So far, the second season seems to be attempting to make up for the mistakes the first season made, and the two directors with the worst episodes of the first season, end up creating better episodes this time around. Landis whose episode, “Deer Woman” was basically a lightweight horror effort, makes up for it with the excellent installment “Family.” Harold Thompson loves his family. He lives in his large house in the middle of a bright suburb, and he keeps his family closely guarded and drawn away from human eyes, and there’s a good reason for that.
Tag Archives: Supernatural
Bubba Ho-Tep (2002)
For a film so set on camp, and only camp, Coscarelli dials the campy atmosphere down to about a four most of the time. He even manages to paint his character who thinks he’s Elvis as a rather dignified person. The entire concept of “Bubba Ho-Tep” is rather original. There’s a soul sucking monster at an old folks home, and to discreetly suck life, and not be noticed, it’s taking the remaining life from the residents there, and no one is drawing much of a stir. But Elvis and the black JFK decide it’s about time to stop this monster before they’re next in the war path of the undead mummy. “Bubba Ho-Tep” is a lot less a horror film, and much more of a film about the horrors of getting old.
Masters of Horror: The Damned Thing
What do you know, after a long break, “Masters of Horror” returns. With a season of ups and downs, and mostly downs, the premiere is backed by the one and only Tobe Hooper whose last entry “Dance of the Dead” left much to be desired in terms of intelligence, coherency, and all around entertainment value. “Masters of Horror” was a season of safe scares, and that’s a shame. Is this season premiere any better? Yes. Yes it really is. “The Damned Thing” has everything that was missing from the first season. There is a substantial amount of engrossing story, wonderful characterization, a stern tone, and cogent direction a la Hooper who rebounds from the abysmal “Dance of the Dead.” After his father goes on a violent fit of rage suddenly, killing his mother on his birthday, Kevin Reddle, now a sheriff, is preparing for “the damned thing” to come, but how prepared is he?
The Initiation of Sarah (2006)
ABC Family’s “The Initiation of Sarah” isn’t an awful quasi-horror film, it’s just incredibly weak and bland. It’s never intentionally a very weak film, it’s just so lost in its own attempts to mimic a certain show about yakking women that it can’t find its own niche. What do you expect from a movie whose heroine has sex to prevent from being sacrificed as a virgin? “The Initiation of Sarah” is like a harder edged “Sabrina,” it’s a PG-13 “Suspiria,” and while that’s not always a bad thing, it’s just never interesting enough to warrant my full attention.
Rest Stop (2006)
A cell phone that isn’t working, a gritty rest stop, no phone in sight, a bitchy wife, an inept husband, a mysterious man behind the wheel of a car, and a lot of screaming. Well, now that we have all the clichés in order, let’s make a movie! “Rest Stop” wants to be “Wolf Creek,” it wishes it were “The Hitcher,” it vies to be “Duel,” but in reality it’s not even as good as “Joy Ride.” If this is what we’re getting from direct to video, I’m shocked that I’m still a horror fan. “Rest Stop” is a sloppy hackneyed piece of dribble that derives much of its plot from different survivalist horror films only to be called a survivalist horror film.
The Covenant (2006)
It’s tough being a middle class white muscular young man who has the powers of a god and has blond busty women hanging around him all the time. God, Renny Harlin knows me so well, he knows the youth so well. “The Covenant” is one part “The Lost Boys,” one part “The Craft,” and two parts David DeCouteau with homoerotic undertones, overtones, mid-tones and all. The male cast gaze at one another with evident lust, and sexual tension, the male cast is featured nude in the lockers whipping one another while one mutters “Say my name!” You just have to wonder if DeCouteau had some hand in the creative process.
The Woods (2006)
Director Lucky McKee’s second film is another twisted tale involving the sick minds of women, and delves into the psyches of girls both old and young, and bears shades of “Whispering Corridors” and “Suspiria.” With a cast of Patricia Clarkson, Bruce Campbell, and Agnes Bruckner, respectively, it’s a damn shame “The Woods” won’t get much attention beyond horror fans, and curious video renters with a two for one card. Because McKee is on his game here, and my expectations for “The Woods” were met above and beyond.