It’s really too bad that directors Eren Celeboglu, and Ari Costa’s supernatural horror movie virtually came and went without much of a trace in 2023. It’s not by any metric a complete masterpiece, but it sure is a fun little horror film packed with a lot of mythos that I wanted to learn a lot more about. “All Fun and Games” is primarily about the fragility of the family unit and how this family known as the Fletchers are thrown in to disarray and pure chaos at the drop of a hat.
Tag Archives: Supernatural
Talk to Me (2023)
Danny and Michael Philippou’s “Talk to Me” really is one of the crowning horror achievements of 2023. It’s one of those horror movies that doesn’t just scare you, but it also leaves a stain on you. That’s because while “Talk to Me” is very much a demonic possession movie, it’s deeply rooted in the concept of the urban folklore that taps in to not only our obsession with death, but our need to know if there’s anything after we’ve died. That’s essentially what fuels pretty much everyone in “Talk to Me”; the twisted porcelain hand reaching out for a grip becomes the sort of Monkey’s Paw or Ouija Board that everyone begins to center their lives on.
It grants them an amazing ability, but one that is easily misused and one that can be exploited. It’s almost a phone extension to the other side where anyone can mine souls for some sort of contact. The problem is we’re never quite sure what kind of souls they’re conjuring up. What becomes such a fascinating drive for these characters is that the use of the film’s mysterious porcelain hand is a plot device that is powerful, but also ambiguous until the very end. Whose hand is it? How old is it? Where does the power come from? Is it meant for good or pure evil? Can it filter out demons?
The Crow (2024)
I’ve heard of this certain technique Hollywood usually uses as a means of pulling a fast sequel; it’s by taking a script with a similar concept to an already established IP and turning it in to a sequel. “The Crow” feels a lot like that. It feels like a simultaneous cash grab, exploitation of the art of James O’Barr, and downright lazy attempt to maintain the license for “The Crow.” At thirty minutes in, I wondered if at any point anyone on this movie were even trying. At all. This is a non-move. It’s a movie without a presence, or any kind of a soul, or any kind of self awareness. “The Crow’s” only purpose is to gentrify what should have and could have been a touching, eerie, and heartbreaking movie.
Oddity (2024) [Fantasia Film Festival 2024]
Following the death of her twin sister, a psychic spends the night where her sister died to get to the bottom of her death.
Phantoms (1998) [4K UHD]
Now Available from Shout! Factory. The Novel is Also Available.
Believe it or not, in 1998 Ben Affleck wasn’t the biggest star in the world. He was still coming down from being pigeonholed as the “villain” actor, and was working to transition from supporting actor to leading man status. With “Phantoms” he is basically paying his dues for what is a pretty standard horror thriller. Affleck is very good in the role as a local sheriff whose ill fitted cowboy hat is almost a character in and of itself. Like the hat, “Phantoms” is a silly vehicle for a collective of pretty great up and comers including Nicky Katt, Liev Schreiber and Rose McGowan to name a few. There’s also the wildcard veteran a la Peter O’Toole for good measure.
The Watchers (2024)
The Original novel from A.M. Shine is now available.
Now Exclusively in Theaters.
With the debut of Ishina Night Shyamalan I was hopeful that we would get a bold new voice for the genre film. Instead, she offers up a lukewarm, barely edible movie that fails as cinema, and failed as a movie you cam just use it as a means of killing time on a boring Sunday. You won’t kill time, but you might just doze off every now and then, thanks to its almost pride in tedium and dullness. For almost a ninety minutes movie, Shyamalan’s movie is painfully uneven in tone and pacing slowing down big time in various moments as a means to stage her clunky symbolism.
Bad Movie Monday: THE MCPHERSON TAPE (1989)
Most found footage films are pretty review-proof. Seriously, how could anyone dare criticize a movie like The McPherson Tape? It is the perfect example of a no-budget film made by people working with what they had and trying to make something interesting. Criticism in cases like this feels like a venial sin, worthy of the pillory. So obviously I am totally going to review it, but by now I like to consider myself an expert at this sort of thing. Don’t try this at home kids.
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