Navy SEALS (1990)

Now Available at Vinegar Syndrome and Amazon.

Lewis Teague’s action thriller feels a lot like one of the last vestiges of the Reagan Era, where movies marketed on promoting military and America, and “Navy SEALS” feels like too little, too late. Even for the eighties, “Navy SEALS” is corny jingoistic propaganda that teams a slew of great movie stars to deliver what is basically a middling attempt to recapture some of the “Top Gun” glory of the eighties. Even star Michael Biehn didn’t like “Navy SEALS” explaining that it was one of his worst movie making experiences of his career.

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The Fall Guy (2024): The Extended Cut [Digital]

Now Streaming on Digital.

It’s such a damn shame that audiences weren’t more receptive to “The Fall Guy” because this has the potential to really blossom in to a big franchise if it were given the chance. David Leitch produces not only a great action comedy, but also a movie that simultaneously satirizes Hollywood and pays tribute to stunt performers across the world. “The Fall Guy” knows its premise and uses the opportunity to paint the picture of being a stunt worker in film as a noble profession that is often dismissed and ignored. “The Fall Guy” first and foremost is a great action picture, one filled with great talent that helps keep the admittedly convoluted premise afloat.

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The Bulls’ Night Out (2000)

Now Streaming For Free on Youtube.

Although Lindley Farley’s crime thriller was filmed in 1998, it feels so much like a displaced hidden gem that feels like it was made in 1978. It often watches like a gritty entry from William Friedkin or Don Siegel (I mean that as a compliment). It’s pretty awesome how well directed and composed “The Bulls’ Night Out” is as it’s teeming with top notch collective talent as well as an engaging narrative. “The Bulls’ Night Out” is that classic crime thriller about aging crime fighter trying to adjust to a new world where crime is much different than it was when they were younger.

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The Strangers Chapter 1 (2024)

2008’s “The Strangers” was simple. It (and its painfully underrated sequel) was effective because it was simple. It relied on psychological torment where the strangers felt like perversely intrusive predators preying on a couple already in turmoil. When they arrive there’s the collective “What else can happen to us?” that we feel emanate through Liv Tyler and Scott Speedman’s characters. With “The Strangers: Chapter 1” all of that nihilism, that sheer sense of pure evil preying on the vulnerable is lost in favor of what is pretty much just a lazy remake of Bryan Bertino’s original film.

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