In Memory of Juan “Gory” Reyes

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The horror community has lost a lot of proponents and big names in 2015, but perhaps the passing that’s hurt me the most has been the passing of Juan Reyes. To others he was known as Juan, but to his friends and colleagues he was known simply as “Gory.” I was very fortunate enough to know Juan for a few years. We’d talk about horror movies, joke about pop culture, and he was always enthusiastic about them. Juan was also a consummate musician who scoredindependent horror films like “Horno,” and was a humongous advocate of indie film.

He knew as well as many others do that indie film is where you can find real horror gems. Juan was funny, energetic, and very friendly, and I was able to cultivate a friendship with him in a few years, and was lucky to see the type of guy he really was. It’s heartbreaking Juan won’t be able to contribute to horror as he used to, but he’ll live on forever in the memories he created, the friends he made, and the good times he shared with so many people.

We were lucky enough to garner a written contribution from Gory years ago and though it was the only article he ever contributed to Cinema Crazed, we were happy to have him lend his ideas and thoughts to our readers.

We dedicate the rest of Halloween Horror Month 2015 to the memory of Gory. Our heartfelt condolences go out to Gory’s family during this terrible time. Thanks for the friendship and laughs, Gory. We’ll never forget you.

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Ouija (2014)

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The only terrifying thing about “Ouija” is that there’s going to be a sequel. In the final scene our main character holds up the pointer to the screen to look in to it, almost as if warning us that a second part is inevitable. It’s horrifying to see how little is made up of such a paper thin concept. If it didn’t take itself so seriously, I think “Ouija” could have been good old fashioned fun. It should have been a self aware and very tongue in cheek horror comedy about a board game that channels ghosts. Almost like a supernatural Jumanji. Instead we’re given the cinematic equivalent of a sleeping pill that fails to channel anything horrific in its entire ninety minutes.

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Mosquito (1995): 20th Anniversary Edition [Blu-ray]

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The first time I ever watched “Mosquito” was on late night cable on the USA Network when cable channels were fun. Right around the nineties when horror was kind of a killjoy with overly serious horror movies, “Mosquito” is that hard shot that really goes down well. It has gratuitous nudity, giant monsters, stop motion, and even Gunnar Hansen brandishing a chainsaw a few times. How can you bash something that genuinely tries to make the most out of very little? Director Gary Jones comprises a fun little science fiction horror fest in where an alien crash landing turns the local mosquito population in to truck sized predators that get off on feeding on people in the worst ways. Apparently mosquitoes just aren’t biased when it comes to feeding off of living things, so when the ship crash lands, the mosquitoes begin feeding on the blood of its dead alien pilot.

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Manos: The Hands of Fate (1966) [Blu-ray]

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Like most people, I was introduced to “Manos” through the spectators of “Mystery Science Theater 3000” in what is perhaps their funniest episode. Sadly, while the episode itself is a riot, “Manos” doesn’t hold up well to watching for the pure fun of it. That’s because “Manos” is primarily a really awful movie with nothing worth salvaging. There are absolutely no pros that can be taken from watching “Manos,” and it’s mainly appreciated for being so awful and nothing more. It’s shocking how a film that’s barely seventy minutes feels like an utter eternity to sit through. Many films are given “Worst” tags by everyone, but “Manos” genuinely deserves its label as one of the worst movies ever made.

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Scream Greats, Vol. 1: Tom Savini, Master of Horror Effects (1986)

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For folks that want to learn everything and anything about Tom Savini, “Scream Greats” is the crème de la crème of horror documentaries. Savini-philes will love the anecdotes and insight pulled from “Scream Greats,” all the while savoring much of what the man and his company have produced for American horror cinema, from guts, gore, and basic prosthetics. “Scream Greats” is infamous for me, mainly because it’s one of those documentaries that revels in zombie cinema made famous by Savini. And anyone who knows me knows I was absolutely petrified of zombies for most of my childhood.

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Tom Savini: Horror Effects (1989)

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I would suggest “Horror Effects” only to the most ardent hardcore Tom Savini fans, as “Horror Effects” is mostly about, well, horror effects. Truly, “Horror Effects” focuses mainly on a small portion of Savini’s creative work, as he spends most of his time recollecting working on other films that don’t involve George Romero. Is it perhaps because John Russo is the host of this special? Aw, who knows, really? But there’s a surprising lack of talk about his zombie movies in favor of stuff that Savini has done with his company and what they’ve done on the outside of the US, including a slapstick comedy involving facial prosthetics.

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Digging up the Marrow (2015)

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You figure a pro like Adam Green would remember rule number one about film making: Never star in your own movie. Green isn’t exactly Woody Allen, and doesn’t take his advice opting instead for a starring role in a movie that’s thick with smug nods and pats on the back from Green to Green. I don’t mind a little self indulgence from filmmakers, but “Digging up the Marrow” focuses on a guy who’s barely in to his film career and wants to convince the world he has a hardcore rabid fan base. He advertises it as such.

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