Hi, I’m Felix, a movie critic who, you may know, has been a hardcore Superman fan since before I could read. Superman is a character that’s meant a lot to me over the years, and I take great humor in folks who pay homage or poke fun at the character because Superman is a versatile creation that’s ripe for any context. “The Asian Superman Myth” is a mock documentary that begs the question: Is Superman really Asian? It’s possible, is it not? Claveria makes a great case for the notion. In Claveria’s film, the world shown is a world where Superman exists, and Superman is not only just a popular comic book character, but an anomaly that may or may not exist among us.
Titan A.E. (2000)
There’s just no love for “Titan A.E.” and trust me, I understand why. It’s cliche, and a bit rehashed, but surely enough, it’s one of my favorite animated films of all time. Bitch and moan, insult and criticize, but “Titan A.E.” is perhaps one of the finest works of animated science fiction film I’ve seen in a long time, and I’ve loved it since it 2000, when I struggled to find someone to go to the movies with to watch it on the big screen. I never had that chance, but surely enough I watched it as soon as I could, and I wasn’t disappointed. This is a film that takes the writing talents of Joss Whedon, and the wonderful animation of Don Bluth and creates a hell of an entertaining and tense animated epic about attempting to rebuild planet Earth once and for all.
Juno (2007)
I admit that I was worried about this film for the first twenty minutes. I was bored, I was thinking “Who are they kidding?”, and I noticed the shocking similarity to “Immediate Family.” But then my mind was changed once Jason Bateman and Jennifer Garner were introduced. Don’t get me wrong, Ellen Page does wonders with this film as she provides yet another great performance as the title character who pretty much experiences something sadly not out of the ordinary in today’s society. She’s a sixteen year old who after a night of drinking and heavy kissing, finds herself pregnant.
Hairspray (2007): 2 Disc Shake & Shimmy Edition (DVD)
Alright, I’ll just come out and say it. The remake of “Hairspray” is great. There. Maybe it’s because my expectations were high, maybe it’s because I’m such a fan of the original “Hairspray,” or perhaps it’s my utter obsession with everything Brittany Snow, but “Hairspray” is damn good. The music is energetic, the pacing is competent, and shit will you find yourself tapping your feet from minute one. I was hoping it would be good, but in a way I also wanted it to fail. The original “Hairspray” is my favorite John Waters film after all, and I just didn’t think anyone could live up to it. You have great references to the original, Michelle Pfeiffer returning to the musical genre, and John Travolta in drag once again doing what he does best. I don’t think there’s much to hate in this. Sure, in the end it pretty much attempts to take away the surreal atmosphere Waters inserted, but hell the acting, the choreography and pretty much everything is top notch.
Fantastic 4: Rise of the Silver Surfer (2007)
Some comic books just aren’t meant to be made into movies. There are just some concepts that look great on a page with a great artist that completely fails to translate on screen. “Fantastic Four” will forever be one of the prime examples of this argument. Tim Story and co. have failed to prove many people wrong in the assertion that this story can be turned into a serious action packed movie. On its surface it’s artificial fluff, a complete piece of colorful junk like cotton candy that’s there for nothing more than to look pretty and provide you with an instant bit of pleasure, and yet really has no long lasting effects or nutritional value.
Once (2006)
The Irish musical “Once” by John Carney is very much of a gentle and quaint little elegy of life and love much like the subtle whisper that was “Me You and Everyone We Know.” Going in and out of theaters with barely a notice, it’s a shocker something so powerful as “Once” could go almost completely unnoticed. It’s just a painful crime that something as beautiful and utterly riveting as Carney’s “Once” could just completely be dismissed as another indie drama when really it’s a truly powerful musical.
American Gangster (2007)
I wonder why it hasn’t been further emphasized that Ridley Scott’s “American Gangster” marks the second meeting between Denzel Washington and Russell Crowe. Perhaps it’s because during “Virtuosity” Crowe was barely a star, or perhaps it’s because “Virtuosity” just wasn’t that good. True, this second meeting is not as notable as Paul Newman and Robert Redford’s, but I wish it were. We have a slew of incredible actors, some favorites, some up and comers, and two of the current best actors in Hollywood meeting. Yet again. The hook for this crime thriller is capitalism. Capitalism, Zaillian insists, however criminal or legal, is still nothing but deception and appealing to consumers in spite of the sleazy methods in which we act out the primary principle of business in America.