For the past four episodes we’ve witnessed what was once the mysterious origin of Cassie Hack. And when all is said and done, I would have liked it to remain mysterious. When “Hack Slash” made its transformation from Devil’s Due title to Image Comics title, there of course had to be changes made. And this series is basically starting over. Sure it’s telling stories not even the old fans have ever read, but it’s basically taking all of the past storylines and completely ignoring and forgetting them.
For now, I hope. The demon dog, the supporting characters, Cassie’s connection to past slashers, the revelation she is likely a lesbian, it’s all gone. Again I’m not sure what creator Tim Seely is planning for future issues, but the entire saga is restarting and I’m just so anxious for the narrative to get back to where it used to be.
For what it’s worth Lauren Montgomery really does manage to compose some magnificent fight sequences, one of which involve Big Barda and Wonder Woman on Apokalips fighting his female warriors. While the finale is meant to be nothing more than a throwdown between strong women, it’s definitely a nice touch to a lackluster film that is often exciting and memorable to watch, especially with the sleek animation style. Summer Glau is always good, and as Supergirl she provides her trademark meek voice that’s undermined by a strong sense of independence and wonder that keeps her as a strong portrayer of the Supergirl character.
To say that “The Suicide Brothers” is something of a whimsical bit of surrealism is an understatement. “The Suicide Brothers” is an utter demonstration in absolute folklore that meshes urban legend, Tim Burton fantasy, and as an absolute demonstration of that classic tale of a figure seeking death and finding it when they’ve stopped searching. Rupert Friend’s “The Suicide Brothers” is a look at two brothers in the dark forest of Bavaria who take it upon themselves to engage in a ritual suicide attempt almost every single night.
The series that many were afraid wouldn’t last beyond one season is now going on to season four, and the release of season three sees something of a rut within a rather entertaining and easily charming television series that has appealed to fanboys and nerds across the board since its premiere. While I’m not a fan of the comparisons to “Friends,” the CBS series about four brilliant geniuses obsessed with their toys and video games balanced by their ditzy neighbor Penny is about as close to get to a strong and potentially long lasting ensemble comedy.
