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Slash (2016) [Fantasia International Film Festival 2016]

slashA teen discovers slash fan fic and writes some about characters from his favorite series Vanguard.  After an older girl reads some of it and he gets in trouble in school for its graphic nature, she pushes him to post it online for all to see and to get feedback.  This gets him noticed by one of the moderators of the forum and he’s encouraged to go read an excerpt at a Comic-Con type convention. Writer/director Clay Liford adapts from his own 2012 short of the same name, changing the lead’s obsession from Harry Potter to a fake series called Vanguard.

Here he builds a coming of age story where the two leads, Neil and Julia, are at different points in their teenage evolution and in their sexual awakening.  Both characters feel real and have natural interactions with each other and with the adults and teens around them. The characters and situations are believable, especially for someone (like this reviewer) who has encountered many a fan fic writer and read a few horrendous and other decent bits of it.  Setting the film partially at a comic-con works here as it puts the two nerds in what feels like their natural environment, where they fit in better than in their school or home settings.

Both leads here are talented and natural at their parts.  Michael Johnston plays up Neil’s awkwardness, creating a very human 15 year old nerd with dreams, aspirations, worries.  His character is never a caricature of emerging teen writers and never a send up of nerds as is often seen in these types of movies.

Playing opposite Michael Johnston is Hannah Marks as Julia, the less sheltered and more experienced fan fic writing 16 year old who shows him the ropes in terms of getting out there and finding himself.  Marks plays her character full force, never skimping on any emotions, yet never exaggerating or hamming it up.  The viewers feel with her, go through her emotional roller coaster with her.  The supporting cast, including a great Michael Ian Black leaving his sarcastic persona behind, does a great job and let Michael Johnston and Hannah Marks shine, not over shadowing them while also turning in good performance.

The film’s cinematography by Ellie Ann Fenton makes it look a bit like it belongs on current MTV or on a big screen at a convention, which is not a bad thing as this style lends itself to the subject matter at hand.  The way the scenes are shot, their settings also add to this.  The film looks good and is well framed, making it easy to concentrate on the two leads.

Slash is a well-crafted film about teen experiences and sexual awakening for the teen nerd, mainly viewed through the eyes of a fifteen year old boy.  His experiences and feelings are relatable, making even the uncomfortable moments work.  The film is touching in parts and a bit cringe-worthy in others, which are both good things here.  The film is entertaining and a glimpse into two slash fan fic writers’ lives.

Fantasia International Film Festival runs from July 14th until August 3rd, 2016.

Invasion of the Body Snatchers (1978): Collector’s Edition [Blu-Ray]

invasion-blurayPhilip Kaufman’s 1978 remake and adaptation of “Invasion of the Body Snatchers” remains one of the most resounding arguments for the purpose of remaking films. Often times like the case of “Invasion of the Body Snatchers,” directors can rework certain ideas and add something to the mythology, allowing for a starker and very bleak vision that helps a film stand on its own. John Carpenter achieved that with “The Thing,” and Philip Kaufman succeeds in adding his own layer of dread and futility with “Invasion of the Body Snatchers.” A lot of horror movies are filled with some tinge of hope that perhaps humanity or our heroes will prevail over the unusual menace threatening to consume a portion of Earth.

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I, Olga Hepranova (2016) [Fantasia International Film Festival 2016]

iolgaWhat pushes someone to once day decide they have had enough and that the only solution to be understood is to commit mass murder?

In 1973, in Prague (Czech Republic), 22 year old Olga Hepranova drove a truck into a waiting crowd, hitting 25 people and killing 8 of them.  The film is the story of how Hepranova got to this massacre. Taking on the hard task of writing this story for the screen without falling into sensationalism or exploitation, writers Roman Cilek, Tomas Weinreb, and Petr Kazda, they took a delicate subject and turned it into a touching and beautiful story of a girl who feels as though she is being bullied and who has a long period of bad luck.

After long enough of asking for help and not receiving it, she decides to take drastic measures.  They do not build Hepranova as a martyr or anti-hero but simply as a complex human being in need of help. Directors Petr Kasda and Tomas Weinreb took this script they co-wrote and turned it into a beautifully sad tale of a woman who possible could have been saved.  The way they shot the film, in tandem with cinematographer Adam Kozakl in black and white and with very somber tomes is sublime.  It takes this very heavy subject matter and make it bearable to watch.  They craft a film that mesmerizes its audience while making them just a bit uncomfortable.

