Ah, “The Blair Witch Project.” Now a canon for budget horror filmmaking, whether we like it or not. Some people love the film, some people utterly despise it. I love it, personally, but I’m always very weary at budget films that copy the formula. This concept is very difficult to mimic. Sometimes it comes off well, and sometimes we have nothing but a bunch of dipsticks running around with a camera screaming like morons, sans the tension and suspense. I can count the number of films that achieved this formula on one hand, and surprisingly, “June 9” did it right most of the time.
Tag Archives: Supernatural
Masters of Horror: Valerie on the Stairs
Being an aspiring writer, knowing aspiring writers, and being apart of a world filled with aspiring writers, “Valerie on the Stairs” was really an interesting installment that spoke about how ideas and imagination can tend to die with a horrible writer, and on how some ideas can be housed somewhere. In “Valerie on the Stairs,” we visit a home for aspiring writers whose own abode has become the breeding ground for a monster who perhaps may be a figment of imagination taken shape. Garris’ installment is a provoking little humdinger, with slight shades of subtlety, explore the condition of being a writer and the suffering that becomes apart of it. What happens when unfulfilled imagination manifests and rebels violently against its creators?
Cinema Crazed's Worst 10 of 2006…
10. The Lake House
Yet another cheesy marketing ploy. Watch the cardboard cut out and America’s Sweetheart who hasn’t had a hit in years team again to star in one of the stupidest most absurd romance dramas ever made. A man communicates with a woman through a mailbox that can travel two years into the future. Why such a weird number? Who knows. Regardless, the time differences are barely noticable, the entire film is soapy, and the mailbox becomes an irrelevant plot device in the second half as suddenly, these two get the power to change time to fit their romance. Goody. Correction: Crappy.
Pan’s Labyrinth (El Laberinto Del Fauno) (2006)
In a world filled with boy wizards, and dragons, every time I think the fantasy world is dead, there’s always someone who swoops in to reclaim the throne and show us that indeed the fantasy genre is still alive and well. All it needs is much imagination and no derivation. It’s not a hard concept to grasp, and it’s not a hard task to accomplish. Every time I receive an opposing argument on that declaration, two words will come from my lips: “Pan’s Labyrinth.” This would be the part where I’d compare this to fodder like “Legend,” and “Alice in Wonderland,” but Del Toro’s film is one of its own kind. Much like Del Toro’s previous “The Devil’s Backbone,” “Pan’s Labyrinth” is unlike anything you can imagine watching.
Watch Me (2006)
The recent craze of Asian horror inspired films has been one I’ve not been most accepting of, mostly because half of them aren’t very good to begin with. Some are dramas painted as horror (Dark Water), and some are just remade into horrible films (Pulse), but I’m always willing to watch a horror film inspired by the trend and see if it lands on its feet or falls flat and breaks its neck. “Watch Me” has all the basic elements of an Asian horror film. Creepy ghost, mysterious object inspiring mysterious deaths, and of course a modern medium used as a facilitator.
Dust Devil – The Final Cut (1992) (Limited Collector's Edition DVD)
Richard Stanley’s “Dust Devil” is “The Hitcher” with a supernatural twist. It’s a compelling story about a man who kills random drivers on the road, yet is also a monster impossible to kill. With the special edition of “Dust Devil” from Subversive Cinema, now on DVD, you don’t only get one DVD, you get five. You receive the final cut, the more extended work print, and three other film works from Richard Stanley that are very avant-garde. Like the “Cannibal Holocaust” boxed set, this is well worth the money because it gives film collectors something to really bite on with a wonderfully constructed library of goodies with extras, booklets, production diaries, and even a “Dust Devil” comic book.
Pumpkinhead: Ashes to Ashes (2006)
“Ashes to Ashes” is no better than its predecessors. It’s a sloppy mélange of terrible acting, choppy editing, and a plot that’s better suited for “The Crow” franchise instead of “Pumpkinhead.” Granted, the original “Pumpkinhead” is great, but like “The Howling” the franchise begins and peaks at the first film and then goes downhill in terms of quality and overall engrossing story and lore very quickly. A local doctor who owns the corrupt town of any town, USA, is stealing people and taking parts from them for the black market.