Inside Out 2 (2024)

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Now Exclusively in Theaters.

2015’s “Inside Out” felt like such a genuine and sincere attempt to figure out not just emotions but the importance that both negative and positive emotions can have. It simplified itself through normal subconscious cues like colors and characters, but through it all “Inside Out” was touching and a complex look at dealing with our feelings and learning to accept them. “Inside Out 2” is a perfectly okay follow up that has a lot to live up to. Its predecessor set the bar high and the sequel never quite hits that bar. “Inside Out 2” is stuck in the middle of trying to figure out what it’s trying to say and hitting that bottom line of introducing new characters for the sake of merchandise sales.

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Arena Wars (2024)

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Available on VOD June 25th from Gravitas Ventures.

While Edgar Wright and Glen Powell are currently in the process of crafting their remake of “Running Man,” Brandon Slagle jumps to the front of the line to get his hits in first. “Arena Wars” looks great and has a classic idea from the Stephen King novel. In fact, it’s pretty much just a small budget remake of the classic film with convicts, and a game show and psychos, etc. The problem with “Arena Wars” is that is it pretty much a ton of filler with only some semblance of narrative in sparse moments. If “Arena Wars” were a bag of chips it’d only have a small hand full of chips and a ton of smelly air puffing it up.

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Txotxongiloa (2022) [Film Maudit 2.0]

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Director and Writer Sonia Estévez’s short stop motion film is a beautiful depiction of the life span of the normal woman and how she perceives their existence as a whole. The idea of the normal woman being depicted as some one living on strings is a fascinating bit of symbolism. Over the course of ten minutes, the animation depicts her as someone being held up by strings who seeks independence almost immediately.

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Gunfighter Paradise (2024)

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Recently selected to the 2024 RiverRun Film Festival. 

Like a Southern fried “Donnie Darko,” writer/director Jethro Waters’s darkly comic dissection of America and masculinity is truly one of the most unique and bizarre dark comedies to come out of the independent circuit. I don’t think audiences are ready for what someone like Waters has in store, placing America’s current social climate up to a big lens and lending some insight in to the lunacy of it all, and how the lunacy has become the new norm.

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