There really is no one on Earth that can top the combined forces of Dario Argento and Goblin’s excellent “Suspiria,” so Luca Guadagnino doesn’t even try. Instead, this new version of “Suspiria” is less a remake and more of a new tale in the same universe, or a spiritual sequel if you really want to get technical. Luca Guadagnino definitely approaches his spin on “Suspiria” with about as much ambition and enthusiasm he can muster up and what results is a wonky, surreal, bizarre, and yet overstuffed six act horror film that never quite knows when to call it quits. That said, “Suspiria” will most definitely acquire a fan base and I assume years from now fans will debate on whether this or Argento’s original is the superior film.
Category Archives: Movie Reviews
Butterfly Kisses (2018)
Despite the fact that I’m a fan of the found footage sub-genre, whenever I come across a new independent film that embraces the format, I release a small groan of worry. Granted, the format can still unleash some gems, but too many times filmmakers tend to fall in to the trappings of clichés and typical twists, not to mention building up to something and never actually delivering. Thankfully “Butterfly Kisses” is a strong horror film that skillfully implements the format while also examining the dangers of becoming obsessed with lore and the darkness of humanity.
Robin Hood (2018)
Every few years, the Hollywood machine dips in to their pool of public domain legends and stories, failing to realize that no one is interested in them. No matter what new spin they put on them, they almost always turn out poorly. “Robin Hood” is on the chopping block once again, with Summit Entertainment trying their damndest to superhero-ify the merry thief. The only problem is that we’ve had a superhero Robin Hood for decades now, and—no one gives a shit about Robin Hood anymore. No matter gloss the studios put on the tale, even turning him in to pseudo-Batman, “Robin Hood” (or “Robin Hood Begins” or “The Dark Hood Returns”) is a swing and a miss, a giant squishy thud that lands in a year filled with some truly stellar action and fantasy films.
Survival of the Film Freaks (2018) [Sin City Horror Fest 2018]
Cult films have a special place in American film nerds’ hearts. This documentary explores how cult films affect their fans and how they become so through interviews with fans, filmmakers, and a variety of speakers.
Can’t Hardly Wait (1998): 20 Year Reunion Edition [Blu-Ray]
If I had to list five of the quintessential nineties movies that basically defined the decade, “Can’t Hardly Wait” would be on the list. It’s not just a party movie, but a movie that takes every single element of the nineties and stacks it together in to a ninety minute teen comedy. “Can’t Hardly Wait” is a movie I’ve had a long history of loving and hating. I spent my teen years watching this movie on cable at least thirty times, then grew to loathe it, and then many years later, I’ve kind of grown fond of it, and its simplistic yet grand premise. It’s not a funny movie, but it’s one that’s recommended if you want to check out what the decade looked like without artifice–*cough*EmpireRecords*cough*.
A Selection of Shorts from Sin City Horror Fest 2018 Part 2 [Sin City Horror Fest 2018]
Sin City Horror Fest offered up short films by the bucketload and some rose up to the top for various reasons. Here is a selection of these from day 2 at the fest.
Ernie Kovacs: The Centennial Edition (DVD)
During the 1950s and early 1960s, Ernie Kovacs stood out from his comedy peers who approached television with a vaudeville and Borscht Belt vibe. Kovacs’ ingenious use of visual sight sags and off-kilter sound effects created a new school of small-screen comedy, and his gallery of brilliantly warped characters – including the mincing poet Percy Dovetonsils, the hostile Hungarian cook Miklos Molnar and the musically violent derby-hatted simians of The Nairobi Trio – brought a subversive sense of humor to a comedy scene that was often a little too safe for its own good.
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