Don’t Panic (1987)

I’d love to have been a fly on the wall where Rubèn Galindo Jr., director of “Don’t Panic,” actually watched as someone from the wardrobe department went out, bought dinosaur pajamas in a man’s size, and decided to make it the primary outfit for his film’s protagonist. Dinosaur pajamas with red and blue dinosaurs that you’d find on a seven year old unironically became the motif for the central hero of a horror movie. And that’s not all that “Don’t Panic” has in store for its audience. Rubèn Galindo Jr.’s “Don’t Panic” is a mélange of plot devices that rip wholesale from the likes of Wes Craven, and Sam Raimi.

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Satan’s Little Helper (2004)

For reasons I could never quite put my finger on, “Satan’s Little Helper” has always evaded me. Since its release in 2004, I’ve never been able to find time to sit down and watch it, but since its initial release, it’s manage to garner a pretty respectable cult following. “Satan’s Little Helper” is certainly one of the most batshit insane Halloween horror movies I’ve ever seen, which is something that works for and against Jeff Lieberman’s horror comedy. It’s weird, and darkly comic, and over the top, and injects uncomfortable overtones of incest, and pedophilia, to boot. There were genuine moments that made me squirm, and it works to the detriment of the movie itself.

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The Barn Part II (2022)

If Justin M. Seaman’s “The Barn” was “Ghoulies,” then “The Barn Part II” is the “Ghoulies II” of his horror movie series. His Halloween centric horror movie series has managed to deliver in surprises and good old fashioned vintage scares and I’ve enjoyed a lot of the mythos that Seaman and co. have created. “The Bart Part II” is superior to the first film in every way, as while the original is a very good small scale Halloween movie, this follow up doubles up on every aspect. There’s double the gore, double the body count, double the T&A and even larger scale monsters.

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The Barn (2016)

Justin Seaman’s indie horror film has managed to become something of a small cult classic since its release in 2016, and it’s good to see. Despite being rough around the edges, “The Barn” is a very good horror movie that celebrates Halloween and slasher films at every given chance. The movie from Seaman works hard to build a lore within its movie, not solely intending on a stand alone installment, apparently. “The Barn” is through and through a Halloween movie that has a great time reveling in the sense of danger it encourages and embraces.

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Aladdin: The Return of Jafar (1994)

1994’s “Aladdin: The Return of Jafar” (or “Aladdin 2: The Return of Jafar,” or simply “The Return of Jafar” as it’s known in some circles), was originally intended to be the trio of episodes for the television spin off of the hit 1992 Disney film “Aladdin.” Not wanting to miss out on milking their hit further, Disney cobbled together a movie that acted both as a sequel and an entry point in to the “Aladdin” syndicated animated series. This meant that much of the resolution of the original movie was rendered pretty much null. Factor in that Robin Williams refused to reprise the role of Genie once again after a fall out with Disney, and you have what is—well, just an okay movie.

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Peter & The Wolf (2023)

“Beware. For Wolves come in many disguises.”

Sergei Prokofiev’s classic musical fairy tale “Peter and the Wolf” is a story that’s been adapted, and adapted, and re-interpreted, and remade, and rebooted, for sheer decades. My first introduction to “Peter and the Wolf” was the animated adaptation from an episode of “Tiny Toons Adventures,” and since then the story pops up every now and then for modern audiences. This one is written by musician Gavin Friday and the one and only Bono, both of whom originally collaborated on this story to produce a book to benefit the Irish Hospice Foundation. Their version is brought to screen thanks to Gavin Friday who offers up a minimalist but beautiful truncated take on the original story.

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Beast From Haunted Cave (1959)/Ski Troop Attack (1960) – 2-Disc Double Feature: Special Edition [Blu-Ray]

A thing I always enjoyed about Roger Corman’s movies is that they were very ambitious. Sometimes they were too ambitious for their own good. Thematically, “Beast from the Haunted Cave” has a good idea. It’s an action themed heist picture but it throws in an icky monster to the mix to contribute to the horror element. A movie like this is begging to be remade, and could become a pretty fun monster picture and action hybrid similar to “Deep Rising,” per se.

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