Directors Lucky McKee and Chris Siverston backtrack over their 2001 indie horror film “All Cheerleaders Die” and remakes it in to a classic rape revenge horror film where hormonal jocks get their comeuppance. Director McKee and Siverston seem to have a lot of fun with the premise, channeling the likes of “Jawbreaker,” and “Satan’s Cheerleaders” in what is one of the more creative revenge horror films I’ve seen in a while. Maddy is an aspiring journalist who begins following around her friend Alexis during her tryouts for the cheerleading team. As well she learns about Alexis’ views on politics in high school not to mention the twisted social dynamic involved with dating and being a cheerleader.
Category Archives: Movie Reviews
In the Blood (2014) [Blu-Ray]
Action goddess Gina Carano tries her hand at a “Taken” style action romp, and for the most part, it delivers big time. “In the Blood” is an interesting spin on the formula where Carano plays a heroine that’s vulnerable but never helpless, and she’s willing to do whatever it takes to ensure the safety of her husband. Carano is more than capable on this role, playing a woman that’s spent her entire life learning how to fight thanks to a survivalist father. Surely enough it comes in handy when her one chance at happiness is put in jeopardy.
Go Go Mania (1965)
It all started with the Beatles. From there it was a slew of really interesting British Invasion groups, and singers, many of whom ranged from absolutely abysmal, to quite unique. It’s a shame many of these bands never quite garnered the legacy that the Beatles did, but “Go Go Mania!” has value, if anything, in showing how many bands climbed out of the woodwork to claim their own fame once the Beatles stormed America.
The Baytown Outlaws (2012)
You know your cast has done a great job with their respective roles when they’ve successfully turned three dumb, ignorant, gun loving red necks in to charming heroes you root for until the bitter end. Surely enough, director Barry Battles’ grindhouse redneck chic romp isn’t an easy sell as, after the first ten minutes, I was ready to toss this aside and look for something better on my plate. But surely enough after spending time with it, “The Baytown Outlaws” eventually won me over, completely. In fact, I kind of fucking loved it, all things considered.
Gone in Sixty Seconds (2000)
How do you take one of the more unique race car films from the seventies and destroy it? Remake it with a bland story, add a very adult cast of Nic Cage, Angelina Jolie, and Vinnie Jones, and slap a PG-13 rating on it. Also, turn it in to a lame ass action comedy, for extra insult to injury. “Gone in Sixty Seconds” from 2000 is an uneven and fairly tedious action comedy that has all the edge of a crime thriller, except it’s suitable for teenagers, a crowd that will appreciate director Dominic Sena’s insistence on imitating Michael Bay.
Repo Man (1984)
I sat watching Alex Cox’s “Repo Man” with a gaping mouth and sheer bewilderment from beginning to end. Director Cox assembles a slew of various sub-genres and sub-sub-genres, along with a seasoned cast of brilliant actors to concoct a surreal mind fuck that I was never bored by. In fact, I loved it right through to the very end. It’s existentialism, it’s social commentary, it’s punk rock, it’s action, it’s dark comedy, it’s comedy, it’s musical, it’s aliens, it’s crime, it’s a road trip movie, it’s a one of a kind anomaly with Emilio Estevez at his best.
X-Men: Days of Future Past (2014)
Wolverine is the key to it all! Whodathunkit? Director Bryan Singer seemed so reluctant to use him in the “X-Men” movies. Now that the sarcasm is out of my system, “Days of Future Past” is a very respectable adaptation of the iconic Marvel comics’ storyline, and a very good excuse to press the reset button on the entire “X-Men” series, led by Bryan Singer. The franchised rolled out by FOX has had this coming for quite some time with such a convoluted, inconsistent mess of a timeline. It’s reassuring that the third go around for Bryan Singer in the Marvel property is better than his previous two films.






