It’s Pinhead. In space! With his cenobites. In space! Someone opens the puzzle box. In space! And people are tortured and turned in to cenobites against their wills. In space! The aspect about “Bloodlines” is that even though it closes the original continuity, there’s still a host of questions never answered for the fans. One of them being, if it’s indicated in the original film that becoming a cenobite is based primarily on the subjects own sado-sexual desires that transforms them in to beings of unbridled sexual pain and pleasure, why is Pinhead still just a stock slasher who turns people in to cenobites against their wills? In space? It’s a surefire sign you’re in for a thrill ride when you see director Alan Smithee at it again.
Category Archives: Movie Reviews
Firestarter 2: Rekindled (2002)
In the start of the first decade of the millennium, television networks across the country were mining once popular properties to transform in to television series. TNT sought out “Salem’s Lot” for a series and failed. NBC sought out “Carrie” for a new series and it never blossomed in to anything, and the Scifi Channel in America provided an unofficial sequel to Drew Barrymore’s film “Firestarter” which was basically a two and a half hour television mini-series that they presumed would become a television series. And it never progressed. Which is a shame, because while “Firestarter 2” is no masterpiece much like the first, it had potential to be cult fodder, what with storylines it props up, villains it introduces and the like. I fondly remember seeing “Rekindled” when it originally appeared on television and I found it to be fairly entertaining. Nine years later, it’s still rather entertaining.
Firestarter (1984)
I really do commend Mark Lester for bringing genre fans a film that still holds up to this day. While it’s not at all a masterpiece or perfection, “Firestarter” almost thirty years later is still a really entertaining bit of genre fare that explores the tribulations of a young girl with a natural ability, and the men in her life. Lester’s adaptation of Stephen King’s novel doesn’t just make young Charlie’s powers her own superhuman ability, but in a way implements it to signify her emotions, particularly love and passion. Because deep down “Firestarter” is a love triangle between small Charlie, her father, and her new friend John. At first John is insistent on murdering Charlie, and once he manages to gain her trust and befriend her, his friendship turns in to passion and love.
Arcade (1993)
“Kiss reality goodbye.”
Boy I love “Arcade.” I just want to hug it tightly until it pops. It’s such a bad movie that it’s actually damn good when you overcome the absurdity. Maybe it’s because a plump Ralphie Parker plays a strong supporting role. Maybe it’s because Seth Green co-stars with a grungy nineties doo. Maybe it’s because the movie is just a rip-off of “Tron” and “Lawnmower Man”; either way it’s quite ridiculous, but for whatever reason Albert Pyun’s Full Moon Entertainment science fiction horror film is one of the finest pieces of schlock I’ve ever seen.
The King of Fighters (2010)
Endhiran/The Robot (2010)
In its homeland it’s a blockbuster film and one that took years to develop to inevitably become “The Robot” or “Enhiran.” It’s garnered some rave reviews from Bollywood critics and has even scored something of a fanbase. But “The Robot” hasn’t caught on until a few years subsequent its initial release due to the internet’s capability of bringing to attention a movie very few have been aware of. Thanks to one person’s capturing of “Endhiran’s” most dazzling and over the top action sequence, this is a science fiction Bollywood film many have sought after its sensation as a web clip.
Mega Man (2010)
Director Eddie Lebron is essentially the definition of the modern independent filmmaker. He’s a man who is a fanboy at heart who is currently devoting himself to making video game adaptations of his favorite video games that he would want to see. What began as a thirty minute fan film turned in to a ninety minute feature length film and he has devoted most of his time to garnering donations. Not for himself. Not for his merchandise, but for the film’s benefit. And as such he’s screened the film for free on the basis that he could fund his next project and inevitably be discovered. Basically he’s riding on a hope and skill, and he really should be given a fair shot at a Hollywood film.