The new standard for horror entertainment has become the lo-fi, filmed on VCR fodder that had lent something of a realism to even the more outlandish premises. The aesthetic has been used in a lot of facets of horror in the last eight years, including horror movies. The classic ARG aesthetic just works and it works well for the short from skilled animator and concept artist Vivien Forsans entitled “Bedroom People.”
Welcome Back, Kotter: The Complete Series (DVD)
Now Available from Warner Home Entertainment.
“Welcome Back Kotter” is mainly known as the launch pad for John Travolta’s huge career beginnings, but on its own it’s a solid sitcom. “Welcome Back Kotter” garners a fun premise teeming with so much comedic cache, and it’s remained immortal thanks to John Sebastian’s theme “Welcome Back.” Sebastian who spent most of his career in the band Loving Spoonful delivers on a theme that sets the stage for the series quite well and is definitely catchy enough to where you’ll hum along to it on occasion. Comedian Gabriel Kaplan is a teacher who returns to New York to teach in an inner city school.
He’s an idealist tasked with teaching the special ed class which is taken up by local gang “The Sweathogs.” Kotter, being an ex-“Sweathog,” takes an interest in getting his students in the right track amounting to some hilarity.
no more room in hell (2023) [Film Maudit 2.0]
“no more room in hell” is a masterclass in how to make a horror documentary without skimming copyright and licensing fees. Rebecca Shapass directs a de-construction of the Romero movie series by taking a deeper more abstract look at how environmental and ecological elements contributes to the rush of the dead, and the downfall of society. Shapass includes snippets of dialogue from the various scripts and spends a lot of the documentary’s time peeking in to various industries including excavation, as well as the rule of capitalism.
Nu (2022) [Film Maudit 2.0]
I imagine Olivier Labonté Lemoyne’s is going to lend itself to all kinds of interpretations. Maybe it’s just abstract for the sake of being abstract? Who knows? In either case, “Nu” succeeds in being as oddly creepy as it does in being kind of silly, exploring the idea of fear vulnerability. The whole concept of beings that look like nudists plays on the whole nature of voyeurism and the reluctance by many to engage in it.
ClearMind (2024)
Now Streaming on Amazon Prime Video and Tubi TV.
Aw hell, I’m always complaining about wanting to see something new and Rebecca Eskreis’ “ClearMind” is something new. It’s such a mixing of genres that it eventually comes out of the other end as this unusual amalgam that’s hard to peg down. I dare you to peg this in one hole. It’s a dramatic science fiction situation comedy about grief that follows a woman who uses virtual reality to become a slasher. There are shades of horror, and satire about new age medicine and the quackery of nonsense like Goop et al. It’s so far and away amorphous that it’s tough to hate it.
The Bootleg Files: The Cocoanuts (Colorized)
BOOTLEG FILES 870: “The Cocoanuts (Colorized)” (unauthorized color-dappled version of the 1929 Marx Brothers comedy).
LAST SEEN: On YouTube.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: Because you can’t take a copyright protected film and colorize it.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Unlikely.
During the 1980s, there was a strange trend involving old black-and-white films being turned into color versions. Dubbed “colorization,” the trend began when the Hal Roach Studios began to colorize its 1930s titles including “Topper” and “Way Out West.” Later, black-and-white films that were in the public domain became prime targets for colorized versions – it was believed that consumers buying VHS videos would prefer color works rather than the old monochrome versions.
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Inside Out 2 (2024)
Now Exclusively in Theaters.
2015’s “Inside Out” felt like such a genuine and sincere attempt to figure out not just emotions but the importance that both negative and positive emotions can have. It simplified itself through normal subconscious cues like colors and characters, but through it all “Inside Out” was touching and a complex look at dealing with our feelings and learning to accept them. “Inside Out 2” is a perfectly okay follow up that has a lot to live up to. Its predecessor set the bar high and the sequel never quite hits that bar. “Inside Out 2” is stuck in the middle of trying to figure out what it’s trying to say and hitting that bottom line of introducing new characters for the sake of merchandise sales.