After a night of partying a group of friends decide to play with a Ouija board, maybe the CD player was broken, who knows? But once they begin playing, they accidentally unleash a mysterious demonic entity who is now stuck in our reality after someone breaks the link. Now, it’s up to the group to discover who out of them all is possessed by the demonic force before each and everyone in the group keeps being killed off. I said it once before, and I’ll say it again: Foreigners make the best horror films, now before you start calling me anti-American and begin dumping your French wine down your toilet, hear me out. Foreigners are rarely ever people who buy into hype and rely solely on something that Hollywood lost years ago… what’s that called? Ah, originality.
Tag Archives: Supernatural
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Twas once a skeptic to the quality of the film now am a believer that Disney can still trot out quality films. My Mea Culpa was to assume that even with such a cast as Geoffrey Rush and Johnny Depp aboard that this would be a stinker, but once more I was wrong. Gore Verbinski who did an excellent directing job in the recent thriller “The Ring” conveys the true spirit of swashbuckling films in “Pirates of the Caribbean”, a film that is very reminiscent of the old Errol Flynn Pirate epics that stunned audiences in the early 1900’s in its truest essence; the swashbuckling film genre is dead only recently being brought to the screen with the bland “Cutthroat Island” a film that had style but little substance.
Solaris (2003)
The film “Solaris” poses some interesting questions about life; How much of life is reality and how much is illusion? How much of life is illusion we’re not aware of, and illusion we prefer to endure for the sake of going on in life? When someone dies, how much of their memory that we store in our minds is real and how much is distorted by the way we preferred to see them as? And, finally, one of the truly provocative questions: Do we ever really know someone? Do we know their flaws and personality inside out or do we just create our own images of them.
Dracula II: Ascension (2002)
When a coroner brings in a charred body, he and a doctor named Elizabeth discover that the body is that of Dracula. When they get a mysterious offer from a buyer who will offer them millions of dollars for his body, they and a group of college students decide to take it upon themselves to discover what makes Dracula immortal while hoping to extract the evil from within the essence but when Dracula becomes too hot to handle, a mysterious knife wielding priest is on the hunt for them and will stop at nothing to take Dracula down.
John Carpenter's In the Mouth of Madness (1994)
It’s not hard to believe that the character and presence among the entire film Sutter Cane is a depiction of Stephen King who also bears a collection of almost unearthly and creepy books as Cane does in the film, and they both have a mass following of readers. Of course, his fan’s devotion to his books is not as intense as it is in this film. John Carpenter manages to show people with “In the Mouth of Madness” why he’s considered among the best directors in film and among horror royalty. Watch “Halloween”, “The Fog”, “Vampires”, “The Thing”, just to name a few and you will witness his true aptitude for capturing horror in its true essence, and what he manages to do in “In the Mouth of Madness” is capture it in all its pure unrestrained essence onto the cells of this film.
Harry Potter and the Chamber of Secrets (2002)
Based on the record-breaking bestselling series of children’s books, Harry Potter lives with his annoying family once more and is visited by a house elf called Dobby (voiced by Toby Jones) who warns Harry not to return to Hogwarts because of ensuing danger; Harry does not heed his warnings and returns once more to discover a dark force sabotaging the beloved members of the school’s faculty and freezing its victims to stone. Now Harry and Ronald must discover the source before it’s too late.
Ghost Ship (2002)
There’s been many ghost films over the past decades, and there’s not much original material or horror devices you can inject within the horror genre these days. Especially films that involve ghosts and spirits because it’s all been done to death. This film is no exception applying to that formula, but it does tend to use the tired clichés with much tenacity that I found it hard to dislike this. No matter how hard I tried, it was tough trying to label it awful, because it isn’t awful. It’s far from being scary, but it’s not dull either.