The Eidolon State (2014)

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There are endless internet memes and faux urban legends out there, but the one that tends to spook me most is the Slender Man. It’s been established long ago it was all made up for a contest, but it’s managed to achieve fame simply because the character is so menacing. Maybe it’s the blank face, the enigmatic origins, or the tweed suit. Who knows? “The Eidolon State” is one of the many indie films tapping in to the fanbase, and directors Dion Cavallaro and Paul Thomas know how to build a very atmospheric horror film.

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Eyes in the Dark (2010)

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Say what you want about the found footage sub-genre, but director Bjorn Anderson smartly takes from “Cloverfield” and builds an intriguing gimmick. Naming his movie “Eyes in the Dark” leads the audience in to a very tightly wound and spooky found footage horror film where a group of hapless individuals wander in to the Cascades and are stalked and hunted by glowing red eyes in the dark. Part of the fun is finding out what the red glowing eyes are, and the mystery of the unknown is a valuable tool that director Anderson implements for his audience.

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The Shift (2015)

The-ShiftIt’s pretty astonishing how much story Francesco Calabrese is able to tell and establish in just eight minutes. “The Shift” is both a horror film and a meta-film at once, exploring a very picturesque scene draped in pure terror. “The Shift” is set in the sixties. Or at least, the neighborhood we view looks very much of its time and Betty has just decided that it’s the sixties. In either case, all is not serene when we fade in to “The Shift.” When Joe returns home from work, he is knocked out awakens to find the ginger haired beauty Betty awaiting him.

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Men in Suits (2012)

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Director Frank H. Woodward’s “Men in Suits” is one of the best film related documentaries ever made. It’s an insightful and entertaining look at a rarely covered corner of Hollywood that’s gone unnoticed and uncredited since the beginning of film. “Men in Suits” is a fantastic chronicle of the facet of Hollywood films revolving around men that dress up as monsters for horror, fantasy, and science fiction, and bring to life many of the most iconic and horrific monsters ever put to film. Woodward chronicles how the art form began in the golden age of filmmaking, and has become something of a rare form of performance art in the era where studios are dependent on CGI and polygons.

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Envoy (2014)

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For now, David Weinstein’s “Envoy” is really just “Iron Giant” meets “Predator,” but I think with a wider scope and feature length, “Envoy” could be so much more. The short film from director Weinstein acts simultaneously as a spec film for a more fully realized follow-up and I’m anxious to see where he takes this premise. “Envoy” feels like Weinstein took Spielberg, “Iron Giant,” and The Zeta Project for one really good, but menacing science fiction adventure.

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Similo (2014)

In a dying world how far would you go to keep the environment you loved? And more importantly, in a world where you’ve lost the only person you’ve loved, can you ever really get them back? Is it worth trying to pretend you’re still where you were decades ago, or isn’t it just easier to let go and accept your fate? “Similo” is a brilliant and beautifully directed science fiction short that uses the world our character Heve lives in as an allegory for the relationship she lost a long time ago.

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L3.0 (2014)

l30The directing team of Alexis Decelle, Cyril Declercq, Vincent Defour, and Pierre Jury at Isart Digital really turn the whole lonely robot formula on its head. The five minute silent short entitled “L3.0” is filled with heavy implication and immense back story, based solely on what we see, and not what we’re told. L3.0 is a lonely robot that spends most of its days looking for other beings, and sending out paper airplanes in to Paris. When he finds a butterfly, he might have found a new friend.

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