The Beatles are now and have always been four men who carried with them a presence that is hard to pin down or describe. Something about these fab four, these mop tops always inspired an attraction from music lovers and fans around the world. It doesn’t matter what they did or do, people responded and they came in droves to watch the four do what they did best. The transition to film is rarely a successful venture for a musical star. Many times you’ll see a singer anxiously trying to act and failing or just pretty much supplying a string of mediocre performances. “A Hard Day’s Night” makes no bones about itself. It’s a vehicle, a promotional tool, and of course a way for fans to see the Beatles without going to a concert.
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A Work in Progress: A Short Film By Wes Ball (2002)
Writers always put themselves into their work, be they articles, reviews, and especially fiction. The stories we tell are a part of us, they’re our personality, our inner most desires, and our greatest wishes. What “A Work in Progress” does is feature a storyteller in search of her own friend. She’s a girl who sits watching many other children play while she’s forced to basically write and create her own characters. And wouldn’t you know it, she begins to tell the sad story of a brown bear in search of a friend.
Æon Flux (2005)
I was never a fan of the techno-punk, cult series “Aeon Flux” from MTV, and for good reason. While, I’m always up for an animated series about a hot woman kicking ass, “Aeon Flux” was dull, lifeless, and ached to be as entertaining as fare like “Ghost in the Shell” from day one. Thus was MTV’s prime goal back in the days: make every series hipper than the last. And with this they failed. So it was only a matter of time for a movie to be made and eventually flop. You can blame America’s hesitation to enjoy a female superhero, you can say that they mishandled the character of Aeon Flux, but whatever excuse you create, at the end of the day “Aeon Flux” is a pretty bad film, clear and simple, and worse yet, it hearkens back to the absolutely excruciating “Ultraviolet” on many occasions.
Apocalypto (2006)
You have to give it up for Mel Gibson. It’s not many Hollywood heavyweights who would set an action thriller in an Ancient Mayan civilization, and actually have his characters speak ancient Mayan. Only in Hollywood would we have polished young actors speak English in such a setting, but what Gibson has done is throw down all xenophobic and sensationalistic urges, and given us a film that actually sticks true to the concept he puts forth. And it also helps that “Apocalypto” is a genuinely exciting and enthralling action adventure, too. Mel Gibson has really become a director of his own class, a man who tells the stories he wants to tell, in spite of the backlash he receives. All in all “Apocalypto” is probably Gibson’s best film to date, because it’s almost free of any of Hollywood’s tainting.
Alpha Dog (2006)
Much like films such as “Havoc,” and “Dreamland,” the teen thriller “Alpha Dog” is about as realistic a representation of the modern teen as Hollywood would like you to believe. The only saving grace is the fact that it’s based on a true story, which helped fuel my strong interest, along with the lovely Amanda Seyfried starring. “Alpha Dog” is a display of the best of the best young talents that Hollywood has to offer with an ensemble hearkening back to the likes of “The Outsiders” on many occasions. People like Ben Foster to Emile Hirsch pull in very good performances, with even Justin Timberlake pulling in a stand out as Frankie, a friend of Johnny Truelove’s who is given the duty of watching young Zack, and inevitably gains a sense of fondness for him. Timberlake is unlike anything I’ve ever seen here, and he’s both sympathetic and utterly memorable as a character that begins as a mere supporting player and ends up a key figure in the progression of crime drama.
Storyteller Films: A Writer Named Phil Hall (2007)
One of the interesting aspects of this special is that Phil Hall never seems full of himself and his accomplishments. This is a man who is on screen for almost a half hour, and his one intent is to teach and guide instead of boast of his endless accomplishments. Which is not to say his accomplishments are worthy of ignoring but for a special that would open the door for vanity, Hall is more intent on guiding.
Awesome; I Fuckin' Shot That! (2006)
In 2004, the Beastie Boys handed different hardcore fans Hi-8 Cameras to walk around the audience shooting the concert and offering up their own view of the concert taking place in Madison Square Garden. And my first thought was: Did any of them steal the camera? I can imagine one of them just making a break for the door with this great camera in hand. But I digress, “Awesome;” is for the hardcore fans only.