To say that I knew what I was getting in to with “Midnight in Paris” is indeed would be a gross error. I had no idea what “Midnight in Paris” would bring me. So for the sake of not ruining what is ultimately a surprise filled comedy drama, I beg you to heed my warning about spoilers as “Midnight in Paris” is such a film that will demand audiences to suspend their belief, but in the meanwhile is typical Woody Allen whimsy. The man has the ability to channel surrealism and fantasy with films like “Zelig” and “Sleeper,” and thankfully “Midnight in Paris” is a return to form. Once again, Allen has lost a lot of his touch with his past films as he no longer spotlights the regular individual, but the glamorous one, but he surmounts such a caveat by delivering a premise in the tradition of the classic Allen pictures. The demented and lively, the ridiculous but existential.
Category Archives: Movie Reviews
Submarine (2011)
“Submarine” isn’t just the anti-teen romance, it’s actually a film that doesn’t glamorize the romance even though it’s essentially about falling in love and losing love. Almost like a lost Wes Anderson film, director Richard Ayoade’s dramedy is a bold cinematic venture that dares to defy any preconceived freshman notions about his film making and fully grasps on to pretension (featuring title cards and monotonous narration et al). This is basically because our main protagonist Oliver is anything but a humble heroic young man. In actuality, he’s very much filled with enormous pretension, and enough self-loathing to garner expectations from the girls of his dreams that are rock bottom.
The Thing (2011)
In director John Carpenter’s masterpiece of contemporary horror cinema entitled “The Thing,” we’re told that not only is the beast of the film weak, thus forced to take on the shape and form of humanity, but it also acts as an independent species. So while we think we may be seeing one monster, there’s an off chance this thing is really multiple organisms struggling for survival by hiding in our skin. There’s no one true thing in the Carpenter film, possibly multiple or even dozens of monsters hiding in our skins that we’re killing off one by one who continue regenerating. The wholly unnecessary “The Thing” now in 2011, completely shatters such a thesis by informing us that yes there’s one thing, and yes, this is what it looks like. Within the first fifteen minutes of the film.
The Human Centipede II (Full Sequence) (2011)
There’s no reason to watch Tom Six’s movies. I’ll just say it. The man, as far as I can see, is a haughty self-satisfied tool who has no loyalty to his craft or his fans. And yes he has fans. Honestly! “Human Centipede” bred a legion of torture porn fans convinced Six was on to something with his “artistic” enterprise in to human suffering. In reality Six has admitted his idea of Human Centipede is far-fetched. He doesn’t even stand by his film, often mocking it with hushed snickers. And now we have “Human Centipede II,” a meta-movie that shows Six’s general disgust and discontent for his fans. Here, the movie he made is really a movie and the world we live in is a black and white cesspool. His one true fan is a bulbous, obese, perverse, man-child who does nothing but revel in human suffering because he’s trying to manifest the Human Centipede for himself.
Superman: Requiem (2011)
Speaking as a hardcore Superman geek, I’m especially happy to see more indie filmmakers come out of the wood work to put on display their storytelling chops for Superman. What with the newest Superman film arriving in theaters in 2013, it’s especially pleasing to see more of the Man of Steel in the fan film circuit. I mean why the hell should Batman get all of the good fan films, anyway? “Requiem” is an admittedly ambitious and intimidating undertaking. Much like “Superman Returns,” it owes much of its mood and tone to the classic Christopher Reeve pictures, and director Gene Fallaize pretty much acquires the same atmosphere and implements the classic score the original Reeve films once had.
Specimen (1996)
“Specimen” is one of those late nineties relics that has to be seen to be believed or else you’ll be sure it never existed. A TV movie and straight to video film, “Specimen” is by and large one of the many blemishes on its stars filmographies that acts as merely a vehicle and some work during their down time and serves as nothing more than filler. A rip off of “The Terminator 2,” “Firestarter,” and “Fire in the Sky,” Douglas Bradshaw’s film is one I discovered in the 1999 and have yet to get over. It’s a cheesy knock off and one that prides itself in being a shameless carbon copy, but I love it just the same at the end of the day.
Superheroes (2011)
Director Mike Barnett’s chronicling of real life superheroes wants to ultimately have it both ways. It’s at times very exploitative and mocks its subjects relentlessly with tricky editing and bloopers that depict the subjects as lunatics in costumes, and by the second half Barnett tries to depict his clan of costumed lunatics in to something of a do gooder bunch with well meaning intentions that will undoubtedly get them killed one day. You can do nothing but feel pity for these people who have taken to creating ridiculous costumes and using Power Rangers as their inspiration for patrolling streets and risking being murdered rather than take up admirable trades like EMT services, law, and so much more that they can contribute society.