Having previously reviewed his short film Abi and having been send Venus, I figured it was past due for a watch of every short film I could get my eyes on from Timothy Troy. So, without further ado, here are a handful of them and a link where to find them below.
A drug dealer looking to get out of the business and open a body shop needs to do one last job to be allowed out. Of course, things don’t go as planned in this one-shot thriller.
While visiting a friend, a young woman discovers secrets some may have preferred remain hidden.
“Back Rooms” was born from the digital age, among the 4Chan and Creepypasta realms. It’s a pocket within our world that is completely cut off from the rest of what we could rationally consider reality. It is a series of endless rooms and hallways that stretch for a nigh infinite space, all of which are typically a noxious yellow, completely void of any life, and filled with the annoying, deafening hum of florescent lights. I’m only vaguely familiar with the meme of the Back Rooms, but it’s been widely circulated and explored much in the vein of other digital legends like the Slenderman and Sirenhead.
One thing you have to give it to the “Maniac Cop” movie series (as well we William Lustig and Larry Cohen) it that it tends to off the more interesting characters without much preamble amounting to some great plot twists. I never expected Tom Atkins to die in the original “Maniac Cop,” and it’s kind of a surprise to see Bruce Campbell, the dashing hero from the original movie, murdered brutally by the titular Maniac Cop. It’s a great entry way in to such a weird, zany slasher series.
Director David Gordon Green simultaneously delivers a sequel that does something completely new with “Halloween” and also promises to divide horror fans down the middle. There is no horror movie in 2021 that promises to polarize horror fans more than “Halloween Kills.” Rather than a movie that features Michael Myers killing, killing, and killing some more, David Gordon Green goes a different route and explores the fall out from his murder spree in 1978 and 2018.
It’s too bad that in the eighties, in the midst of the big slasher movie boom, that “Alone in the Dark” was almost completely lost in the shuffle of the endless genre titles thrown in to theaters. At a time when audiences wanted splatter films and masked slashers, “Alone in the Dark” snuck by them for too long. Whole it’s not nearly the slasher that the original art for it implies, what we actually get is a chaotic home invasion horror movie with a sick sense of humor.