It’s too bad that in Wes Craven’s long and storied filmmaking career that “Swamp Thing” is the movie that’s aged the worst. It seemed like a slam dunk for the director, but his approach toward “Swamp Thing” never quite rises above niche horror camp. Even when adapting the source material as straight faced as possible, “Swamp Thing” is really never great as, say, “A Nightmare on Elm Street” and that’s probably because the movie itself jumps back and forth in tone and aesthetic. It goes from cheesy monster movie to an attempt at a Beauty and the Beast tale. It garners clear moments of pure camp and then tries to offer allegories on God complex drawing obvious influence from “The Island of Dr. Moreau.”
Every Bugs Bunny Ever: The Old Grey Hare (1944)
2023 marks the 85th Anniversary of Bug Bunny’s first animated appearance in 1938’s “Porky’s Hare Hunt.” Debuting originally as Happy Rabbit, Bugs eventually became one of the most iconic animated characters of all time. In honor of the landmark anniversary, we’re discussing every animated appearance by Bugs Bunny. We’re big fans of Bugsy and we hope that you are, too.
Follow us on this massive journey where we discover and re-discover Every Bugs Bunny Ever.
The Old Grey Hare (1944)
Directed by Bob Clampett
Written by Michael Sasanoff
Music by Lou Lilly
Animation by Bob McKimson
I’m surprisingly not a fan of “The Old Grey Hare” as it always came off as so random and bizarre. I’m so used to the Looney Tunes shorts setting up everything so expertly with three act structures in spite of the short run time. So it’s disappointing to see “The Old Grey Hare” which garners a lackluster first act, and a pretty abrupt third act. Plus the whole idea behind the return of skinny Elmer Fudd is kind of depressing, all things considered. The whole back and forth between Elmer and Bugs was always so much fun and hilarious, that for the writers to paint this dynamic as something of a inescapable circle of insanity kind of defeats the purpose of being labeled a comedy.
Sharknado (2013): 10th Anniversary Edition
The Pop Culture Phenomenon That Took The World By Storm Comes Back to 500+ Cinemas Nationwide, fully Remastered, for Two Nights Only On August 15th & 16th. Tickets are available for purchase.
Back in 2013 a lot of people gave The Asylum guff, and could not predict the kind of pop culture sensation they would eventually produce. “Sharknado” is that classic bit of pop culture camp lightning in a bottle like “Snakes on a Plane” or “Birdemic” where the public is just infatuated with the sheer absurdity of it all. “Sharknado” took a lot of the media by storm back in 2013, leaning heavily in to its ridiculous premise to produce what is—well, still just an okay bit of cult cinema. The Asylum with Anthony C. Ferrante knew what they were giving us, and it shows in every scene of their movie.
BAD MOVIE MONDAY or: How I Learned To Stop Worrying and Love The Cinematic Bomb
Today I want to do something a bit different than what I usually do, and instead write a personal essay about what bad movies mean to me and how they’ve reinvigorated my passion for cinema. I’ve been writing this column for Cinema Crazed for over a year now, and have been watching the movies that inspire it weekly for almost three and a half years. It’s been a hell of a journey to be honest, and I think it’s worth talking about.
In the Realm of the Senses (Ai no korîda) (1976) [LA&M Film Fetish Forum]
Banned in many countries thanks to its immensely explicit depictions of sex and sexual acts, Nagisa Ōshima’s “In the Realm of the Senses” is an immense movie, and one that straddles the line between erotica and thriller. Although “In the Realm of the Senses” revels in the eroticism of sexuality and sex, it also delves deep in to the darkness of sexual obsession, control, and the appetite for sex (all of the sex scenes are un-simulated) that can consume our lives. I’ve never actually seen director and writer Nagisa Ōshima’s film before, so viewing it now was quite the surprise. The director fancies themselves in exploring the acts of sex along with the behavior between its core characters that result in lust that inevitably becomes deadly.
Five Underappreciated Comic Book Style Movies
There was a weird period in the aughts where movie studios were becoming more and more open to adapting superhero and comic book movies, but weren’t quite committed just yet. Meanwhile they did release some movies that were comic book like in nature and concept, and while they kind of bombed critically and or financially, I enjoyed them quite a bit. A few of them were even ahead of their time in many respects. Here are five that I think are woefully under appreciated, and deserve more notice, even if they aren’t what I’d call flawless or masterpieces.
The Bootleg Files: Hamlet
BOOTLEG FILES 839: “Hamlet” (1970 made-for-television film starring Richard Chamberlain).
LAST SEEN: On YouTube.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: There might be a rights issue delaying its release.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Nope.
In March 1969, Richard Chamberlain traveled to England to play the leading role in a stage production of William Shakespeare’s “Hamlet.” His appearance was heralded as the first time that an American played the role in England since John Barrymore in 1925.
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