I’m glad “Miracle in the Rain” turned out to be a great romance, because I was pretty much disappointed by the Valentine’s packet Warner Home Video sent over to review. “Miracle in the Rain” is mostly just a show for Van Johnson. Johnson, ever the versatile entertainer, really shines well in “Miracle in the Rain,” a romance drama about a soldier on leave who meets a young woman one day and sparks a romance with her. Their relationship is lovely right from the get go, as Johnson’s character Art seems to break the shell of Wyman’s introverted Ruth. He sparks conversations, almost interrupts her life, and she is a better person for it. “Miracle in the Rain” is one of many war time romance dramas about the effects of World War II on the world and the individuals within it.
Tag Archives: War
American Pastime (2007)
I’m always grateful of films that manage to use its cast of actors for their talents and not the pigeonholes they’ve had put upon them. “American Pastime” is one of the few movies I’ve seen in years that uses its Asian American cast to provide some strong performances, and not fight mystic martial arts of some kind. There’s always talk of African Americans being used poorly in America, but the most suppressed race in the film medium are the Asian Americans. “American Pastime” brings out a strong turn out from its cast of seasoned veterans exploring the plight of the Asian Americans during Pearl Harbor, and many established families being forced to live in Internment camps.
Alexander Revisited: The Final Cut (DVD)

“Why a third version of Alexander? The best answer I can manage is, I couldn’t get it out of my system. It’s a film that’s been haunting me since the theatrical version first appeared in November 2004 in the U.S., followed by a Director’s Cut on DVD in July 2005.” – Oliver Stone
Jesus Christ, Mr. Stone, why? Why can’t you just leave that gaping wound alone? Why can’t you just let it heal? Why can’t you just leave well enough alone and accept that you made a really bad movie? You made a bad movie! There was no homophobic conspiracy, no boycott against you. You made a neo-“Caligula,” a film that takes itself so seriously it can’t even realize it has a huge “Kick My Pompous Ass” sign on its back. While we chortle in the distance, you’re still hung up on this figment that we just can’t accept a film about a hero who is bisexual. So, you grace us with three cuts of the same crappy film. Stone, know when to stop breathing air in the infectious cavity. You win some, and you lose some. You lost big with “Alexander” and you only help increase the sentiment with this “final” cut. You’re off your game, face it. And worst of all, Stone wants to cater to his audiences rather than accept defeat. There was the original cut (175 min.), then the trimmed down cut which increased the action and pulled back on the homosexual overtones (167 min.), and now there’s this “Final Cut.”
The Dark Ages
It’s hard to look at “The Dark Ages” without noting the sheer sense of irony engrained within the documentary. It was a time of sheer ignorance and disease, a time where the poor were drawn into war, where wars of faith were fought for years, while tyrannical rulers fought wars based on their faith. It was a time of great violence and poverty… and that’s just been in the last seven years. I had to take that joke, because it’s just too true to deny. “The Dark Ages” is a fascinating documentary chronicling the dark ages. It was a time where slaves revolted against their masters, and the Roman Empire fell to the grasp of warriors who began to dominate the land with bloodshed.
Grave of the Fireflies (Hotaru No Haka) (1988)

As an uncle, as a brother, the oldest of three, and as a son, “Grave of the Fireflies” was a grueling film to sit through. Being a victim of a horrible sequence of events and watching your loved one fade away is something I’m all too familiar with. Watching “Grave of the Fireflies,” possibly the most heart-breaking film I’ve seen in years, you will know what that’s like too. Isao Takahatacreates a film that doesn’t need ghouls and goblins and fairies. It’s all frightening enough.
Pan’s Labyrinth (El Laberinto Del Fauno) (2006)
In a world filled with boy wizards, and dragons, every time I think the fantasy world is dead, there’s always someone who swoops in to reclaim the throne and show us that indeed the fantasy genre is still alive and well. All it needs is much imagination and no derivation. It’s not a hard concept to grasp, and it’s not a hard task to accomplish. Every time I receive an opposing argument on that declaration, two words will come from my lips: “Pan’s Labyrinth.” This would be the part where I’d compare this to fodder like “Legend,” and “Alice in Wonderland,” but Del Toro’s film is one of its own kind. Much like Del Toro’s previous “The Devil’s Backbone,” “Pan’s Labyrinth” is unlike anything you can imagine watching.
Horrors of War (2006)
Directors Peter John Ross and John Whitney have a grasp on what horror is, and that’s a plus when you’re watching “Horrors of War”, a pretty intense piece of independent horror that will surely get your goat. If the bad-ass cover doesn’t sell you, I don’t know what will. The directors begin “Horrors of War” very much like “Saving Private Ryan” with a massive shoot-out between the Americans and Nazi soldiers, and then suddenly the American troop is attacked by a near invincible zombie. At that moment I found that “Horrors of War” wasn’t simply any horror film, and that’s why it won me over.

