Harvey (1950)

Harvey

“Harvey” is another one of those non-conformists dramedies that asks what the harms is in being a little different. In a time where normality and conservative thinking were a standard, and psychology was still a new aspect of society, “Harvey” is yet another wonderful tale about a unique individual who changes the lives of everyone around him. That’s all thanks to the small ounce of magic he brings to people that have convinced themselves they’re normal, but really aren’t. While “Harvey” fancies itself as a dramedy, it’s first and foremost a light hearted romp through fantasy and imagination, and will often inspire raucous laughter from viewers.

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Hot Times at Montclair High (1989)

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If you’re going to try and mimic one of the most successful teen comedies of the eighties, at least have the budget to back it up. “Hot Times at Montclair High” is one of the lamest rip off of “Fast Times” I’ve ever seen. It’s one of those films that takes every chance to copy from the previous film, except it fails to deliver what made the film such a success. Like great writing, engaging characters, comedy, and a truly interesting series of narratives and sub-plots.

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Lone Survivor (2013)

Download-Lone-Survivor-DualDirector Peter Berg is really a fan of his ‘rah rah America’ films. Whether it’s about football, alien spaceships taking on American military, or accounts of an actual military operation, he’s a man who loves his patriotic dramas. It’s not to discount that what happened in “Lone Survivor” was without its heroism, but “Lone Survivor” is in the end a mediocre military drama and just a sub-par human drama, that fails to focus on the human aspect of its story. I’m not opposed to films about patriotism or celebrating the armed forced, but the soldiers at the core of the dilemma that ensues lack that humanistic aspect that could inspire us to really root or empathize with them.

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Nightbreed (1990): The Director’s Cut [Blu-ray/DVD]

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Thanks to the advent of home entertainment and a wonderful company like Scream Factory, director Clive Barker is finally able to realize his original vision for the cult horror film “Nightbreed.” While the film itself has gained momentum and respect over the years as a dark and morbid tale of monsters from the underworld facing human cruelty, Barker’s experience making the movie was a bitter one he often recollected with anger and sadness. With his Director’s Cut, he’s not only able to salvage old footage that he was forced to edit out of his narrative, but he re-structures “Nightbreed” in to practically an entirely new movie. One that’s better than the original cut.

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The Spectacular Now (2013)

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Director James Ponsoldt’s drama is very much a film that takes its pages from John Hughes’ teen oriented films about change and growing up. “The Spectacular Now” is much in the arena of “Breakfast Club,” and “Say Anything” where what we once thought we understood is actually false, and we eventually reach a fork in the road where we must decide to move on, or stay perpetually stunted by our environment. Director Ponsoldt introduces us to the destructive part of our lives that keep us from accepting growth and adulthood, and he just happens to be our protagonist Sutter.

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Jungleground (1995)

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I really enjoy Roddy Piper as an action star. The man had screen presence, charisma, an could turn any clunky role in to a bonafide winner. The 1995 cheapie “Jungle Ground” is a two pronged vehicle for Piper, acting as his own custom tailored “Escape from New York” and “Die Hard.” It’s Piper as an average cop stuck behind enemy lines in a lawless gang warzone who has to fight his way out and save his wife. He even gets to shoot down a criminal declaring “Hi Ho, Silver.” Too bad “Yippee Ki Yay, Motherfucker” was taken.

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Shadowzone (1990)

Shadowzone

I tried very hard to stay awake and somewhat alert through “Shadowzone” but mid-way I had a difficult time even keeping my attention on the convoluted plot. With the tagline “Beyond Alien! Beyond The Thing!” Cardone’s science fiction horror hybrid is so beyond boring. Director J.S. Cardone definitely steals from the former films wholesale, but none of it ever amounts to a remotely entertaining horror science fiction film. I’d sooner watch 2011’s “The Thing” before I watched “Shadowzone” one more time.

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