Arbie: I’ll believe in the supernatural when I see it, talking sandwich.
So I sat down at my chair, popped in the movie and sat prepared to watch another shit fest from Troma. I’m somewhat of an anti-Troma pusher, so I was not looking forward to this. And my eventual reactions were a varying degree of disgust, horror, disbelief, and amusement. I laughed. And I laughed a lot. I’d even go so far to say that “Poultrygeist” is quite excellent. It’s something of a demented twist that it took Native American chicken zombies to finally get me to like a Troma movie, and trust me I had no intention of enjoying “Poultrygeist,” so much. But from the ridiculous opening to the horribly catchy musical numbers, Lloyd Kaufman has created a very memorable bit of horror comedy that may just lure more anti-Troma individuals like me.
For the last time, that’s not zombie Rick Carl is leading on the cover of “The Walking Dead #49.” If Rick was a zombie, he’d be chasing after Carl and trying to eat him, who cares how close he was to him as a human? Either way, Kirkman manages to stir up controversy and heavy debating yet again with this issue, but damn if it isn’t a good one. Kirkman has a lot of questions to answer, and I have a feeling he’s going to in 50, but for all the inherent excellence this issue has, it’s pretty much just filler.
Do you know that “The Walking Dead” was originally supposed to be titled “Night of the Living Dead”?
People die. A lot of people. People we’ve grown to love, admire, and were just starting to know.
Romero has given his fans something to take to the grave with them, with five films that are generally contradictory and controversial phenomena. There was “Night” and “Dawn” which are still basically debated and adored, the once despised, but now appreciated “Day” and the rather sub-par “Land,” all leading into “Diary.” Romero’s newest output is a confusing fascinating beast. Never has one of his films completely divided fans before, and admittedly it’s a monster worth observing. It’s both despicable and brilliant, it’s hideous and yet quite apt. “Diary” continues splitting fans that both despise it and adore it for the very same reasons. But is Romero really just the observer here?
Take a recycled concept, grab some cliché characters, put them in a brutally horrendous situation and what do you get? A creative director providing one of the most exciting and horrifying independent zombie movies in years. “Automaton Transfusion” has the chips stacked against it from the beginning with a plot that could either be really good or really bad, but the entire film works and it’s barely ninety minutes. There’s not much plot to be taken here, which really isn’t a caveat.
As a buddy once said: The Only thing worse than a bad horror movie is a boring horror movie, and “Day of the Dead (2008)” unfortunately didn’t bore me. In fact I had fun in a guilty pleasure mindset watching these idiotic zombies adhering to whatever principle that would grant story progression. As well, these zombies are much more energetic and entertaining than the ones in the “Resident Evil” movie incarnations for the fact that they actually act like zombies and provide some sense of menace and terror even when they’re bursting into flames and withering out like cigarette ash.