As so much of the film rests on her shoulders, the part of Olga Hepranova had to be cast perfectly.  Actress Michalina Olszanska (mesmerizing in The Lure) was chosen and she is perfectly gloomy and fantastic.  She clearly understood the depth and seriousness of the part, never over acting, always giving her all and stepping in Hepranova’s shoes, no matter how uncomfortable the process looks.  She loses herself in the part and shows tremendous talent, proving that she is a start to keep watching.  The rest of the cast is also very good to great with one stand, Klara Meliskova, as Olga’s cold, unloving mother.

She shows how one woman can be there and take care of basic needs for her child while showing absolutely no love or affection toward that child.  Most characters are played as cruel or cold, except for the character of Miroslav, a man who tries to help Olga but has his own problems.  This part is played by Martin Pechlat who brings a bit of light to the film by not being as serious as the rest of the cast.  However, this is not in a funny or goofy way, but by showing just the right amount of light, even though highly flawed, to Olga’s life and the film.

The film is a must for fans of 70s Eastern Europe.  The costumes by Aneta Grnakova and the art direction by Alexandr Kozak are perfectly on point.  They give a great idea of what Prague and its people looked like in 1973.  They do a very detailed job, bringing the era to life. I, Olga Hepranova is a somber film with a dark subject that is a part of Czech history.  It was important that filmmakers behind the film pay attention to details and that they be careful to not over-dramatize the story.  They do this while creating a perfectly gloomy film that should make any audience feel something.

The very timely subject matter of a mass murderer running people over with a truck is unfortunate but it should not keep people from seeing this film when the genre, style, or subject matter is something they would like to watch.  This is not a film that is a feel good one; on the contrary, it’s depressing, sad, and beautiful.

Psychonauts, the Forgotten Children (2016) [Fantasia International Film Festival 2016]

PsychonautsI think audiences will enjoy the incessantly dreary and bleak tone of “Psychonauts, The Forgotten Children,” but for me it felt a step too heavy and morose and undercut a lot of the attempts at whimsy and absurd humor. “Psychonauts” is adapted from Alberto Vázquez’s independent Spanish language graphic novel “Psiconautas,” which featured the character Bird Boy, who starred in his own award winning short film from Vazquez. Bird Boy returns in the film as a side character who is relentlessly pursued by local officers, both of whom want him dead and will do whatever it takes to kill him, despite his seemingly innocent habit with “Happy pills” he’s dependent on to keep demons at bay.

Meanwhile mouse Dinky is desperate to run away from her adoptive family that pressures her to become an engineer, oblivious to the landfills outside of their town that involve rats. These rats look for copper to survive, and the tensions rise as the space for survival grows smaller. I had a love hate relationship with “Psychonauts.” Originally I was so excited to see it since the animation is absolutely beautiful, but it’s such a heavy handed and dire metaphor for poverty and conformity I was actually not entertained all that much. Granted, when I savored the brilliant animation style, I loved what Alberto Vazquez and Pedro Rivero had to offer audiences alike.

But once I dug in to the story, it was a pretty miserable experience with tales about scavenging rats, drug addicted bird boys, and young teenage mice with dark voices tempting them to murder their friends and family. Alberto Vázquez and Pedro Rivero’s “Psychonauts” is a haunting, very heavy animated film with stark political and social overtones. Those themes hobble it in some instances, sadly, muddying up the excellent animation, and richer more complex tale about madness, and looking for a purpose in a land where opportunity involves murder and or conformity.

Batman: The Killing Joke (2016)

batman-killingjokeDC And Warner have at their hands one of the most iconic Batman narratives of all time, a narrative that asks the question if the Joker is truly someone too weak to endure a really awful life, or if he can submit someone to so much pain they can become exactly like him. All it takes is one bad day, he insists. “The Killing Joke” is surprisingly only seventy six minutes in length and still manages to feel way too long. For an iconic story with such a meaty premise, DC and Warner obviously have absolutely no idea how to put it to screen, and manage to botch this adaptation big time. With “The Killing Joke” we have to endure what is one long winded and dull prologue that leads literally to nowhere, just to allow the viewer to connect to heroine Batgirl.

