I’m glad there’s a lot more momentum being picked up with “Mortal Kombat” as an IP, as the series deserves a cinematic universe. It’s a series filled with mythology, and alternate universes, and monsters, as well as some vicious gore. Despite past flubs with animated attempts at “Mortal Kombat,” Warner Bros. “Scorpion’s Revenge” is a solid return to the animated medium. It doesn’t re-invent the wheel as far as “Mortal Kombat” goes, but it’s a basic meat and potatoes primer that can act as an entry way for new fans.
Tag Archives: Adaptation
You Have to See This! Mystery Science Theater 3000: The Movie (1996)
By 1996, “Mystery Science Theater 3000” was known as a cult comedy series that had gained enough mainstream traction to earn a feature film. By 1996 the once unusual comedy had become very much a hit for fans of cult cinema and science fiction. The series as a whole, when first stepping in to it, is weird. I fondly remember first watching the series and literally thinking “What the hell is this?” But when you get in to the nuts and bolts of the concept, it’s not only genius but hilarious. Suffice to say, I was hooked, without apology. Essentially you’re watching a man watching bad movies with two robots.
That’s the gist of the whole shebang.
Mortal Kombat (2021)
I’m one of the many who were there when “Mortal Kombat” crashed through America in 1992. Going from an arcade hit everyone talked about because of its vicious violence, to a home console darling, “Mortal Kombat” is a prime franchise candidate that was sadly snuffed out in 1997. After the absolute embarrassment of “Mortal Kombat: Annihilation” it took two decades for “Mortal Kombat” to finally return as a potential cinematic/franchise heavyweight.
Is Warner Bros.’ and Simon McQuoid’s reboot perfect? No. But hot damn it is good!
The Trial of the Chicago 7 (2020)
Aaron Sorkin is a man who isn’t shy about dialogue. He’ll enlist huge rants and back and forths between his characters, and yet there’s always something meaningful traded that adds to the overall narrative. A lot of people have taken issue with that staple but it generally works in great favor with “The Trial of the Chicago 7.” It’s not just an excellent dramatic reproduction of a milestone event in 1969, but it also is the movie that we sorely needed right now. In 2020, America completely turned the tide engaging in protests and important statements about civil rights, and Sorkin swoops in to add to the important conversation.
Hercules and the Captive Women (1961): Special Edition [Blu-Ray]
Also known as “Hercules and the Conquest of Atlantis,” and “Hercules Conquers Atlantis,” Vittorio Cottafavi’s is not a total disaster of a Hercules installment. Surely, it’s a weird, bizarre, and occasionally dull picture, but if the sword and sandal films (or “Peplum”) are your bag, this might whet you’re appetite. With its American title, The Film Detective releases Reg Parks’ Hercules debut from Italy in its full form, restored from the original 35mm negative and in crystal 4K clarity.
Top Five Christian Slater Movies (From a Slater Fanboy)
When I was a wee movie loving lad, I was big fan of Christian Slater. I thought he was such a cool character and everything he was in I would seek out. Everything from “Hard Rain” and “Broken Arrow,” to “The Wizard” and—yes—even “Mobsters.” Remember “Mobsters”? Imagine “St. Elmo’s Fire” but with violent Italian mobsters. In either case, many of Slater’s films have stayed a favorite of mine, including “Pump Up the Volume.” The film just garnered a deserved release on Blu-Ray and in celebration, I just had to compile my top five Christian Slater movies.
Godzilla (2014) [4K/Blu-Ray/Digital HD]
After the travesty that was the 1998 Roland Emmerich reboot of “Godzilla,” the king of the monsters went in to hiding from the states for a long time. It was until Legendary came along to hop on the expanded universe band wagon to finally give Gojira and his merry band of monsters and allies a chance to win a new generation of fans. Despite some bumps and tumbles, Gareth Edwards’ “Godzilla” is a giant step up from the 1998 embarrassment and still manages to travel well, with or without the impending “Godzilla vs. Kong.”
