History of Your Life – The Decades Collection – 40s-80s (DVD)

Nostalgia buffs looking to revel in the decades prior to when they were born, or in the decade in which they grew up in will love what Mill Creek Entertainment has dealt fans, with a packaged boxed set of their “History of Your Life” Decades DVD’s which come with some unique features for fans who want to spend a few hours in the bosom of nostalgia.

The 40’s DVD features a fun interactive timeline of the most important events of the 1940’s, as well as the feature film, 1946’s “‘Til The Clouds Roll By.” Starring Judy Garland among others. It’s a breezy musical bio-pic about Broadway pioneer Lou Kern with rollicking musical numbers and various segments.  There’s a complete episode for 1949’s “The Lone Ranger” starring Clayton Moore in an episode entitled “Enter the Lone Ranger.” Finally there are five classic TV commercials and movie trailers from the 1940’s.

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My Top 5 John Carpenter Films

This year, director John Carpenter and the horror community are celebrating the 35th anniversary of the 1978 horror masterpiece “Halloween.” The immortal slasher film that inspired dozens of rip offs and wannabes, horror fans get their reward this year with a new edition of the film that would help close out the seventies. In honor of Carpenter, and “Halloween,” here are our five favorite John Carpenter directed films.

What are you favorites from Carpenter?

5. In the Mouth of Madness (1995)
One of the most interesting and demented explorations of rabid fandom, “In the Mouth of Madness” takes on a world where a popular author has bred a legion of fans so anxious for his work they’ll murder to get to it. John Carpenter creates the sentient villain Sutter Cane in homage of Stephen King whose based most of his works around Lovecraftian novels that have garnered an immense and violent fan base. When a book agent is sent to a mysterious town to meet Cane, he learns that Cane himself is not just a creator of his world, but most likely lost complete control and now has invented our world. There may be two realities, one of which Cane’s, and it’s the one we see in “In the Mouth of Madness.”

And in essence Cane likely invented himself. Things go from bad to worse when studios decide to begin turning his novels in to movies. Filled with an array of Easter eggs, wonderful in-jokes, subtle meta-jokes that only the keen observer will notice and an array of excellent performances from people like Sam Neill and Jürgen Prochnow, “In the Mouth of Madness” is an excellent meta horror film that builds a world within a world within a world to where we can never be sure if anything on-screen is human or just the cognizant creation of their God also known as the author. Do you read Sutter Cane?

4. Assault on Precinct 13 (1976)
Carpenter’s version of a contemporary Western that doubles as a remake of “Rio Bravo,” the 1976 action thriller is a frantic and relentless roller coaster that is never lets up in its energy. When a man’s young daughter is murdered in the middle of a crime infested neighborhood he strikes down the gang that left her to die. Retreating from them, he ends up at a local precinct about to be closed down, and the shit hits the fan. Caught in the crossfire, literally everyone in the precinct are marked by an endless horde of violent gang members, all of whom want in to the precinct and intend on murdering the civilians as horribly as possible.

Now a few beat cops, a secretary, and a ruthless convict have to fend off against the gang members using their wits, their endurance, and only a few fire arms at hand. It’s a ridiculously exciting and fantastic action picture, that Carpenter could never quite duplicate again. And he tried with “Ghosts of Mars.” Speaking of which, let’s be honest: It’s not that bad a film.

3. Halloween (1978)
Originally known as the Babysitter Murders, “Halloween” is the metaphorical gun that started the marathon of a thousand slasher films that would storm theaters in the eighties in search of the almighty dollar. Carpenter’s film is a slasher masterpiece second only to Bob Clark’s “Black Christmas.” Set years after a baffling murder conducted by a young boy named Michael Myers, his therapist travels to his mental asylum horrified to discover Michael has broken out. Now on the way back to his old town of Haddonfield, he builds an odd obsession with local teen Laurie, and seeks to destroy everything around her.

Viciously murdering her friends, Michael is a merciless and shapeless monster who meets his match with young Laurie on Halloween night. “Halloween” is still a very effective and engrossing slasher thriller that introduces an iconic new monster that would haunt the holiday as long as he lived. Ending on the horrifying breaths of its maniac, “Halloween” is a spooky horror film that makes you proud to be a horror fanatic.

