I’ve had a rocky relationship with the GI Joe franchise from the start. As a kid I loved the action figures but I didn’t care too much for the eighties cartoon. I mean let’s face it, only Snake Eyes and Storm Shadow were really cool. The rest were pretty interchangeable characters. And then the comics came along changing my mind on the property further convincing me to enjoy the mythos with the Devil’s Due Publishing comic series that were mature, tense, and action packed. With Stephen Sommers aboard I obviously didn’t expect an adaptation of the modern series and instead just expected dumb fun. Well, dumb fun is what I got and I was pleased as punch once the end credits began to roll.
Coraline (2009)
Director Henry Selick’s take on Neil Gaiman’s vision of a magical world of the macabre is probably one of the most sinister animated films I’ve seen since “Monster House.” Henry Selick takes the same American Gothic motif and injects it in to a classic formula of a young girl finding a magical world being exposed to all the oddities at the director’s disposal. Gaiman penned the grossly underrated “Mirrormask” and essentially provides us with the exact pacing and eye catching creatures and machinations paired with some top notch animation that works as a mixture of claymation and computer animation that gives the dark atmosphere a peculiar more original taste.
Green Lantern: First Flight (2009) (DVD)
While DC Comics may not have the box office power Marvel has (save “The Dark Knight”), or the volume in straight to DVD features, they have the quality that Marvel lacks whenever they decide to churn out a feature film on the home video circuit. DC has it all over Marvel when it comes to home video releases from “The New Frontier” to “Wonder Woman,” they have it all over their rival company. And just as the movie is being cast and brought to the big screen, we’re given a special glimpse in what could be with “Green Lantern: First Flight”! DC has been mostly hit on the Straight to DVD circuit and “First Flight” is proof that they just can’t be beaten when it comes to animated features.
Treevenge (2009)
Well if zombies or robots weren’t the harbingers of the apocalypse then it seems only natural that we’d be invaded by pissed off Christmas trees tired of being decorated, pushed around, and inevitably shredded. Jason Eisener, the director of the faux movie trailer “Hobo with a Shotgun,” returns giving us more of a reason to like what he’s doing and what he’s intending to do with the independent film scene. Not only does the man’s style get sleeker and more stylish with every output, but he also knows how to push all the right buttons with clever fare like “Hobo” down to ridiculous material called “Treevenge.”
Underworld: The Rise of the Lycans (2009)
I guess there was nowhere else to go with the series after the first two films pretty much accomplished all that it could. “Underworld” has been a very mediocre film franchise but with a surprisingly interesting mythos involving lycans and vampires and to prevent us from watching a repeat story similar to the first two, we instead get a prequel, the story of the feud between the lycans and the vampires that we only got a taste of in the first “Underworld.” While “Rise of the Lycans” does have its problems, the special effects can sometimes become some great eye candy that makes up for the poor story.
Drag Me To Hell (2009)
Cast aside all PG-13 biases folks, you’ll be glad to know that even with the rating, “Drag Me to Hell” is one of the finer horror movies released this year. It marks a come back for Sam Raimi who finally returns to the genre that made him and reminds us why he’s one of the greats. While gore is always fun, most times horror excels because of good storytelling and Raimi doesn’t dole out the gore, instead opting to tell a very good horror story that hearkens back to “Thinner.” It’s a classic horror comeuppance tale with themes of karma and revenge that takes advantage of old horror tricks without ever really trying too hard to scare us.
Eaten Alive (1976)
I’ve always said that If you want nihilism and unabashed filmic carnage, you need to look no further than “Texas Chainsaw Massacre,” but Tobe Hooper’s “Eaten Alive” as a follow up almost reaches the heights of pure carnage that his first outing did, but “Eaten Alive” is a film that will properly divide audiences. “Eaten Alive” has a definite potential to it that’s never quite realized what with an irritating uneven pace, and a nonsensical story not to mention that unnerving feeling that this may as well be touted as a sequel to the former. The main downfall is that itching feeling you get that Hooper originally intended this as a follow up and that’s what keeps “Eaten Alive” from ever getting off the ground.