Manos: The Hands of Fate (1966) [Fantasia Film Festival]

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FANTASIA FILM FESTIVAL

“Plan Nine” is often cited as the worst film of all time, but I tend to disagree. Say what you want about Ed Wood’s schlock disaster, but it at least has a narrative to it. It’s a pitiful narrative, it’s unnecessarily convoluted, but it’s something. Hell, even “The Room” has some kind of narrative to it that resembles the worst romance melodrama seemingly derived from a Spanish novella. “Manos The Hands of Fate” (or in English: Hands The Hands of Fate?) is the template of how not to make a movie.

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Crimson Whale (2014) [Fantasia Film Festival]

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FANTASIA FILM FESTIVAL

I was completely mixed with “Crimson Whale” as a feature, because when you get down to it, it feels like it pads its run time. It’s only seventy minutes in length, and a lot of it feels like its treading water to get to the inevitable confrontation with its titular foe that happens to be anomaly of nature. “Crimson Whale” isn’t the worst anime film I’ve ever seen. It just isn’t all that good. It gets the distinction of being middle of the road mainly because it’s just so damn gloomy and mean spirited. It’s violent, and dark, and definitely does not thrive on supplying a happy ending. It barely has an ending, when you cut to the chase.

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Robot Jox (1990) [Blu-Ray]

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I’m very lucky that I don’t have any nostalgic connection to “Robot Jox.” I merely know it that that giant robot movie from Full Moon/Empire, and nothing more. Watching it without the rose colored glasses allowed me to appreciate it for what it really is. It’s silly, it’s unusual, but damn it it’s a lot of fun. I can see watching this as a double bill with “Arena.” We just don’t have nearly enough giant robot movies in America, and “Robot Jox” is that one movie that has its heart in the right place. It’s too big for its britches, but it utilizes old fashioned technology to depict a future where robots decide the fate of countries.

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“Drained World” Pilot

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The apocalypse is the big order for the day, and there’s no sign of entertainment in that sub-genre dying down any time soon. Even Web Series are approaching the sub-genre, and the newest is “Drained World.” Normally I’m rough on web series and demand unique content, and “Drained World” seems to fit my needs so far. The twelve minute pilot is filled with a lot of questions and some healthy ambiguity that I hope gets settled with more episodes in the future.

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The Walking Dead Season 2 Episode 5: Chupacabra

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This is a banner episode for Daryl Dixon, who owes a lot to season two. Say what you will about season two, but it’s where we get a better definition of the character and the rigid guidelines he operates by. For a long time he’s been about himself and Merle, and now he realizes he has something else to fight for. He has a goal to strive for, and he’s dead set on finding Sophia. The Daryl from season one would tell everyone to fuck off, but here he’s saving T Dogg from being chomped by a horde of walkers, he’s out bonding with Andrea, he’s giving pep talks to Carol. And now he’s going all Rambo to find a trace of Carol’s daughter.

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Five Things “Star Wars: Rebels” Has Done Right

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No matter how many times I swear off of Star Wars, I just keep managing to go back to it. I can’t help it. I’ve been in love with the mythos since 1998 when I saw it in all of its original glory on my cousin’s old VHS box set, and it’s had a hold on me. Since Disney bought the franchise a few years ago, it’s managed to accomplish so much with the stagnant series, and I’m glad we’re seeing forward motion in the right direction with the narrative. The Expanded Universe is gone, there are more movies on the way, and “Star Wars: Rebels” has been a wonderful precursor to he new trilogy. Aside from being fun, exciting and compelling, it’s also helped improve what the prequels damaged. The show has a ton of great qualities but we settled on five major accomplishments it’s brought to the table. Here are five things the series has done right.

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The Walking Dead Season 2 Episode 4: Cherokee Rose

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This is the episode where Rick begins his transformation from law man to post apocalyptic warrior. Shane has been intimating for a while now that things are just different and there’s no method to the madness anymore. People will die, people will be killed and people have to be sacrificed. Maybe Otis needed to be sacrificed, or maybe not. Shane definitely felt it was worth sacrificing Otis to get to Carl. Would Shane and he have made it out of the school if Shane didn’t kill Otis and leave him behind? Who knows? I’m not saying what he did was justified; it’s just the law of the new land.

When Rick completely stores his sheriff’s uniform and badge in to a drawer, it’s the hint that this is no longer a man following a code. He’s no longer living by normal rational guidelines that we all once lived by.

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