2. John Carpenter’s The Thing (1982)
Initially a flop and critically lambasted, John Carpenter treats his audience with his own version of the short story “Who Goes There?” Considered a remake of Howard Hawk’s “The Thing,” John Carpenter side steps the monster movie and offers up a cerebral and deeply horrifying tale of survival as he creates a faceless, formless, and grotesque alien capable of becoming us. It will do anything to survive, even taking on the perverse and gruesome forms of its victims.

Kurt Russell leads a cast of seasoned veterans as RJ MacReady, a helicopter pilot who save a stray dog after thwarting its owners attempts to murder it. When they take it in, they realize too late that they’ve invited in an alien presence that uses humans as a vessel for safety. Soon begins the fight for survival as RJ struggles to find out who is the Thing. As the crew’s numbers dwindle, the blood soaked fight for dominance balances action, horror, science fiction and dark comedy, all topped off with a brilliant and immortal eerie closing scene. “The Thing” is the remake to end all remakes.

1. They Live (1988)
John Carpenter’s science fiction actioner is a brilliant and still widely relevant alien invasion film that sets its sights on society. The aliens are the yuppies and consumers, while the bad guys are the lower class and working man. The aliens, in an effort to gradually destroy the common man, subliminally program them to consume, reproduce, buy, and watch television. Oblivious to their pre-destined world that’s now under rule of the bug eyed aliens that camouflage as normal humans, the only hope is Nada.

A mysterious drifter seeking work, he ends up the only chance mankind has of re-gaining control as he infiltrates the alien operation thanks to enigmatic black shades that help him see through the alien facade. Roddy Piper is unconventional casting as the film’s hero who is at first a reluctant bystander, and then decides he has to spearhead this take down of this sentient alien society or else life as we know it will continues to be owned by our alien overlords.

Featuring a great supporting performance by Carpenter regular Keith David, “They Live” packs a punch with intellect, humor, social commentary, great action set pieces, and a kick ass hero we can get behind. Piper is at his best under the wing of Carpenter and really goes to town on the alien establishment. “They Live” is a consistent favorite and one of the films that will achieve immortality from Carpenter’s repertoire.

Hansel & Gretel: Witch Hunters (Unrated Version) (2013)

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Hansel & Gretel: Witch Hunters” is the best “Evil Dead” sequel we never got. It’s a fast paced horror action hybrid with witches that are monstrous, powerful, and absolutely disgusting. To offset their frightful appearance, Hansel and Gretel are there to stomp on their heads and provide merciless deaths while providing biting bon mots. “Hansel & Gretel: Witch Hunters” channels Sam Raimi in many ways; I almost expected Ash to jump out from the woods at some point yelling “Yo, She-bitch!”

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Communion (2013)

You can describe “Communion” as a revenge movie. If you technically want to refer to it as such, it counts in some way. Our protagonist Joe is spending most of his time questioning his faith and belittling his own life, when he’s not mourning the death of his son with his wife, who seemingly spends her time in her son’s room weeping over his toys and cuddling with them.

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Dragonworld (1994)

While Charles Band and Moonbeam films tend to be silly on occasion, they’re hardly ever bad. “Leapin Leprechauns” was goofy but fun and while “Dragon World” can be occasionally silly, it’s kind of a fun film in its own right. It’s a version of “King Kong” that doesn’t really opt for violence, so much as it tries to tell a story about friendship. Director Ted Nicolao obviously has little budget for the film, so when we see the film’s creature Yowler the Dragon, most times it’s only just his head and most of his neck. On long shots it’s claymation super imposed over live action footage.

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Our Top 10 John Carpenter Characters

This year, the film world is celebrating the 35th anniversary of John Carpenter’s iconic horror film “Halloween” with a year long exploration of the movie, as well as the release of a special edition that promises new looks at the 1978 masterpiece that shot the gun for hundreds of copycats, wannabes, and unofficial remakes that would storm the theaters in the eighties looking for their own piece of the pie. With that, we sound off on our top ten John Carpenter characters.

Who are some of your favorite John Carpenter characters? Let us Know Below!

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