You Have to See This! Perfect Blue (1997)

In Select U.S. Theaters September 6th & 10th via Fathom Events.

It’s amazing how prophetic Satoshi Kon’s “Perfect Blue” was back in 1997. Even though it was released at the beginning of the internet age, “Perfect Blue” is a very strong and still very relevant tale about rabid fandom, gate keeping, obsession, and the struggles to maintain one’s own sense of self and agency in a world where growing in one’s career means relinquishing our dignity and discretion. In a time where actresses are being chased and harassed off of social platforms, “Perfect Blue” conjures up so much interesting and familiar imagery and plot beats, and ultimately is about the cost of rabid fandom.

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Lifechanger (2018) [FrightFest 2018]

A shapeshifter is running through bodies faster and faster and must take extreme measures to keep surviving or let go of his own self.

Written and directed by Justin McConnell, Lifechanger is an exploration of mortality, letting go, love, and what people are willing to do to keep going without changes and what they are willing to accept to keep their lives on their preferred path. While the film is a horror film at its core, the story is about much more than the simple kills and shapeshifting, it’s about taking over lives, making one’s own life. The way this is approached creates a story that is easy to follow even with the switches in lead person and the multiple storylines. The film keeps everything in order and easily understandable. As the story advances and the lead narrates the story, the reasons for it all become clearer and they are not just for survival.

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The Happytime Murders (2018)

Director Brian Henson explained in an interview that he hopes the wrong audience doesn’t accidentally see “The Happytime Murders.” So I have to ask: Who is “The Happytime Murders” meant for? Who is the target audience here? It certainly has aroused the ire and vitriol of Muppets fans, horror fans mostly dislike it, and it has inspired nothing but groans and eye rolls from comedy movie buffs, so who is this movie for, anyway? Despite Henson’s best efforts to pad the wet thud that is “The Happytime Murders” by labeling it a “guilty pleasure,” you’d have a much better time putting socks on your hands and barking random expletives to yourself.

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Upgrade (2018) [FrightFest Film Festival 2018]

Technology has taken over most aspects of life with human function seemingly being the last realm it needs for full assimilation.  After an attack, Grey Trace finds himself widowed and quadriplegic.  In order to find how did this to his wife and himself, he is willing to go to great lengths and risks.

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Ahockalypse (2018)

Some horror movie premises are just ripe for comedy gold. Cockneys vs. Zombies, strippers vs. zombies, Brits vs. Zombies, et al, but “Ahockalypse” which pits hockey players against a zombie apocalypse is a swing and a miss. It’s not a complete miss overall, but in the end there was just so much that could have been done with the premise. The hockey themed horror comedy’s lack of budget is one of the elements that hinder an otherwise clever idea, as well as a clear lack of tonal consistency through and through.

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