrell’s foray into adult comedy once again is a weak and mediocre one, and for every one hilarious joke that “Talladega Nights” hits with audiences, there are about four or five that really fail to be as funny as it could be. McKay’s film is too aware of itself, and instead of playing it deadpan while delivering the gags and jokes, it desperately tries to gauge laughs from the audience, including every such nuance and quirk it can just to assure itself that we’ll laugh.
Supercross (2005)
If you needed any verification towards the quality of “Supercross” you need look no further than the first ten minutes. After our character narrates that he and his brother are close, and that just because they’re close doesn’t mean they never compete, and that their father dreamed of having them as Supercross stars, we’re subjected to a nearly ten minute long opening featuring a montage of motocross sequences set to a dramatic scores and flickering credits. Oh joy. And then there’s the actual film after the stunt show. We’re dragged along with pool cleaners whom rely on their jobs and have nothing else in their lives except their job, which they rely on, and their bikes.

