In a film that’s an interesting hybrid of “Reservoir Dogs” and “Goodfellas”, we’re first given a glimpse into an aged and weathered mobster played by the immortal Malcolm McDowell (A Clockwork Orange) who gives the audience his origin of his rise to power. Played by Paul Bettany, he is a young McDowell who is recruited by the top gangster in the neighborhood Freddie Mays (David Thewlis) and takes on a job as one of his henchmen instantly adapting to his line of work. The young gangster is violent, determined and soon begins to eye Mays’ job despite the fact that Mays takes a special liking to him and takes him under his wing.
Catch Me If You Can (2002)
To those who have said in the past that Spielberg, my hero, has lost it as a filmmaker, here’s mud in your eye. With his two most recent films (the great “Minority Report” which received mixed reviews, and the sub-par “AI: Artificial Intelligence” which bombed at the box-office) that weren’t up to his quality Spielberg comes out swinging with this breezy and light dramedy based on the book about real life con man and bank robber Frank Abagnale Jr., a man who before he was 18 made his way forging checks from Pan Am airlines, worked as a pilot, worked as a doctor, and then a lawyer leaving the authorities one step behind him until he was caught. This isn’t a love child of Spielberg who usually takes a personal investment in his many films with his tailoring and presence in the background but the quality isn’t diminished. The quality is in fact plentiful and flourishes throughout the entire length of the film.
Beautiful Girls (1996)
Ted Demme’s “Beautiful Girls” is a truly unappreciated gem that gives a ponderous story along with a hefty slice of life that American audiences will appreciate; with the characters in “beautiful Girls” there are an array of odd and unusual characters that could only be found in a screenplay by John Waters and it’s just as good. Writer Scott Rosenberg who supplies something badly missing from today’s films: great characters, a deep story, and a wry screenplay you only dream of. We get a portrait of a man named Willie Conway, a man at the crossroads of his life who returns to his hometown to re-unite with his gang of buddies and discovers they haven’t moved on and are at a crossroads as he is. He begins to notice they’re the exact same people they were when he left and begins to search for an answer to the questions he’s be asking.
About a Boy (2002)
Will is a self-centered rich bachelor who enjoys the fine art of meeting women and basically tends to himself. Marcus (Nicholas Hault) is a young boy who lives with his hippie Mother and is bullied non-stop at school. In a chance meeting, Will and Marcus meet, and after Marcus’ mother attempts suicide, Marcus begins clinging to Will, asking for his advice and going to his house. Will, basically frustrated, begins to take a liking to the kid, and begins wondering if there is more to life than watching television and trying to get laid. This movie garnered rave reviews, so when that occurs, I just have to see what I’m missing for myself.
S.W.A.T. (2003)
Originally set in 1975, the iconic series “S.W.A.T.” is given a welcome modern spin with all the original characters back in tow. Director Clark Johnson does a good job selecting an all-star hip cast to portray the famous characters from the original series. What this movie manages to do that most modern action films don’t is successfully establish every character, their personality, and their background which is interesting and then pulls the audience into the action taking place with the story. It’s reported among the stars that they actually studied the real S.W.A.T. training sequences and also interacted in exercises which can be seen in the very realistic and steadfast depictions of the exercises used by the S.W.A.T. infantry.
The Greatest Store in the World (1999)
The Greatest Store in the World” is one of those films you can finish watching and look back on with a smile later on. What this film does is take a somewhat dramatic plot and turn it into a bittersweet tale with occasional laughs that a family can watch together. Like “A Miracle on 34th Street”, the film presents a large store so big it’s capable to house a small family. Dervla Kirwan plays Geraldine a basically free-spirited mother who uses the store as a home for her children and quite cleverly is able to dodge security guards, the doorman “Mr. Whiskers” and the stores snoopy Santa and his elf who swagger around the store bothering people.
Analyze That (2002)
“Analyze This” regardless of its critical acclaim has to be one of the most overrated unfunny movies to come out in years. Despite its large cast and top-notch direction and writing team, “Analyze That” is no exception from its predecessor. It’s comprised of two elements: a sequel that is unnecessary, and a sequel that should have never been made. This sequel is composed of nearly every modern sequel’s downfall: it doesn’t provide new material to an original property, instead it recycles it as “Scream 2” did, and as “Jungle Book 2” did. So, watching this is like watching the first except the plot is different. I’m very disappointed in Robert DeNiro for even agreeing to star in a film of this magnitude. Lately, the legend has failed to rake in a box-office or critically acclaimed hit, and this film brings him down a notch. He proceeds in this film in his character almost as if he know he’s too good for this film, and he is.