While I spent the last week finding time to finish the first two seasons of “Superman & Lois,” I set aside time to watch the highly anticipated “My Adventures with Superman,” which stealthily premiered on Cartoon Network’s adult programming block Adult Swim. That in and of itself is bizarre, as there’s nothing adult about “My Adventures with Superman.” The series is highly stylized to look like anime, but there’s no swearing, or intense violence, or any kind of sexual content. This is as wholesome and pure as Superman’s been in a long time, and it’s actually a series I’d recommend to literally any Superman fan young or old.
Joy Ride (2023)
There’s been this subtle movement to break all of the stereotypes of Asians in cinema and fiction in general, and I’m enjoying it. “Joy Ride” is one of the newest entries in this new wave of mainstream Asian cinema that appeals to a niche audience but is also broad enough for everyone to relate to. “Joy Ride” is a film I liken very much to “Bridesmaids” and “The Hangover” to where four friends go through a sense of self realization, all while wreaking havoc on one big road trip. The foursome in “Joy Ride” are all wonderfully fleshed out individuals that are seeking fulfillment and a sense of purpose, and they end up finding it. This is all in service of their friend Audrey whose attempts to seal a big deal at her law firm send her on the journey she didn’t know she needed.
The Academy Museum Celebrates Silent Cinema This Summer
As a nod to Turner Classic Movies (TCM)’s “Silent Sunday Nights,” hosted by Academy Museum Director and President Jacqueline Stewart, the museum is launching a series of silent film screenings this summer. Historian David Pierce has concluded that only 26% of American silent features survive in complete form.
Both TCM and the Academy Museum are dedicated to showcasing the films of this important period in filmmaking history as part of our cultural heritage. Taking place on Sundays at 2pm, Silent Sundays will showcase iconic movies from the silent era as well as forgotten gems and international classics.
Among just some of the films being screened are Earth (Zemlya), the ever first screening of the film outside of Europe with a new soundtrack for the film created by Luke Corradine by order of the UFACE association, Flesh and the Devil with Live musical accompaniment by Michael Mortilla, and the 100th Anniversary screening of the Harold Lloyd masterpiece Safety Last!
“Silent Sundays” will screen at the Academy Museum at Wilshire Boulevard, Los Angeles, for more information on the programming, movie times, and purchasing tickets, visit the Academy Museum Website.
Every Bugs Bunny Ever: What’s Cookin’ Doc? (1944)
2023 marks the 85th Anniversary of Bug Bunny’s first animated appearance in 1938’s “Porky’s Hare Hunt.” Debuting originally as Happy Rabbit, Bugs eventually became one of the most iconic animated characters of all time. In honor of the landmark anniversary, we’re discussing every animated appearance by Bugs Bunny. We’re big fans of Bugsy and we hope that you are, too.
Follow us on this massive journey where we discover and re-discover Every Bugs Bunny Ever.
What’s Cookin’ Doc? (1944)
Directed by Bob Clampett
Written by Michael Sasanoff
Music by Carl W. Stalling
Animation by Bob McKimson
“What’s Cookin Doc?” is one of the few times where Warner tried to mimic Tex Avery, as where Avery had a knack for creating shorts that featured various facets of society and satirizing them, Bob Clampett and Bob McKimson go for that same method. With the narration, cuts to various sight gags, clever subversions of jokes, and implementation of live action footage to help land a joke, it’s hard not to compare this to a Tex Avery/MGM creation. That’s not a criticism per se, but more an observation, as it’s obvious what they’re aiming for here. Their primary goal is to satirize Hollywood and the Hollywood climate of the time. They also inject their big star Bugs Bunny in to the proceedings, which adds an extra spice that makes it all the better.
Shortbus (2006) [LA&M Film Fetish Forum]
Director John Cameron Mitchell’s “Shortbus” is a movie I’d only ever heard about since its 2006 release but never actually sat down to watch. Nothing really prepared me for what he had to offer in terms of not only commenting on sexuality but on sex in general. “Shortbus” is unabashedly shocking in its presentation, offering up a movie about a group of New Yorkers, all of whom are seeking human connection. Some of them think that sex will grant them that connection, while some of them are just seeking emotional connection that may or may not allow them that desire with sex and various sexual acts.
BAD MOVIE MONDAY: Star Wars Episode IX: The Rise of Skywalker
I’ve never liked reviewing a film right when it comes out. You get caught up in the hype whether you like it or not, swallowed into the propellers of either the always positive marketing machine or the always negative social media rage engine, both of which are revving at full speed. So your review suffers because you can’t stay impartial in that sort of environment. It’s like trying to judge the power of a hurricane while standing in the eye of the storm. I saw this movie a few years ago. I won’t say that I “watched” it because that wouldn’t be accurate.
I played it on a streaming service and then sort of half glanced at the screen. Now, in the interest of science, I’m going to watch it again because I feel it’s a good example of what I like to call “advertiser friendly corporate content.” This is the sort of movie that has an insultingly low opinion of its audience. It’s cynical, insincere, soulless, lazy, and ultimately empty. It’s to cinema what school cafeteria food is to cuisine.
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Door Mouse (2023)
I’m pretty surprised that Avan Jogia had it in him to direct one of the better indie films I’ve seen all year. Shockingly, “Door Mouse” is not based on any particular comic book or graphic novel, but its influences are taken from obvious places like Frank Miller, Sam Spade, Scott Pilgrim, Tank Girl and the like. Jogia is mostly known for being a former Nickelodeon actor in America who then transitioned well in to adult films, but he’s also proven with “Door Mouse” to be a pretty awesome director when all is said and done. “Door Mouse” is a pulpy, neo-noirish, crime thriller with some great references to comic books and a very clever use of animation as a means of helping to add to the overall pulp fiction aesthetic that Jogia seems to be aiming for.