The nineties were a peculiar time. The comic book industry was coming out of the huge success of Alan Moore’s “Watchmen,” and Frank Miller’s “The Dark Knight Returns,” while a bunch of young artists formed Image Comics and gave us a slew of new superheroes and avengers, all of whom were dark, bloody, brooding, and hairy. All the clean cut awe of Superman and Captain America went out of style giving way to a decade of muscle bound heroes with pouches, giant guns, massive swords, and a lot of angst that came with their back story. Even a very nineties hero like Spawn was made even more nineties being transformed in to a gun toting bad ass in his own movie. For a decade where superheroes were all doom and gloom, Disney seemed to play off of that trend by offering up a goofy satire called “Darkwing Duck.”
CarousHELL (2016)
I never would have believed it if I didn’t see it for myself. Director Steve Rudzinski is a man who is not satisfied with creating your typical indie fare, and while his films may be a bit rough around the edges, you’re almost always assured an original film that has a keen sense of what kind of entertainment it wants to be. “CarousHELL” is a movie I, for some reason, assumed was some kind of horror anthology, and boy was I way off. Not prone to just delivering a slasher movie you’ve seen a thousand times, Steve Rudzinski offers up a slasher movie you’ve never seen before. Duke is a sentient carousel unicorn who has spent years and years being ridden on by nasty, smelly, and ungrateful children.
DOOMED! The Untold Story of Roger Corman’s THE FANTASTIC FOUR (2016)
This is the story of 1994’s “Roger Corman’s The Fantastic Four.”
Adapted from the iconic Marvel Comic, the film iteration was made on a measly budget of a million dollars with a joint venture by Fox, Marvel and Neue Constantin Films. After casting and initial filming was conducted, “The Fantastic Four” was a highly anticipated film covered in major magazines like Wizard and Film Threat. After a long tour of fan meetings and interviews with the press, the cast and crew learned that their hard work would result in a film that was cancelled by the studios and never to be released. Shortly after, the folks that took part in “The Fantastic Four” learned that, much to their horror, the film was never intended to ever be released. Worse, much of the struggles to conceive a fantastic cinematic vision in a decade bereft of epic comic book movies were merely to secure the rights for the comic book property and nothing more.
The Flash: The Complete Second Season [Blu-ray/Digital]
After the blast off debut that was “The Flash” Season One, a lot of fans and audiences were expecting an interesting follow up that would continue the saga of Barry Allen. Lo and behold, Season two of “The Flash” upped the ante by introducing new characters, a brand new horrifying villain, and the concept of the multiverse. If you thought no one could be more intimidating than reverse Flash, than the series introduces Zoom. Zoom is yet another speedster from the Universe who is dressed in black and looks very much like a demonic speedster. Voiced by Tony Todd, Zoom is an enigmatic figure with a secret identity that plans to take Barry’s speed for himself and has plans for the world. Barry realizes all too soon that Zoom is faster than he ever hopes to be, and he finds himself completely in over his head.
The Iron Giant (1999): Signature Edition [Blu-Ray]
A few years ago, Warner Bros. announced plans to give “The Iron Giant” a new Blu-Ray release, and merely was content with stuffing the DVD port over to Blu. Director Brad Bird was not happy with the announcement and asked fans to demand so much better as “The Iron Giant” deserved a lot better than a mere DVD transfer. I was one of those fans that tweeted and asked Warner Bros. to give “The Iron Giant” much better treatment than a simple transfer. I’m happy a shortly after, Warner has allowed consumers the option of two special deluxe editions of “The Iron Giant,” and Brad Bird is able to give fans a bang up edition that is pretty much the ultimate realization of his masterpiece. Not only is director Bird able to deliver his film in High Definition, but he manages to add a few small scenes here and there to inject more nuance and character depth. These alterations work in favor of “The Iron Giant” adding a bit more dimension and length for folks that always hoped for an extended edition.
Beauties of the Night (2016) [Toronto International Film Festival 2016]
This film documents the rise to stardom, fall, and aging of some of Mexico’s most famous showgirls. These women did it all, they sang, danced, acted, modeled, etc. They were revered by armies of fans and had it all. Lyn May, Olga Breeskin, Princesa Yamal, Rossy Mendoza, and Wanda Seux discuss their rise to fame, their lives, and their dreams.
Knucklebones (2016) [FrightFest 2016]
Years after a group of people is murdered in a clothing factory, a group of students goes to the warehouse to hunt for ghosts, finding only a box full of knucklebones with which they summon the titular character who proceeds to dispatch them and other visitors to the factory in violently gruesome ways. Writer/director Mitch Wilson creates an interesting, low-budget supernatural slasher with Knucklebones.