Tony D’Aquino’s “The Furies” is teeming with potential but is a movie that seems to be hell bent on pissing away any and all entertainment value at every turn. Everything in “The Furies” could have used another draft, from the motives of the mysterious villains, the motivation of the protagonists, and of course the final scene that ends on the presumption that a sequel is coming up the pipe line or something.
Pan’s Labyrinth (2006) [4K UHD/Blu-Ray/Digital]
Thirteen years later, Guillermo Del Toro’s period dark fantasy is a masterpiece of the genre telling a tale of loss of innocence and good versus evil that’s touching, gripping and a bit spooky in its way. Del Toro’s film is one that warrants repeated viewing and continued analyses as it’s a fairy tale that masterfully mixes “Alice in Wonderland,” the Brothers Grimm, “Wizard of Oz,” along with classic folklore.
Surfeurs (2011)
Two men – one is an experienced surfer, the other is a neophyte to riding the waves – are playing about on an isolated beach. They have a game where the experienced surfer buries his friend neck deep in the sand, timing how long it will take him to escape. It isn’t much of a challenge, as the buried man easily liberates himself. The experienced surfer takes his turn being buried neck deep in the sand – but he is unable to dig himself out. Rather than allow his pal to free him, he goads him into surfing in strong high tide waters. But the inexperienced surfer is knocked unconscious by a massive wave and the buried man watches in horror as the tide rushes to the beach and threatens to submerge him.
Continue reading
Gremlins (1984) [4K Ultra HD/Blu-Ray/Digital]
Joe Dante’s 1984 masterpiece “Gremlins” is that perfect hybrid of a movie and culture milestone that appeals to horror fans, and fans of Amblin and Spielberg. It influenced a whole sub-genre of monster movies, and serves a wonderful purpose as a Christmas movie and a horror movie. It’s also a perfect bit of gateway horror for blossoming fans that want to ease in to what kind of heights this genre is capable of. There are also the hallmarks of Dante’s films from the chaos and terror implanted in to the suburbs, and the always great Dick Miller.
Don’t Fall Asleep – My Five Favorite Freddy Kruger Moments
This year “A Nightmare on Elm Street” celebrated its 35th anniversary, the highly influential slasher film became the quintessential horror movie series of the eighties, turning Freddy Krueger in to one of the most recognizable villains in horror movie history. You wouldn’t think a scarred undead child molester and murderer with claw hands who takes perverse delight in haunting teens would become a mascot for the eighties, but you’d be shocked. Krueger was incredibly popular in the eighties, arguably more than Jason Voorhees, and I say that as someone who favors Jason. In either case, these are five of my favorite Freddy Krueger moments where he wrought havoc on unsuspecting Elm Street kids and was at his most sadistic.
Hooray for Captain Spaulding
“Goddamn, motherfucker got blood all over my best clown suit
The first time I was exposed to Sid Haig was in “House of 1,000 Corpses.”
I regret to admit that it’s really the first time I’d ever seen Haig, and it was quite the introduction to such an enormous cinematic presence that was in over a hundred films and television projects. Say what you want about Rob Zombie’s cinematic outputs, but one of his crowning achievements is the creation of Captain Spaulding. Thanks in no small part to Sid Haig’s immense performance, Captain Spaulding is one of the banner modern horror villains that pretty much grabs the spotlight every single time he’s on screen in “House” and “The Devil’s Rejects” and yet it’s still never enough.
Swing Time (1936): Criterion Collection [Blu-Ray]
Fred Astaire and Ginger Rogers was an absolutely peerless pair of brilliant dancers that didn’t just inject chemistry on the dance floor, but also as a romantic pairing. Whether they were swooning over one another, or tap dancing in sync, it’s impossible not to be caught up in “Swing Time.” George Stevens’ classic romance comedy and musical takes the pairing as mismatched strangers that fall in love over the art of dance and their performances that look effortless but actually act as their own characters.