It’s probably a good thing that I didn’t see the original “We Are What We Are” before Jim Mickle’s remake. I typically find time to pick up the original article, but time didn’t allow the convenience, so Jim Mickle’s remake of the Mexican horror film is what I had to base my entire opinion on. And that’s something of an advantage, since on its own it’s a fairly mediocre but interesting tale about cannibalism of the body, and the eternal cannibalism of the family unit.
Category Archives: Movie Reviews
Short Term 12 (2013)
Brie Larson has remained one of the most subtle and hard working character actors in modern film, sometimes taking seemingly missed turns in great indies (The Spectacular Now), and often blowing people away with supporting performances (Scott Pilgrim vs. The World). In “Short Term 12,” Larson proves she’s capable of being a lead and should often play the leading character in films that can show she’s a performer of beauty and immense vulnerability.
Never Sleep Again: The Elm Street Legacy 2-Disc Collector’s Edition (2010) [Blu-Ray]
If you’re still convinced that you’ve read everything to do with “A Nightmare on Elm Street,” then tune in to “Never Sleep Again,” and you might find a surprise or two. As a jaded horror geek convinced he’d heard it all, “Never Sleep Again” spared many a shocking anecdote about the making of “A Nightmare on Elm Street” and its entire legacy. From its sequels, spin off, and misguided but notable cultural influence, “Never Sleep Again” never misses a beat and promises something entirely new for the horror fan interested in a refresher course in Freddy Krueger. After being on DVD since 2010, Image Entertainment releases the acclaimed and award winning documentary on Blu-Ray for folks anxious to indulge in Krueger on Blu.
Head Cases: Serial Killers in the Delaware Valley (2013)
Independent filmmaker Anthony Spadaccini always had a keen visual eye, leaving no stone left unturned. You can tell by watching his films that he takes great pride in every shot and every camera angle. His films are an emotional experience, but even more than that, they are a visual experience to remember. You feel as though you are entering another dimension or another universe. You are a little uncomfortable, scared, and unsure, yet you can’t look away and you can’t wait to see what unfolds next. It grabs the viewer right from the get go and doesn’t let go.
Head Cases: Serial Killers in the Delaware Valley (2013)
Independent filmmaker Anthony Spadaccini always had a keen visual eye, leaving no stone left unturned. You can tell by watching his films that he takes great pride in every shot and every camera angle. His films are an emotional experience, but even more than that, they are a visual experience to remember. You feel as though you are entering another dimension or another universe. You are a little uncomfortable, scared, and unsure, yet you can’t look away and you can’t wait to see what unfolds next. It grabs the viewer right from the get go and doesn’t let go.
Dr. Strangelove Or How I Learned to Stop Worrying and Love the Bomb (1964)
There’s nothing funny about nuclear war. Unless you’re Stanley Kubrick, Peter Sellers, and George C. Scott and then, okay, it’s hysterical. Director Stanley Kubrick opts this time for a darkly satirical and often menacing film about American politics and what happens when the wrong orders are put out that will eventually bring the world to its knees. When America’s officials retreat to “The War Room” to sort out this nagging problem, Buck Turgidson and President Merkin Muffley attempt to find a course of action that will please all parties.
Carrie (2013)
If there’s anything I can say about the remake of “Carrie” is that it’s at least better than the 2002 version. It’s more focused and sleeker. I remember reading on many articles that director Kimberly Pierce was planning to deliver a new and dynamic version of Stephen King’s “Carrie” that differed greatly from Brian DePalma’s iconic horror masterpiece. I’d love to know what happened during the entire development of this film because watching it, all I saw were callbacks to the original DePalma movie. Surely, there’s the addition of the internet and a small riff on cyber bullying but it’s really just a riff on DePalma’s film.