Three movies in and the writers behind “Beyond The Gates of Hell” pretty much run out of steam with the idea of the djinn stretching the concept as thin as it could (a student wishes to go to a place where she can’t be found, the djinn grants her wish by forcing her head in to a rat cage). The djinn still isn’t much of a horror villain and spends much of “Beyond The Gates of Hell” badgering our heroine in to making wishes, rather than appealing to the darker desires of humanity. This time around we follow college student Diana, who is still reeling from the death of her parents at a young age. That back drop of tragedy has no real play in the duration of “Wishmaster 3” except giving her an excuse to be religious.
Tag Archives: Supernatural
Wishmaster 2: Evil Never Dies (1999)
I’m surprised since it usually takes two or three sequels before a movie series turns in to a spoof of itself. It only took “Wishmaster” one sequel before it basically becomes a parody of the first film’s premise. Even Andrew Divoff, who was menacing in the first film, mugs for the camera delivering dialogue in over the top inflections sounding a lot like a sinister impression of George Takei, for some reason. “Wishmaster 2: Evil Never Dies” tries to hide the fact that it’s about the same narrative as the first film by making the djinn the main character. Except this time he’s in prison– for some reason!
Wishmaster (1997)
Robert Kurtzman’s “Wishmaster” owes a lot to Clive Barker. While the entire film feels like Clive Barker lite material, everything right down to the premise feels like someone was really admirer of the artist. The premise is right out of “Hellraiser,” while our villain, the djinn, feels like Pinhead, with the design of one of Barker’s Nightbreed from Midian. Kurtzman even includes appearances by a slew of horror heavyweights like Kane Hodder and Robert Englund for good measure. “Wishmaster” is one of the more unremarkable horror fantasies to enter the genre in the nineties.
Rift (2017) [Philadelphia Unnamed Film Festival 2017]
A man is receives an odd call from his ex and goes to join him in a remote cabin. As they work through their issues and loneliness, they are haunted by something that may or may not be supernatural in nature.
Addams Family Reunion (1998)
After the sad death of brilliant actor Raul Julia, the “Addams Family” film series was put to rest, despite both films being big commercial hits for their respective years. Almost immediately, Paramount sold the rights to the series to, baffling enough, Saban Entertainment. Saban, of course, is known for producing cheap but popular kids entertainment like “Power Rangers” and “Digimon.” The Saban label at the opening is almost a black mark on the entire movie, as the reboot of the reboot is a bargain basement third entry in to the series with all the cast replaced save for Lurch. The dark and Gothic aesthetic is missing, and comically sinister tone the series perfects is considerably watered down with the film feeling less like Tim Burton, and more like the terrible pilot to a show that never quite took off.
Addams Family Values (1993)
With the success of the first installment of the nineties “Addams Family” (however minimal), a sequel was only inevitable. The follow up is a turning point for the movies where the writers put the more popular side characters in to the forefront. This time around Fester and the kids get so much more focus, as Barry Sonnenfeld allows Fester more of the spotlight this time around. After the big reveal in the first film, Morticia and Gomez have a baby boy and much to their disappointment, Wednesday and Pugsley hate him. Despite making their feelings quite apparent, they persist in trying to kill their new baby brother, causing more headaches for their parents.
The Addams Family (1991)
Among some of the best adaptations during the odd period in the nineties where every studio was putting sixties shows to film, “The Addams Family” is one of the best. While this isn’t the first time we’ve seen the Addams Family together again after the cult series, Barry Sonnenfeld offers up a unique retelling of the Addams Family that works well. The biggest change to the lore is now Uncle Fester is no longer Morticia’s uncle but an Addams’ and Gomez’s brother. This allows the writers to offer up a pretty fun and unique re-visiting of the family where the primary brood is played by some brilliant actors.