“The Diary” plays out a lot like a story from “Creepshow”. It’s short, to the point, but also very creepy, and much like “Evil Dead” there’s your monsters, hapless victims, and a cabin in the middle of the woods. “The Diary” is a very creepy and taut zombie horror film with two narratives about one plot element that takes a toll on our characters with the same inevitabilities. Being a hardcore horror fan since before I could walk, I love to see what indie filmmakers can offer, and “The Diary” is an offering for any horror fan to see. It’s recommended.
Category Archives: A+ Indie
Peter's Price (2005)
And there’s that adage that “The grass is always greener on the other side”, and when you break down that adage in bits and pieces, it’s not a one-liner about envy, it’s basically telling you, misery though we perceive it to be bliss, is still misery. And such is examined in the intelligent and engrossing twenty minute short from director Mitchell L. Cohen who seems to have channeled Richard Linklater down to his essence of simplicity.
Frankenstein vs. the Creature from Blood Cove (2005)
What I always enjoy is the schlock brought upon us by new directors that take it upon themselves to carve their own pastiche with films that both spoof yet pay respect to the films of old that audiences are no longer interested in. What William Winckler does or tries his hardest in doing is both spoofing the classic horror film while paying his own homage telling this story that is both simple but entertaining. “Blood Cove” is often cheesy and goofy, but that’s the intent, its low tech in many respects with the creature’s monster suit and the Frankenstein make-up.
Zombies in my Neighborhood (2005)
I’m not that bright sometimes, I admit it. I know what you’re saying “Felix, it can’t be true”, but I’m being honest, I’m not as utterly intelligent and charming as I look to you. Sometimes a joke is so subtle, I don’t get it. Again you’re gasping and thinking “My god, he’s mad he IS charming and intelligent”, but it’s true, my friends. Either way “Zombies in my Neighborhood” is basically proof to my sad admittance. “Zombies in my Neighborhood” is the making of a film that–will never happen. Thus is the joke. Which I didn’t catch on to.
WMD: Weapons of Mass Deception (2004)
“WMD” is a shocking, sometimes much too disturbing account of the biggest crime that went completely unnoticed, and will continue to go unpunished. This is not a study of Weapons of Mass Destruction, but what this does probe in to is the utter destruction and obliteration of the American journalistic sentiment. Growing up, I was taught that journalists are the people who keep those in power, in line, and catch them in their misdeeds and wrong doings to better serve the public and teach them that we are being looked out for, so that those in power do not abuse what they’ve been given. People like Woodward and Bernstein who helped unravel the Watergate scandal and the legendary Edward R. Murrow who gave the art of journalism the reputation that it was a dynasty of honesty, and truth, and seeking to help those who don’t have a voice. What documentarian Danny Schecter does is give the audience a message we’ll never be given.
My Little Eye (2002)
While the whole people on a reality show having the tables turned concept is recycled by now, “My Little Eye” has managed to master such a concept with a brilliant horror thriller that is just undeniably engrossing from start to finish. From the opening credits, we can already see the director playing games with the audience by filming the entire scroll of the Universal logo and the entire film in general in digital form resembling a web cast. We never once, throughout the entire movie, see a shot filmed with an actual movie camera, yet instead look only through the eyes of the cameras watching this group of people. Essentially, “My Little Eye” borders on the routine; different people brought together, they clash, there are your bumps and creaks, but eventually, as the movie goes on, it becomes increasingly intelligent in its searing undertones and social commentary.
Drop Box (2006)
Imagine if a spoiled rich brat like Paris Hilton made a sex tape (I know, it’s a real stretch, but stay with me here) and, in one angry tirade went to cool off and dropped in her rental tape at the local video store and in her frustration, gave them her sex tape instead? Now you know the plot of “Drop Box”, a hilarious observational comedy about a video stores clashing with a pop princess (Rachel Sehl). Except the brat in question is not Paris Hilton, but a bitchy celebrity. But before the actual plot kicks off “Drop Box” is an utterly hilarious story revolving around an irate video store clerk, and from the beginning it’s clear that directors Anesty & Spiros Carasoulos has an actual grasp on what the term comedy means.