V/H/S/85 (2023) [Fantastic Fest 2023]

I’ve been an avid fan of the “V/H/S/” movie series since its initial release, and it’s been fun watching it evolve and run through the aughts over time. With Lo-Fi horror still a big deal in the modern internet stratosphere, “V/H/S/” has a surefire shelf life of at least two or three more entries. However, I do hope we get a much better installment than what “V/H/S/85” ends up becoming. It’s not to say that this newest entry in the series is terrible, it just feels so confused and lacking in the chaos and scares that make the original first two films so exciting.

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Expend4bles (2023)

Sylvester Stallone’s “The Expendables” was a fun novelty. In 2010. It took all of the big action stars from the eighties, striking the pleasure spots of Gen Xers and got by on its gimmick–for a while. It began life as “The giants of action cinema! All here! All kicking ass!” right down to “Well, here are people that have been in a few action movies.” With the series only four movies in, “The Expendables” has cashed in all of its nostalgia points. It’s now ironically transformed from a loving eighties homage to the one of the numerous clumsy, stale, action vehicles that many eighties action stars resorted to headlining in the late nineties and early aughts. 

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Bad Movie Monday: The Gauntlet (1977)

I was debating which movie to review this week. Normally, I always have a few titles floating merrily in the back of my mind. However, more often than not, I don’t write anything about them because they just don’t speak to me. They don’t stand out. A movie really needs to go that extra mile, and either be a lot better or a lot worse than I expected, in order to elicit a passionate need to discuss it in me. So I was in a bit of a pickle. I just couldn’t think of anything really worthwhile to review. Then, last week, my friend brought Clint Eastwood’s 1977 Cop Thriller THE GAUNTLET to Bad Movie Monday and I knew as soon as the end credits started rolling that this was the movie I was going to write about. Good God Almighty.

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No One Will Save You (2023)

Director Brian Duffield’s science fiction home invasion film is a deceptively massive film. It’s simplistic in that it’s limited to a cast of mainly one person, and places the enormous crux of the dramatic weight on the shoulders of star Kaitlyn Dever. Thankfully Dever is more than up to the task, offering what is easily one of her best performances to date. Director Duffield mixes so many genres and sub-genres from home invasion, survival thriller, character-based drama, themes about grief and guilt, and extra terrestrials all colliding in an absolutely outstanding cinematic experience.

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