I’ll admit, I was not a fan of “The Transporter.” Granted, I’m a big fan of Jason Statham, the man drips bad-ass whenever he’s on-screen, but as far as “The Transporter” went, it just wasn’t that good. This sequel however, is something I truly enjoyed. It’s better than the original, and obviously, it’s a big plus, because I want to like these movies. This sequel attempts to add more humanity to Frank, while dispensing of any annoying sidekicks, so this time, he has no women who follow him around, and he has no assistants to dispense with the one-liners. Frank, as a favor to a friend, has agreed to drive around a child on his spare time. He picks the young boy up from school and drives him around for his parents. He’s also managed to bond with him, as you’d guess.
Tag Archives: Thriller
The Covenant (2006)
It’s tough being a middle class white muscular young man who has the powers of a god and has blond busty women hanging around him all the time. God, Renny Harlin knows me so well, he knows the youth so well. “The Covenant” is one part “The Lost Boys,” one part “The Craft,” and two parts David DeCouteau with homoerotic undertones, overtones, mid-tones and all. The male cast gaze at one another with evident lust, and sexual tension, the male cast is featured nude in the lockers whipping one another while one mutters “Say my name!” You just have to wonder if DeCouteau had some hand in the creative process.
Sasquatch Mountain (Devil on the Mountain) (2006)
Want to make a monster movie but don’t have enough of the resources? It’s easy. Cast a cult actor for about five minutes, litter your film with nothing but character actors, and include a man in a monster suit draped in the shadows the entire time. “Sasquatch Mountain” is not a ride on Six Flags, but a pretty lame monster movie that I happened to catch on television recently. Shot in a rather annoying blue tint for the entire film, “Sasquatch Mountain” involves mercenaries, hillbilly hunters, a Blair Witch themed sub-plot, and Cerina Vincent as a hostage. I adore how these horror films try to include everything for everyone, and neither of the attempts is amusing.
Heroes
We all know what happens to episodic high concept television shows. Right “Threshold,” “Invasion,” “Jack & Bobby,” “Surface,” and “Push, Nevada”? And audiences aren’t essentially welcoming to shows with interesting concepts, and storylines, and brains. “Heroes” is one of those shows. It’s episodic, it’s high concept, potentially one-note, and hopefully will be greeted with high ratings. But the previous effort from NBC with a show featuring disconnected characters experiencing an occurrence, tanked, and “Heroes” can suffer the very same fate.
The Woods (2006)
Director Lucky McKee’s second film is another twisted tale involving the sick minds of women, and delves into the psyches of girls both old and young, and bears shades of “Whispering Corridors” and “Suspiria.” With a cast of Patricia Clarkson, Bruce Campbell, and Agnes Bruckner, respectively, it’s a damn shame “The Woods” won’t get much attention beyond horror fans, and curious video renters with a two for one card. Because McKee is on his game here, and my expectations for “The Woods” were met above and beyond.
Crank (2006)
I know someone in Hollywood got a hold of a concept for a video game called “Crank,” and thought that this was too good to be some stupid old video game. So, they made it into a movie. Because “Crank” is essentially set up like a video game. Our hero gets up, watches a video that lays out the plot, and now he has to find the people who wronged him. In order to stop the poison, get epinephrine.
Level two: Get Epinephrine. Find the villain’s brother.
Level three: Find him and fight him. Keep your heart rate up.
Level Four: Steal a police cycle and drive as fast as you can before your heart slows down; avoid pedestrians and environment. The mob is after you now that you’re alive and may go after your girlfriend.
Snakes on a Train (2006)
For their credit, this is one of their more competent pieces of crap, and that’s because there’s considerably good gore, and an interesting take on ripping off “Snakes on a Plane.” But, if there’s any more of example of the inconsistency behind Asylum’s newest rip-off it’s the two characters at the beginning whom are illegal immigrants and can’t understand nor speak English to a Texas man sneaking them across the border, yet when they get on a train and meet a friend, they begin understanding and speaking perfect English.