Tag Archives: Supernatural

The Ring Collection [4K Ultra HD/Blu-Ray]

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Available March 19th from Scream Factory.

In the age of analog horror and ARG’s, Hideo Nakata was so far ahead of his time, that it’s horrifying. His 1998 horror film “Ring” is a concept that, if realized today, would have probably been a hit series on Youtube. A cursed VHS tape featuring a dreaded short film with supernatural powers, a powerful demon sleeping within it, calling up those that view it, and giving them seven days to live. On the seventh day when the user fails to cut the curse or pass it on to someone else, they’re visited by an unfathomable terror. It’s the formula for a great horror film that sparked the huge J Horror boom of the early aughts that spawned a slew of Japanese Horror Films to either be imported to America, or remade in to hits in their own right.

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Late Night with the Devil (2024)

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Coming to UK Cinemas on March 22nd.

Cameron Cairnes & Colin Cairnes’s “Late Night with the Devil” might prove to be one of the best horror movies of 2024 and one of the best movies, period. In a year that’s been tough on horror so far, in swoops what is a wonderful amalgam of found footage, analog horror, and possession cinema. “Late Night with the Devil” carries the torch from gems like “Ghostwatch” and “WNUF Halloween Special” as a truly stellar mock documentary that places a great emphasis on dread and a larger narrative rather than cheap scares and gimmick.

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Imaginary (2024)

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Take a bit of “Insidious,” a dash of “Annabelle Comes Home” with a heaping spoonful of “Pinocchio’s Revenge” and you get what is another dull genre installment from Blumhouse Pictures. Once the beaming genre studio, Blumhouse seems to be contractually obligated to release at least two horror movies a year, no matter what, and “Imaginary” feels like more of an obligation than anything. It’s a convoluted, and often dull movie that seems to really want to be a cerebral tale about PTSD and mental illness.

But mid-way you can sense the producers intervene when the narrative suddenly veers off in to a more commercial dark pseudo-Gaiman horror fantasy involving magical beings, and a weird dimension for imaginary creatures.

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Madame Web (2024)

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In Sony’s quest to maintain the Spider-Man trademark, they continue milking whatever character from his universe that they can, no matter how irrelevant or nonsensical they may be. In the now established “Don’t Say Spider-Man” Spider-Man Movieverse, S.J. Clarkson directs what is essentially “Donnie Darko” but with a heavy theme about Spiders. The writers do everything they can to allude to Spider-Man and Peter Parker but, I’m assuming because of contractual stipulations, not once do we ever get to see Peter Parker or Spider-man, nor do we ever hear his name uttered. Uncle Ben does play a big role, though, because he is not canon in the MCU.

It’s all so tricky.

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Departing Seniors (2024)

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In Select Theaters & VOD/Digital on February 2nd.

Director Clare Cooney’s “Departing Seniors” is an ode to the classic giallo pictures of the seventies where someone is having psychic visions of a lurking masked killer. This masked killer though is lurking inside and around a high school, while the protagonist is a young man who is grappling with his own trauma involving his sexuality. While I give big respect to Joe Nateras for writing a movie that evokes the giallo pictures of the seventies, “Departing Seniors” misses on every other front. It’s a horror comedy that completely fails to keep its eye on the ball, centering so much more around teen drama and forgetting that it’s also supposed to be a horror movie.

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Night Swim (2024)

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It’s always good to see an indie success story and Bryce McGuire’s is the latest. After delivering the pretty creepy short “Night Swim” in 2014, McGuire was able to develop it in to a feature film and, ironically, mid-way through it I found myself thinking “This would work better as a short.” I wasn’t trying for sarcasm, it’s just that “Night Swim” presents only a seed of a potentially scary horror film that never actually feels fully fleshed out or extensively realized. Its penchant for ambiguity is its big downfall as it’s a victim to so many of the typical haunted house tropes, banal fake outs, and clumsy ghost scares, without ever trying to re-invent the wheel.

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Studio 666 (2022)

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I can appreciate what Dave Grohl and BJ McDonnell were going for with “Studio 666.” In spite of me being a big Foo Fighters fan, I respected what they were trying to do. “Studio 666” is a horror comedy musical with shades of “Evil Dead,” “The Exorcist,” and “We Are Still Here.” It’s also kind of a commentary on the compromises you make in order to acquire artistic success, but those more dire themes are passive at best. “Studio 666” looks like one of those movies that was more fun to make than anything else, and that’s both a caveat and advantage.

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