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Bad Moon (1996) [Blu-Ray]

BadMoon-Blu-rayEric Red’s “Bad Moon” is a brutally underrated werewolf movie that, much like “Fright Night,” takes a classic Hitchcock movie and twists it to his own conventions. “Bad Moon” is a take off of “Shadow of a Doubt” where a sister is forced to confront her beloved brother’s evil side and realize that their once picturesque relationship was a complete lie the whole time. “Bad Moon” comes in at a little under eighty minutes, but is a tight and brisk horror thriller that is very well written and directed. Granted it has some of the special effects trappings of the nineties with a somewhat weird werewolf transformation, but at least director Red tries his damndest to show pure evil lurking within the heart of a once good man.

“Bad Moon” stars Mariel Hemingway as a tough as nails lawyer and single mother Janet. She lives alone with her son Brett and his over protective German Shepherd Thor. Thor is an especially close guardian of his two owners who is smarter than an average watch dog and seems to know much more than any dog on planet Earth. After Janet re-connects with her long lost brother Ted, she and her son Brett, along with Thor visit him to learn he’s kind of falling apart and isolated after his travels. Before they reunited, Ted was attacked in Nepal by a vicious monster that wounded him before he murdered it in self defense. After local hikers begin turning up dead, Ted moves in with his sister Janet and soon he begins forming an adversarial relationship with their guard dog Thor.

Despite Ted’s best efforts to remain secretive and cryptic with his sister and nephew, Thor is very suspicious of Ted and begins lurking in his trailer and following him around. This prompts Ted to try and devise a new way to be rid of Thor, before he helps Janet and Brett find out his ultimate secret as a werewolf. Michael Pare is a wonderful villain, who begins the narrative as charming and very well meaning, but begins to sour gradually as he realizes Thor isn’t just a passive family pet. The performances all around are fantastic, especially by dog performer Primo, who plays the protective guardian Thor. Thor is a remarkable guard for his family who looks for ways to warn them, as Ted becomes increasingly dangerous and comes to the realization that the only way he can protect himself is by eliminating Janet and Brett from his life.

Michael Pare does a damn good job as villainous Ted, working hard to convey a sense of rotted humanity within him, doing the work until Red reveals the werewolf in the light, and then the bang up special effects complete the transformation. Considering the budget and period, the special effects and monster of “Bad Moon” still looks incredible in motion and Red’s strong direction matched with the excellent editing offer up a wonderful climax you’ll have a difficult time being sucked in to. It’s a shame “Bad Moon” gets looked over in the annals of great werewolf movies as Eric Red provides a thrilling, exciting, and creepy horror movie soaked in a simple family drama.

The Blu-Ray release from Scream Factory comes with the theatrical edit and director’s cut of “Bad Moon.” The difference is a mere thirty seconds, where there’s slightly more gore and nudity in the prologue, while director Red trims down the digital transformation in the climax. The Director’s Cut comes with an audio commentary with director Eric Red alone, who provides an informative session here. He discusses everything from the screenplay, casting, and effects work, right down to cutting most of the digital transformation. The Theatrical Edit comes with an audio commentary with cast member Michael Pare, director Eric Red and John Fallon of Arrow in the Head.

It’s an okay commentary with Pare and Red being the highlight. Both cuts come with “Nature of the Beast: The Making of ‘Bad Moon’” a thirty five minute informative look at the making of the film, with interviews from the cast and crew, and how Eric Red became involved with the film itself. There’s the unrated opening sequence, clocking in at six minute, which establishes the location and gives Ted’s girlfriend a little more exposition before the sex scene. There’s the Transformation Sequence Storyboards, The Storyboards for the climactic fight between Thor and Werewolf Ted, Storyboards for Ted and Thor staring each other down, and finally the original trailer for “Bad Moon.”

Hunt for The Wilderpeople (2016) [Fantasia International Film Festival 2016]

WILDERPEOPLEDirector Taika Waititi has a keen and admirable understanding of humanity as well as the relationship with death and loss we have every waking moment of our life. Whether it’s a gory horror comedy like “What We Do in the Shadows” or a family drama like “Hunt for the Wilderpeople,” Waititi is never above examining our everlasting relationship with death that begins when we’re very young. “Hunt for the Wilderpeople” is destined to be a classic drama comedy that pits two men against the wilderness in their efforts to make sense of life and come to terms with death.

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