I’ll admit I wish I’d known more about filmmaker Nico Raineau sooner, as he’s managed to deliver some really interesting short films lately. “Mother’s Day” is a complete departure from the bone crunching action drama of “Brix and the Bitch” and it’s a fine drama comedy that I wanted more from. And you know you’re watching a great short film when you could have sat through two hours of the characters barely noticing the time pass. Lauren Schacher (who co-writes with Raineau) plays Mara, a young clubber who awakens in the house of the man she spent the night with one morning.
Author Archives: Felix Vasquez
Bloodrayne (2006)
Look at those… sharp swords…?
Crushing every bit of potential for a great movie under the weight of his own abysmal vision, “Bloodrayne” is yet another video game adaptation that fails to deliver to its audience. “Bloodrayne” doesn’t attempt to appease the intelligent movie-goers, yet Boll aims for the young teenagers and utter dimwits by transforming his adaptation from a horror fantasy about a female heroine in to pure exploitation. Prepare for a ton of blatant nudity and sex that has no relevance to the narrative, or any real point, for that matter. Bloodrayne is yet another leather-clad fetishized Goth whose character emphases is based on her line “I have no family, I am an orphan.”
Black Christmas (2006)
Glenn Morgan’s remake of the Bob Clark 1974 slasher film is one of most preposterous, blatantly awful films I’ve seen in the last two years. As a remake and as its own film, it’s awful. Director-Writer Morgan seems to aim for the exact opposite effect the original established, and does so through often hilarious methods of murders, and vague characterization. All the characters are loud, one-dimensional, and despicable, none of the actors give stand out performances, there’s an awfully predictable plot twist involving our killer, gross out gore for the sake of gross out gore. Of course, Billy uses every element of Christmas as a method of murder for his victims.
Yo-Kai Watch: The Movie Event (2016)
After storming the box office in its native Japan, “Yo-Kai Watch: The Movie” comes to America in a very limited run for hardcore fans of multimedia series. If you haven’t had enough of the TV series, the video games, and the toy line, fans will get to watch the big screen adventure of hero Nate, and his friends, the Yo-Kai. For those unaware, Yo-Kai are spirits in Japan that can be good or evil. Nate has a magical Yo-Kai watch that allows him to summon, catch, and catalogue the various Yo-Kai. And they’re a massive variety that stem from nature, the city, and literally anywhere else.
The Mask (1994)
Based on the ultra-violent underground comic book of the same name, “The Mask” is a perfect vehicle for Jim Carrey at the peak of his career. In 1994, star Jim Carrey was capable of being in anything he wanted, and “The Mask” propelled him in to the image of an actor who could transform in to a living cartoon. “The Mask” is not at all faithful to the source material, aiming more toward the PG crowd, while dropping enough adult overtones to appeal to a broader audience. Much in the way Looney Tunes and MGM cartoon shorts once did. Carrey plays Stanley Ipkiss, a normal banker who lives alone with his dog Milo and disappears in to his love for classic cartoons on his spare time. After a bad night at a local night club, he finds a mysterious mask floating in the ocean and takes it home.
E.T. the Extra-Terrestrial (1982)
“E.T.” is pretty much the quintessential Steven Spielberg film. It’s very much an autobiographical tale, and speaks waves about the life Spielberg led and the life he almost wished he’d had. “E.T” is about a weird boy from a divorced family who gains a kinship with yet another outcast who happens to be from another world. The way protagonist Elliott is able to bond with the alien that is stranded on Earth is possibly because Elliott is something of an alien in his own world as well. Despite his best intentions to mix in with his family and his class, he’s something of an oddity who gains something of a sense of identity after garnering a bond with someone from a whole other galaxy.
My Pet Monster (1986)
In the eighties if it was popular it had to have a tie in to something that involved merchandise. It didn’t matter what it was, whether it was Rubiks Cubes, Mad Balls, or even the Garbage Pail Kids, companies were always thinking about new ways to squeeze as much money out of their products as possible. In the eighties, My Pet Monster was a very popular kids toy that was simple in premise. It was a cute horned monster with plastic cuffs that kept its claws secure. The monster was gross enough for kids that loved monsters, but cute enough to warrant being a bed time toy. So naturally Hi Tops gave us an animated series for “My Pet Monster” and a much derided straight to video movie that reeks of a cash grab.