Mimesis (2011)

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“Mimesis” is set in a world where horror fans gather for a party and have no idea what “Night of the Living Dead” is. At one point a character is explaining “Night of the Living Dead” prompting confused gleams from everyone. Horror buffs really have no idea what “Night of the Living Dead” is? It’s not even a remotely rare film. “Mimesis” is part “Night of the Living Dead” and part “My Little Eye.” Two friends are invited by an acquaintance to attend a party with other horror buffs at a house to meet stars and talk movies. When party goer Duane passes out while drinking, he awakens to find himself in a waking nightmare where he and fellow party goer Judith find themselves fighting off what seem like zombies.

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Wither (2012)

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Director Sonny Laguna, and Tommy Wiklund’s “Wither” is about as close as you’re going to get to a foreign remake of “Evil Dead.” The one aspect that redeems the film is that “Wither” has such admirable technical prowess, excellent direction, and top notch acting behind it, you forgive it being an obvious ode to Sam Raimi’s original cabin in the woods horror film. “Wither” has that indie gloss, while also being a very well orchestrated horror splatter film about demons, and one man’s sheer demented quest to survive through the night.

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Leprechaun: Origins (2014)

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It’s not like the Leprechaun was a horror icon in the ilk of Freddy Krueger or Jason Voorhees, but one of the aspects of his movie that made them somewhat bearable was Warwick Davis. His personality and good humor shone through the crap that was the “Leprechaun” series. In one fell swoop WWE Films, and Lionsgate take the entire series and completely sap out the life, appeal, and dark comedy in favor of a really stock monster movie where absolutely nothing happens. All of the lore and mythos that the original series tried to implant with their small monster is gone and we’re given a very dull and lifeless horror film.

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How to clear an office full of zombies (2013)


In the spirit of the Boost Mobile promotion, the common thread in these “Stay Living” shorts is that the four characters chronicled in these films know they’re alive by use of their cell phones. They take pictures and videos of their killings and missions and stay connected, even after the end of the world. And, as explained in the intro film, they’ll all eventually meet up to compare notes, and split the loot four ways. Continue reading →

Getting Gas in Zombie Apocalypse (2013)

Director Matt Devine follows up “Shopping in a…” with another fast paced and creepy short entitled “Getting Gas in Zombie Apocalypse.” that now follows character Ben. Ben is a masked rider on a motorcycle who has been sent out to siphon gas from abandoned vehicles. Filled with just as much skill and finesse as his teammates, he indulges the new world of the walking dead with bait that’s met with a vicious surprise. Devine is once again a master of unfolding action sequences, and this short is no different.

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Shopping in a Zombie Apocalypse (2013)

I really don’t care if it’s a commercial for Boost Mobile, “Shopping in a Zombie Apocalypse.” is a wicked start to what I hope will be a fun series of short films. Director Matt Devine depicts a brilliant vision of a world where consumerism is the order of the day, and the zombie apocalypse is only an obstacle in shopping for the bare necessities. The last time the zombie apocalypse looked this fun was in “Zombieland,” and I wouldn’t mind watching this unfold in to a feature film.

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247°F (2011)

247FMan, is “247°F” ever a rough experience. And not just because directors Levan Bakhia, and Beqa Jguburia pay homage to Rob Zombie’s “Halloween” movies by casting Scout Taylor Compton and Tyler Mane in one movie. But mainly because what should have been a disturbing, claustrophobic and suffocating horror thriller really is just a mediocre movie where once again stupid people turn on each other rather than think rationally and try to think of a solution. For reasons I still can’t figure out, writers Levan Bakhia, and Beqa Jguburia start the film off with a prologue giving us only one crucial bit of information we need to know about Compton’s character Jenna. She’s claustrophobic.

After a vicious car crash took the life of her boyfriend, she was pinned in her car for a long time, giving her claustrophobia. Remember that. She’s claustrophobic, the writers have to insist we remember. Truthfully, a lot of what occurs is made even worse by sheer human stupidity and failure to grasp any kind of common sense. When the story fast forwards, Jenna tries to move on by going on a vacation with her three long time friends in order to re-charge. After a lot of clunky exposition, the writers place great emphasis on the sauna that Tyler Mane’s character Wade has in his basement. Seriously, he has a hot box capable of frying someone alive in the basement. And the doors are made of wood, which initially made me theorize the door would swell shut locking the poor saps in.

Mane’s character Wade is one of the stupider of the bunch, feeding his residents moon shine, and allowing them to roam free without checking up on them. So in the midst of one of their spats, character Michael drunkenly stumbles out of the sauna, and his three friends are trapped inside, left to fend for themselves. Oddly enough, the sauna is given significant screen time in an effort to give it an ominous presence. Really you’re just left wondering why the group keeps going in to the lake, and running back in to the sauna about four or five times. What’s the point of this repetitive montage? In either case, three of the friends are left in the sauna to roast as Jenna really does nothing but moan, whine, and whimper in a corner, as friend Renee instantly begins freaking out, and the only intelligent character Ian does nothing but instill fear in the other victims.

Really? Should you describe what heat stroke is like to two girls hyperventilating in a sauna? And would it have been so tough to just sit and wait for Michael or Wade to come down and check the sauna? It’s made perfectly clear the group loves the sauna, so eventually Michael would have gone down to steam for a bit. Surprisingly, what should have been the anti-“Frozen” really doesn’t accomplish its sense of turmoil and horrific suffocation, and that’s mainly because of the terrible writing. The characters are despicable so there’s zero empathy, and the directors don’t really indicate visually how much these people are suffering.

Besides, knowing they’d eventually be discovered ruins any suspense. There’s also a really awkward focus on character Wade as the directors seem to be padding out Tyler Mane’s role for more prominent screen time. You think it’s leading somewhere, but it’s just a clumsily staged plot device to add an obstacle to the characters’ fight for survival. The only competent performances are by Travis Van Winkle and Tyler Mane, both of whom are likable and interesting in their performances. Compton still is a terrible actress, so her “tragic” character just feels whiny. The directors try to become metaphoric injecting some hallucinations and attempts to signify Jenna’s torment, but it’s just one big misstep after another. If you have to see “247°F,” see it for Christina Ulloa. You can skip everything else.