Netflix’s newest original film is a derivative and silly “Fatal Attraction” wannabe that wouldn’t even pass muster in a discount movie theater. “You Get Me” feels shockingly dated, almost like something released in 2001, and barely skids by as background noise. Its narrative is achingly paper thin to the point where the movie submits itself to endless montages filled with silly club and dance music. Even the finale is botched with a ridiculous ode to “Sunset Boulevard.” Director Brent Bonacorso struggles very hard to deliver a modern day digital version of “Fatal Attraction” when it barely registers as a “Swimfan” clone.
Category Archives: Movie Reviews
Man in the Camo Jacket (2017)
This documentary shows the rise to fame of The Alarm member Mike Peters, the slowdown of his career, his fight with cancer, and how he turned all it around by helping the cancer cause and getting back into performing.
Ricco the Mean Machine (1973)
“Ricco the Mean Machine” is a gruesome but unusual revenge picture, and it’s rare you can see a movie where two thugs are driving on a road and get a strip tease by a stranded woman who straddles the hood. It’s every bit as exploitative, sleazy, and weird as you’d expect from a movie made in 1973, and that’s probably why I enjoyed it so much. Demicheli’s action thriller is very unlike what you’d expect from a revenge movie. Sure, its hero is out for blood but not because of the reasons you’d expect. Ricco is released from prison to discover that his mob boss father was killed, but upon this discovery he really holds not malice about it. Continue reading
Darkness Rising (2017)
A young woman feels a need to go visit the house where her mother seemingly lost her mind and killed her family. Once there, things start going bump in the night.
Vicious Lips (1986)
It’s really hard to find anyone who does eighties neon pop surrealism like Empire Pictures. If you want to soak in everything about the decade from the bright colors, weird synth music and massive hair, look no further than films like “Terrorvision,” “Bad Channels” and or “Vicious Lips.” Your experience with Albert Pyun’s rare cult film may vary depending on your love for the decade, but sans the nostalgia goggles, it’s only a moderately entertaining experience that it limitless in its oddities. Something of a mixture of “Rock and Rule,” “Jem and the Holograms,” and “Rocky Horror Picture Show,” Albert Pyun throws so much imagery at the audience and there’s never any kind of substance soaked up.
Beatriz at Dinner (2017)
Beatriz is a healer, a holistic health practitioner, whose car breaks down at a wealthy client’s house after she gave her a massage. The client invites her to stay for a celebratory dinner party her husband and herself are hosting that night. Like a fish out of water, Beatriz has dinner with three extremely wealthy couples with whom she has little to nothing in common.
The Substitute 3: Winner Takes All (1999)
Karl Thomasson is back and is still tortured by his days serving in the military. After flashing back to his old days with a military buddy named Macy who made him swear an oath before he died while imprisoned, he visits his Macy’s daughter. She so happens to be a teacher at a fictitious college where the dominant force is the school football team, all of whom are juicing up on some kind of experimental steroids. After she’s attacked by local drug dealers, Thomasson takes it upon himself to go undercover as a professor and begin investigating who attacked her. While trying to figure out the identity of her attackers, he uncovers a drug ring and begins learning about the dangers of steroids as players slowly either turn up dead or become increasingly violent.