Impulse Pictures returns with their continued series of “Peepshow Collections” with volumes 11 and 12 on DVD. For folks that enjoy watching these ten to fifteen minute silent reels, these movies are a trip back to a time where porn was viewed in private booths and theaters and often involved a lot of discreet viewers sitting in a dark room to view what was in store for them. Some of the better adult shorts in volume 11 includes “Giant Tits Meets Marc Stevens” where the gorgeous Annie Sprinkles collides with Marc Stevens and indulges him with her large and incredibly impressive body and curves; as well as her bust.
Night Calls: The Movie (1997)
Before the internet and skyping became the norm, Playboy marketed on the phone sex craze of the decade by launching one of the most popular adult talk shows of the decade. “Night Calls” was, for a long time, a mainstay on the Playboy Channel in America and targeted a lot of the fantasies of their callers. Hosts Doria Rone and Juli Ashton were very ahead of their time, as broadcasting live and taking requests from various callers has become routine entertainment for literally every adult website on the internet these days.
Daddy’s Girl (2016)
It’s not enough to just make a horror movie. Most times horror movies have to have mood, and tone, and aesthetic, and pacing. Some of the greatest horror movies have a distinctive style all their own and are helped by their cinematographer. Director Jed Hart’s “Daddy’s Girl” is a very good and very creepy short film, and his short is improved ten fold by the amazing cinematography by Craig Dean Devine. Continue reading
Emilie Black’s Five Favorite Hunks of the MCU
To go with Felix’s list of the beauties of the MCU, here comes my Five Favorite Hunks of the MCU list. A completely arbitrary list of the guys who caught my attention in the Marvel movie adaptations, this is how it stands as of this week. By the time I see Captain America: Civil War, this all may change.
Did I miss any of your favorites?
An American Tail: Mystery of the Night Monster (2000)
After doing research online I learned that these clumsy sequels to “An American Tail” are actually intended to be in-betweenquels. “Fievel Goes West” is, as many fans have debated, the final film in the chronological timeline. That doesn’t make much sense since the character Tony is nowhere to be found in “Fievel Goes West,” and the Mousekewitz’s only have two children, rather than two and a half. In either case, it’s probably best not to think about it, and just accept these movies however you want to.
An American Tail: Treasure of Manhattan Island (1998)
The globe trotting Mousekewitz family find themselves now living in Manhattan again, their new home after New York, and the West apparently didn’t quite work out for them. This new movie is set directly after the short lived animated series on television, so this is kind of a new continuity rather than the one after “Fievel Goes West.” I assume to understand why the Mousekewitz’s are back in New York, you’d have to have seen the series, but the least they could have done was inject a few lines to help the audience catch up.
An American Tail: Fievel Goes West (1991)
“Fievel Goes West” is a childhood favorite and a fitting end to the legacy of Jimmy Stewart. Not only does Stewart play an old dog who was once an old West hero, but Stewart was a man very fond of family friendly entertainment. “Fievel Goes West” is a film just as good as the original where the Mousekewitz family find themselves being exploited by a capitalist cat who wants to enslave the mouse community before eating them. Masquerading as a Southern mouse promising a new start in the old west town of Green River, the Mousekewitzes make another trek in to a new frontier after the crowded slums of New York didn’t quite work out for them.