The Wheat Brothers have managed to rack up a pretty interesting body of work in the horror genre since the eighties, and with “After Midnight” they deliver what is pretty middling as an anthology. In a period that included “Tales from the Darkside: The Movie” shortly after, “After Midnight” doesn’t re-invent the wheel. It’s mostly just an entry of the decade that serves its intended purpose as a horror film that could double as filler for a boring Saturday night.
Nightmare Cinema (2019)
While I wouldn’t peg the Mick Garris fueled “Nightmare Cinema” a horror masterpiece, I had a good time with the selection of horror stories, and loved how various storytellers in the film managed to go in completely different directions than I originally thought they would. Despite a shifty story frame, like most horror anthologies, “Nightmare Cinema” is a mixed bag of horror treats that will click with most lovers of the format, if only for its ambition and style.
My Favorite Goon from the Black Lagoon
No matter how many Universal monster movies I’ve seen, and no matter how much I’ve grown to love their iterations of Dracula and Frankenstein, The Gill-Man always comes out ahead as my favorite Universal monster of all time. While Dracula and The Bride often get the spotlight and special treatment, the Gill-Man has always been the underdog with the great trilogy of horror films in his own right. He just doesn’t receive the credit he deserves, especially in modern horror where Dracula, Frankenstein and Wolfman are still being reworked, while he patiently waits in the wings for his turn.
Alien Contamination (1980)
Auteur Luigi Cozzi’s “Alien Contamination” also known as “Toxic Spawn,” also known as “Contamination,” also known as “Aliendrome,” is one of the most incoherent horror films spawned from Italy. It’s tedious but shockingly compelling, and manages to take just about everything from various films to mix together something that’s about alien green egg pod chest bursters turning humans in to zombies that originates from Mars, as masterminded by a phallic Cyclops alien with a vaginal mouth and hypnotic eyes. All funded by the Colombian Mafia! Seriously.
See No Evil (2006)
I theorize that “See No Evil” would have been much more entertaining had Hulk Hogan been a knife wielding slasher stalking a bunch of nameless characters. Can you imagine the hulkster puckering his lips, swinging a chainsaw and screaming “What are ya gonna do, when the hulkamania comes after you?!” Don’t pretend that wouldn’t have been fun. “See No Evil” is a vehicle pretending to be horror, and watches like a grindhouse Z film that’s one part “Saw”, one part “Slumber Party Massacre”, and one part “Jason Lives.”
Disney After Walt: 1966-1985
Following Walt Disney’s death in 1966, his namesake company entered a tumultuous period that showed great achievements in film, TV and theme parks, as well as a harrowing time when the company faced a hostile corporate takeover. On this episode of “The Online Movie Show,” the guest is Mark Arnold, author of “Frozen in Ice: The Story of Walt Disney Productions, 1966-1985.”
Girls With Balls (2019)
Oliver Alfonso’s horror comedy is a movie that will likely be a very polarizing title down the line. For the people that actually bother to check it out on Netflix, “Girls with Balls” is a Z grade movie that walks the line between absolutely obnoxious, and admirably entertaining. I was mixed on “Girls with Balls” as it packed some great meaty horror comedy material, along with some woefully stupid moments and unlikable characters.