Tag Archives: Thriller

Jungleground (1995)

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I really enjoy Roddy Piper as an action star. The man had screen presence, charisma, an could turn any clunky role in to a bonafide winner. The 1995 cheapie “Jungle Ground” is a two pronged vehicle for Piper, acting as his own custom tailored “Escape from New York” and “Die Hard.” It’s Piper as an average cop stuck behind enemy lines in a lawless gang warzone who has to fight his way out and save his wife. He even gets to shoot down a criminal declaring “Hi Ho, Silver.” Too bad “Yippee Ki Yay, Motherfucker” was taken.

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Sinister (2012)

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Ethan Hawke plays Ellison Oswalt, a successful crime author whose last book was a hit and garnered him a lot of hatred from folks surrounding the murders. Desperate for another hit book, Ellison moves his family in to the house where a vicious murder was committed in hopes of finding out why the family was murdered, and where their daughter Stephanie disappeared to. The explanation that he moves them in to the house where the murders ensued should be a clue that Ellison isn’t very smart. Hawke is a very good performer capable of conveying desperation and torment, but he’s given the task of turning Ellison in to an empathetic protagonist. Which is tough considering the more we know about Ellison the less likable he is, and when the screws finally turn on him, we’re not too saddened by it.

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Raze (2014)

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Raze

It’s gratifying that “Raze” blew me out of seat from the first blood drenched bone crunching five minutes. Because once it starts with a bashed in blood soaked face, it never stops being an electrifying series of vicious fight scenes. “Raze” embraces its grindhouse exploitation tropes so unabashedly, I can imagine if this were made in 1975, it’d star folks like Pam Grier, Uschi Digard, and Lina Romay, with Joe Estevez playing Doug Jones’ part. That said, “Raze” is a mind blowing action thriller all on its own, that is so simple yet so damn entertaining.

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The Fright File: 150 Films to See Before Halloween (Digital)

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The main flaw to “The Fright File” is that author Dustin Putman only offers three films out of 150 made before the seventies. A portion of the list are films made in the seventies, while most of the films are from the aughts and are as recent as 2013. While I don’t mind being given suggestions for films as recent as 2013, I wouldn’t have minded stumbling on to a hidden gem or two. For folks looking for a primer on films that are essential to horror fans, “The Fright File” surely isn’t a bad book. But for horror fans looking to discover something new and completely out of left field, this isn’t really the book to turn to. That is unless you’re a fan of Dustin Putman’s writing, and want to see his thoughts on various horror films.

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Static (2013)

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Todd Levin’s “Static” would work a lot better if it were shorter, better paced, and didn’t give away the surprise ending in the opening seconds. Seriously, if you’ve seen this type of film with this kind of set up before, you’ll catch on to where the entire premise is going. I figured it for a home invasion thriller like “Ils Them,” but then I eventually pinpointed where they were headed once Sara Paxton reared her gorgeous face.

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Our Top 10 Best Films of 2013

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2013 is probably one of the best years for film I can think of since 2010. There was a great surge in dramatic fare, indie fare, and so many great horror films arrived in to theaters for fans to savor and consume.

Surely, there were flops, and really bad films, but there were so many really great films, which is refreshing when you consider the state of Hollywood and cinema’s entire transformation from a theatrical presence and home media in to a digital realm where physical media is slowly disappearing.

It was a tough task to take our favorites of the year and decide on ten of our favorite, but in the end these ten won out as our favorite of 2013.

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Don’t Go to the Reunion (2013)

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Steve Goltz is quickly becoming one of my favorite indie directors working today. One of the creators of Slasher Studios, he and his group know slasher movies and when they deliver their own original slashers, they have a ball with classic tropes of the sub-genre that feel new. After their pleasing revenge slasher “Teddy,” Goltz delivers one of the more unique and engrossing entries of the sub-genre I’ve seen in years. While it’s true Goltz and writer Kevin Sommerfield provide their nods and winks to classic eighties slasher films, “Don’t Go to the Reunion” works to the beat of its own drum, delivering kills aplenty, and a very interesting whodunit mystery.

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