Back in the late nineties to early millennium there was a series on the Science Fiction channel here in America called “Exposure,” it was a fantastic take on a mini film festival by taking experienced indie directors and showing off some of the best and worst short films they could dole out to the audience. In the meantime we also were able to see early works from legendary filmmakers in Hollywood. “Season’s Greetings” was one of the best I’ve ever seen.
Tag Archives: Thriller
Upstairs (2006)
Writer-Director Mark Howell’s short is one of the finest examples of short horror cinema I’ve seen in a while. He wastes no time in explaining his characters to us, leaves our experience completely ambiguous and also leaves me wanting a sequel. When a young couple happen upon a house being sold in a seemingly mundane neighborhood, they decide to buy it under the house’s value and are talked in to the purchase by a content realtor who seems to know the house’s ins and outs as the new buyers prepare to move.
Superman Batman: Public Enemies Two Disc Special Edition (DVD)
Granted the short run time doesn’t leave much time to emphasize more of the ins and outs of the graphic novels but it does take the time to dig in to the DCAU and continue the violent xenophobia that left off from the original Justice League and character Amanda Waller. “Public Enemies” though the movie is noticeably short, the crew behind the adaptation are able to balance their story enough to keep it focused on Batman and Superman, two rogues now on the run from the government after being accused of standing in the way of President Lex Luthor and defying all of his authority he’s used as a key in to world domination and deceive his followers in to believing what was nothing but smoke and mirrors that transformed in to an all out manhunt for Batman and Superman.
The Final Destination (2009)
Yes, make no denial about it, this is yet another sequel to the franchise that’s been nothing but mediocre and has covered that fact by splashing the screen with blood. Of course it’s pretty clear by now that “The Final Destination” (the fourth in the series) is not even meant to be considered a serious horror movie but instead a carnival ride that allows for gruesome death after gruesome death on screen all for kids who once again have out witted death accidentally and are now paying the price in spades. Yes Death is an evil motherfucker and yet again teenagers fall by excruciating death after excruciating death. In 3D!
G.I. Joe: The Rise of Cobra (2009)
I’ve had a rocky relationship with the GI Joe franchise from the start. As a kid I loved the action figures but I didn’t care too much for the eighties cartoon. I mean let’s face it, only Snake Eyes and Storm Shadow were really cool. The rest were pretty interchangeable characters. And then the comics came along changing my mind on the property further convincing me to enjoy the mythos with the Devil’s Due Publishing comic series that were mature, tense, and action packed. With Stephen Sommers aboard I obviously didn’t expect an adaptation of the modern series and instead just expected dumb fun. Well, dumb fun is what I got and I was pleased as punch once the end credits began to roll.
Coraline (2009)
Director Henry Selick’s take on Neil Gaiman’s vision of a magical world of the macabre is probably one of the most sinister animated films I’ve seen since “Monster House.” Henry Selick takes the same American Gothic motif and injects it in to a classic formula of a young girl finding a magical world being exposed to all the oddities at the director’s disposal. Gaiman penned the grossly underrated “Mirrormask” and essentially provides us with the exact pacing and eye catching creatures and machinations paired with some top notch animation that works as a mixture of claymation and computer animation that gives the dark atmosphere a peculiar more original taste.
Treevenge (2009)
Well if zombies or robots weren’t the harbingers of the apocalypse then it seems only natural that we’d be invaded by pissed off Christmas trees tired of being decorated, pushed around, and inevitably shredded. Jason Eisener, the director of the faux movie trailer “Hobo with a Shotgun,” returns giving us more of a reason to like what he’s doing and what he’s intending to do with the independent film scene. Not only does the man’s style get sleeker and more stylish with every output, but he also knows how to push all the right buttons with clever fare like “Hobo” down to ridiculous material called “Treevenge.”