Wonder Woman (2017)

Diana grew up to become an Amazon warrior.  Little did she know, she was much more than that and when the time comes, she heads to war with a man who crashed near the island she lives on with only women.  There she discovers her full potential as much more than a warrior, but also a hero.

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Alien: Covenant (2017)

With “Prometheus” Ridley Scott met the other side of his “Alien” mythology by visiting the very early dawn of his universe that saw the very evolution of his xenomorphs. After it hit with a thud resembling a wet diaper smashing in to a garbage can, Scott hits the other extreme by delivering a movie in the vein of “Prometheus” that’s just as flat and just as stupid. Director Ridley Scott has lost the grasp of his own film and has really failed to learn how to deliver a well measured and compelling horror tale teeming with themes about sexuality and human biology. Instead now he gets to literally have his cake and eat it too, by offering up a ham fisted goofy prequel that feels like a glorified fan film. All the while also continuing his descent in to pseudo-intellectualist allegories and on the nose metaphors about God, the Devil, Heaven, Paradise, evolution and birth.

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Ghost World (2001): Criterion Collection [Blu-Ray]

Terry Zwigoff’s adaptation of Daniel Clowe’s iconic coming of age tale “Ghost World” gets its due from Criterion for hardcore fans alike. Criterion tastefully disregards Scarlett Johansson’s mega star status in favor of advertising the essence of the very weird and unusual tale of a young girl learning about growing up and moving on. In one of her finest roles, Thora Birch stars as the odd Enid, a girl with peculiar taste for Bollywood musicals and off beat culture who is experiencing the end of high school with her best friend Rebecca (Johansson). Enid finds solace with her life through her unusual art where she draws colorful locals in her town.

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Ben (1972) [Blu-Ray/DVD]

There aren’t many movies out there that offer audiences a sequel that is so drastically different in tone. The biggest comparison I can draw is the original horror thriller “Cat People” and dramatic “The Curse of the Cat People.” While “Willard” was basically a twisted thriller involving a dysfunctional young man’s self destructive relationship with rats, “Ben” is a more dramatic family film with elements of horror thrown in. It’s a very tonally confused and muddled melodrama that doesn’t do much to make Ben in to an interesting horror villain. To prove how utterly confused the movie is in terms of intentions, watch the final scene in which Ben stares in to the camera menacingly in the vein of the climax of “Willard” while the sappy “Ben’s Song” from Michael Jackson plays as the credits roll. So—what are we supposed to feel by this?

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Willard (1971) [Blu-Ray/DVD]

You have to give Shout Factory credit for at least trying to connect “Willard” to “Ben” for audiences. In the original 1971 movie, Willard Stiles is dysfunctional man whose rat of choice is white and named Socrates. For some reason he harbors an adversarial relationship with Ben, first scolding him like an embarrassed parent and then lashing out at him violently time and time again. Ben is always a mysterious element in the tale of Willard Stiles, an animal that has a lot more to him than simply being a rodent. He’s sometimes a sentient and very clever animal that feeds Willard’s own sense of need for family. “Willard” is kind of a demented thriller that’s always been considered a horror classic. And though it’s not scary at all, it does bear elements of horror with an EC Comic bent in rare moments.

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Seoul Station (2016)

Yeon Sang-ho and the studios were wise to capitalize on the running juggernaut that was the success of “Train to Busan” in 2016. Often times studios or directors wait two to five years for a prequel or a sequel, but “Train to Busan” gets an almost immediate prequel that helps expand the story and mythology of the live action film. One of the best zombie films of the last fifteen years, and perhaps of all time, “Train to Busan” was an action packed blockbuster disaster film set to the tune of the zombie apocalypse. The animated prequel is a bit more downbeat but still maintains the same social relevance and commentary that “Train to Busan” did so well.

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