Control (2017) [Final Girls Berlin Film Festival]

“A Real Scream” Shorts Block

I found Kimmy Gatewood’s “Control” to be pretty fucking excellent, and it’s probably one of my favorite short films of the “Final Girls Berlin Film Festival” so far. The premise is genius and her short brought me back and forth from grinning to tisking in sheer sadness; let’s just say I related to her creation more than I thought. While the premise has every chance to be exploitative and played for cheap laughter, there’s an inherent sadness underneath every moment, and it’s more poignant, in the end.

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All Men Must Die! (2018) [Final Girls Berlin Film Festival]

“A Real Scream” Shorts Block

At nine minutes Kate Beacom’s “All Men Must Die!” is a complete swing and miss. I get what she’s going for, here, but all sense of the horror element is lost in favor of this odd indie flourish, and a climax that makes no actual point. While director Beacom does enter in to a turn of events that universal to the intended audience, “All Men Must Die” takes forever to get to the literal splash in the climax, and I was left thinking “That’s it?” Continue reading

Allen Anders – Live at the Comedy Castle – circa 1987 (2018) [Final Girls Berlin Film Festival]

“A Real Scream” Shorts Block

Laura Moss’s “Allen Anders…” is a beautifully bizarre bit of experimental horror that I kind of loved when all was said and done. Mimicking an actual worn out VHS tape, we’re subjected to a 1987 stand up routine of a young comedian named Allen Anders performing at the Comedy Castle. Anders looks worn, exhausted and covered in sweat while an agreeable audience looks on. While Allen is never exactly hysterical it never really matters as the audience responds to just about everything he says with nods and laughs. When he’s done with his skit, he’s called up on stage once again to repeat the very same routine.

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Friendsgiving (2018) [Final Girls Berlin Film Festival]

“Midnight Movies” Shorts Block

I wasn’t completely won over by Samantha Kolesnick and writer Sean Richard Buddle’s short horror comedy, I’ll admit. It’s probably because the premise has been done to death, and I mean I’ve seen this premise done so many times on film that there’s really nowhere to go with this idea.

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Call Girl (2014) [Final Girls Berlin Film Festival]

“Midnight Movies” Shorts Block

Director Jill Gevargizian’s short “Call Girl” watches like a short interlude you’d probably see in a digital horror anthology similar to “V/H/S/.” And I mean that as a compliment. As a short but sweet little horror tale writer Eric Havens’ script has all the classic tropes of the genre. There’s the vile enemy, the victim, the set up, the twist, and the juicy comeuppance.

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The Poison Ivy Collection [Blu-Ray]

For all three of you fans of the “Poison Ivy” movie series wondering when we’d finally see all four of the films from the series on Blu-Ray, Shout Factory finally brings it to us with extras and restorations. Truth is I’m eagerly awaiting the “Devil in the Flesh” duology on Blu-Ray (Sidenote: Do you think anyone has the balls to release the entire “Wild Things” saga?), but for now we have this neat box set of some of the best worst erotic trash that’s ever been brought to movie fans from Warner bros. And just in time for Valentine’s Day and Women in Horror Month, too! You can ogle a pre-career renaissance Drew Barrymore, or up and comer Jaime Pressly, or a post-“Degrassi” Miriam McDonald.

There’s no wrong option, is the bullet point of my explanation.

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