“Humans vs. Zombies” is at the end of the day a fan film for the hardcore fans of the hit live action role playing game and really no one else. I don’t chastise it for being a product solely for them, in fact I’m glad they have something to cling to when not engaging in the game. But that’s not to say “Humans vs. Zombies” isn’t for general movie audiences either. A meta-movie in many ways, “Humans vs. Zombies” is a fun and action packed zombie movie that packs a wallop of survival horror and really nothing else. Based on the hit LARPing game played around the world, this is a movie based on the premise of the game that brings it to the forefront of the apocalypse.
Tag Archives: Action
Project: S.E.R.A. (2012)
Project S.E.R.A. is yet another in a line of short films with feature length possibilities and Ben Howdeshell’s short action horror film has potential to be a small chapter in a larger story that invokes the likes of “Resident Evil” with a hint of “Mission Impossible.” Set in the beginning of a major zombie outbreak, a young girl struggles to face what has happened to her after investigating a top secret government toxin that they’re manufacturing. She’s caught along with her father who happens to be an agent himself, and both are tortured for information and leads. Of course none of them are aware what this enemy holds as they threaten to unleash this toxin on Jill’s father if she doesn’t speak.
The Man With the Iron Fists (2012)
It’s disheartening to see that deep down, composer and hip hop artist RZA is just another filmmaker who wants to be Quentin Tarantino. It’s not a surprise to fuel the funding for “The Man with the Iron Fists,” he teams up with another popular Tarantino wannabe Eli Roth, to make a film that desperately wants to be “Kill Bill.” Tarantino can often border on obnoxious with his films, so for wannabes to keep popping up delivering relentlessly obnoxious throwbacks feels like a waste of time and resources. I assume RZA and writer Eli Roth imagined this being shown in double bills with the “Kill Bill” series or, at least “Grindhouse.” RZA displays all the hallmarks of a man anxious to be considered in the realm of Quentin Tarantino’s wonderful chop socky tribute “Kill Bill.”
Swine (2012)
The Brothers Levitch’s “Swine” is a film that’s right up my alley. Told in three parts, “Swine” is a post apocalyptic steam punk Western that takes two warring groups of soldiers and pits them against each other in a wasteland void of human decency and nobility. This reminded me an awful lot of “Firefly” and in many respects it has that epic potential because “Swine” has a really good head on its shoulder with a creative vision that can make it a hit at festivals and garner an immense fan base. I sure as hell would follow this if it became a feature length film. In a world where all law has been abolished, there are two fronts on the battlefield.
Green Lantern: Extended Cut (2011) [Blu-ray]
It’s a shame when a movie has such potential to be greater than the whole of its sum and fails to live up to it in the end. That’s the case with “Green Lantern,” a movie with great promise to be one hell of a space epic with fantastical elements and a killer weapon, and yet… when all is said and done, “Green Lantern” is just a rank mess, a blunder of script faults and horrible exposition that jumps from scene to scene and only manages to pick up once our hero Hal becomes the Green Lantern. And then when he becomes the Green Lantern it’s all the movie is about. He becomes the Green Lantern and…? Nothing else. “Green Lantern” has the promise to be so much more than it puts on the screen, but what it makes up for in action set pieces it lacks in severely uninteresting characters.
Tangled (2010)
“Tangled” may not be from Pixar, but I’m of the opinion that it deserves as much love as a Pixar film from Disney does. Because as a film that hasn’t been animated from the famous sub-company, it’s surely a breathtaking absolutely imaginative fairy tale that conquers the Rapunzel and adds its own post-modern twist. Though I was initially horrified that this would be a simple “Shrek” clone, “Tangled” is very much in touch with Disney’s sensibilities. It’s more a fairy tale than a comedy and really plays on fate and destiny like traditional Disney tales than trying to hurl self aware comedy at us every single second the film plays. “Tangled” takes a rather boring story and adds a twist to it by offering up more in depth characters and plays on coincidence teaming together two lovelorn selfish individuals and giving them a reason to care for someone else outside of their own needs. That’s what “Tangled” is essentially about: two people who find something to care for beyond themselves and the tangled mess that occurs when they decide to compromise and help one another.
Warrior (2011)
At the end of the day when the dust settles, “Warrior” is going to be called a sports film. But deep down it’s a family film. It’s a man film about the male dynamic and the utterly fragile relationship between brothers that can be easily hampered by bad parenting. Most of all bad parenting by their father. “Warrior” is the big film of the year that will get many comparisons to 2010’s “The Fighter,” but in so many ways, Gavin O’Connor’s film is superior. Because while the previous film explored the all too common dynamic between mothers and sons, “Warrior” explores the father and son dichotomy, the fractured relationship that can blossom from years of alcoholism and disease.